Set six years after season 6, Occupied Equestria presents an alternative history where the Changelings have conquered half of Equestria, while a former Equestrian colony - soured to Princess Twilight's notion of harmony with all creatures because of their encounters with griffins - Invaded and took the other half. In Baltimare and the Equestrian Southeast, the magic of friendship has weakened, as Communists, Changeling infiltrators, Fascists, gangs, and corrupt creepy politicians threaten the city. This role play is based in large part upon the Equestria at War mod for Hearts of Iron 4, and uses D&d 3.5e mechanics
In the North, in Bales, Brie has just aquired a carriage with which he shall make the journey into the Changeling Occupied Zone, alongt with Spark and Onyx. In Baltimare, Dark Star recouperates from injuries sustained in a near fatal encounter with a Changeling opperative. Silver helps treat two traumatized orphans, and Iron examines ancient secrets in the Jungles
/vx/ - Videogames and Paranormal
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1847 replies and 155 files omitted.
>>103529
I was going to object to the giant castle popping out of the ground being something that never happens in Florida, but then I remembered hearing about some weird loner immigrant guy who built an entire castle all by himself in Florida, and was sometimes claimed to use supernatural or strange magnetic powers to do it. Also there's the Disney World castle appearing out of the swamp
https://en.wikipedia.org/wiki/Coral_Castle
https://youtu.be/T7_Ip_h27Us?t=110
I was going to object to the giant castle popping out of the ground being something that never happens in Florida, but then I remembered hearing about some weird loner immigrant guy who built an entire castle all by himself in Florida, and was sometimes claimed to use supernatural or strange magnetic powers to do it. Also there's the Disney World castle appearing out of the swamp
https://en.wikipedia.org/wiki/Coral_Castle
https://youtu.be/T7_Ip_h27Us?t=110
>>103532
I'm expecting to see a Florida man headline for Ponyville on the newspaper now.
>"Ponyville Pony shed a Manitcore's hair off and made a doormat out of it"
I'm expecting to see a Florida man headline for Ponyville on the newspaper now.
>"Ponyville Pony shed a Manitcore's hair off and made a doormat out of it"
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>>103538
Yes, just chose the destination.
Again, the options are to cross the river into a town on the other side, then go through customs or try to jump the wall, to cries a bridge directly into customs, or to try to cross the river further north or south and attempt to avoid being noticed
Yes, just chose the destination.
Again, the options are to cross the river into a town on the other side, then go through customs or try to jump the wall, to cries a bridge directly into customs, or to try to cross the river further north or south and attempt to avoid being noticed
>>103541
What do you mean where? Following the map along the most civilized and paved >road toward customs, and then from there onward - making detours as necessary - opting for the most paved route from our location to the Hive in question, assuming that last part is determinable from the map/directions acquired
What do you mean where? Following the map along the most civilized and paved >road toward customs, and then from there onward - making detours as necessary - opting for the most paved route from our location to the Hive in question, assuming that last part is determinable from the map/directions acquired
There are other wisdom scores involved in the determination
>>103545
>>103543
Alright. Brie goes along a road that leads through the center of town. It's a well trafficked road with many ponies with carts - carts being definitely more popular than any mode of transport that is propelled by its own power - and past tall buildings, tenements, a library, and row houses, until the river front and a few derelict hotels are reached.
Here, at the riverfront, Brie encounters a bridge. There's something out of place, almost anamchronistic about this bridge, as one side of it has a set of turrets almost like a castle wall. Indeed, the red stone facade on this part of the bridge does have a couple low towers that makes the whole contruct resemble a medieval fortress. The bridge itself is a concrete or perhaps stone archway, about the equivalent of two lanes wide. Not much traffic passes on the bridge. At the center of the bridge, in a span perhaps two arches in length that lies between the bridge's two towers, the red stone turret stops, and the pavement of the bridge turns a subtly lighter shade of grey. This little span seems to mark a great change in the scenery moving forward. There are a number of buildings on the otherside, but these become increasingly likely to seem unoccupied, or perhaps even over occupied. A shop is abandoned and its windows broken, while a hotel seems to be converted into makeshift housing where more than one family shares a studio. Broken windows are common, as are buildings with great gashes and collapsed walls. Carts are fewer in number, but when they are seen, they are seen overloaded with grandfather clocks, suitcases, and farm animals, headed in the opposite direction. A couple ponies look on to Brie and company as the pass with evident curiosity or confusion.
As they progress further, they pass what was once the Red Fields Fire-station. Now, it has an automobile, and a small barbed wire barriacde around it, as well as a number of Griffins in military uniform. They wear a brown uniform that Brie has likely not seen before, as well as brown caps, and wear on their shoulders a green flag with yellow cross. This is hardly the last view of soldiers to be had, as Brie nears what seems to be the crossing point.
Just beyond a two story apartment building is what seems to have once been a road. "Once been," because there is now a wall spanning down its length. It's made of steel, including both plates and grated sections, and perhaps only 18 feet in height, but it's there. It's what's along this road that is more interesting. There is a guard tower on one end, and a number of ponies standing around. These ponies wear a light green uniform, and are accompanied by similar brown uniformed griffins. The Griffins stand around, sometimes bored, sometimes talking to each other, often smoking, but occassionaly taking careful note of the movements of a line of ponies in a fenced off section. It is this line of ponies that the uniformed ponies mind themselves with, as some uniformed ponies talk to the ponies, some shine lights in their eyes, and some look over papers, while still others search carts that are pulled through. The ponies themselves vary in appearence. Some look as anxious as a pony can be. Some are patient and look well off, often wearing relatively fancy clothing. More than a few look fatigued or even ill, though the ponies around them see no need to quarantine them. They may look famished.
Above this whole scene flies a flag that is not unfamiliar, though rarely seen flying. In some ways it resembles the Equestrian flag, the one with two princeses together in the center of blue field surrounded by stars. This one, however, has fewer stars, and the princesses are replaced by a pair of horse shoes. Whereas the Princesses of the Equestrian flag faced each other in evident unity, the two horsehoes of this flag face away from each other, though their backs meet in the middle. It's almost like a pair of horseshoe magnets back to back, polarizing that which is around them.
Brie himself heads towards a shorter line, mostly of better off ponies, heading towards a pair of ponies on the other side
>>103543
Alright. Brie goes along a road that leads through the center of town. It's a well trafficked road with many ponies with carts - carts being definitely more popular than any mode of transport that is propelled by its own power - and past tall buildings, tenements, a library, and row houses, until the river front and a few derelict hotels are reached.
Here, at the riverfront, Brie encounters a bridge. There's something out of place, almost anamchronistic about this bridge, as one side of it has a set of turrets almost like a castle wall. Indeed, the red stone facade on this part of the bridge does have a couple low towers that makes the whole contruct resemble a medieval fortress. The bridge itself is a concrete or perhaps stone archway, about the equivalent of two lanes wide. Not much traffic passes on the bridge. At the center of the bridge, in a span perhaps two arches in length that lies between the bridge's two towers, the red stone turret stops, and the pavement of the bridge turns a subtly lighter shade of grey. This little span seems to mark a great change in the scenery moving forward. There are a number of buildings on the otherside, but these become increasingly likely to seem unoccupied, or perhaps even over occupied. A shop is abandoned and its windows broken, while a hotel seems to be converted into makeshift housing where more than one family shares a studio. Broken windows are common, as are buildings with great gashes and collapsed walls. Carts are fewer in number, but when they are seen, they are seen overloaded with grandfather clocks, suitcases, and farm animals, headed in the opposite direction. A couple ponies look on to Brie and company as the pass with evident curiosity or confusion.
As they progress further, they pass what was once the Red Fields Fire-station. Now, it has an automobile, and a small barbed wire barriacde around it, as well as a number of Griffins in military uniform. They wear a brown uniform that Brie has likely not seen before, as well as brown caps, and wear on their shoulders a green flag with yellow cross. This is hardly the last view of soldiers to be had, as Brie nears what seems to be the crossing point.
Just beyond a two story apartment building is what seems to have once been a road. "Once been," because there is now a wall spanning down its length. It's made of steel, including both plates and grated sections, and perhaps only 18 feet in height, but it's there. It's what's along this road that is more interesting. There is a guard tower on one end, and a number of ponies standing around. These ponies wear a light green uniform, and are accompanied by similar brown uniformed griffins. The Griffins stand around, sometimes bored, sometimes talking to each other, often smoking, but occassionaly taking careful note of the movements of a line of ponies in a fenced off section. It is this line of ponies that the uniformed ponies mind themselves with, as some uniformed ponies talk to the ponies, some shine lights in their eyes, and some look over papers, while still others search carts that are pulled through. The ponies themselves vary in appearence. Some look as anxious as a pony can be. Some are patient and look well off, often wearing relatively fancy clothing. More than a few look fatigued or even ill, though the ponies around them see no need to quarantine them. They may look famished.
Above this whole scene flies a flag that is not unfamiliar, though rarely seen flying. In some ways it resembles the Equestrian flag, the one with two princeses together in the center of blue field surrounded by stars. This one, however, has fewer stars, and the princesses are replaced by a pair of horse shoes. Whereas the Princesses of the Equestrian flag faced each other in evident unity, the two horsehoes of this flag face away from each other, though their backs meet in the middle. It's almost like a pair of horseshoe magnets back to back, polarizing that which is around them.
Brie himself heads towards a shorter line, mostly of better off ponies, heading towards a pair of ponies on the other side
>>103547
Holy shit, that's a lot of text.
I think I can get into the game, actually. If you're up for it, of course.
Holy shit, that's a lot of text.
I think I can get into the game, actually. If you're up for it, of course.
>>103542
The little hedgehog things move along. Then they see Silver. They turn, one by one as if in a formation towards silver, and stand on two legs, silently. Then they arch their backs, and screech
"EEEK!"
>>103548
If Iron has moves, sure, but note that I want to have some more dialogue between Grant and Pear, which will have to come before it is interrupted by actions, and will take some time to type
The little hedgehog things move along. Then they see Silver. They turn, one by one as if in a formation towards silver, and stand on two legs, silently. Then they arch their backs, and screech
"EEEK!"
>>103548
If Iron has moves, sure, but note that I want to have some more dialogue between Grant and Pear, which will have to come before it is interrupted by actions, and will take some time to type
>>103549
>Iron has moves
I don't know what do you mean by that, but sure. I can wait to hear that dialog.
>Iron has moves
I don't know what do you mean by that, but sure. I can wait to hear that dialog.
>>103556
I think that post was supposed to be “sompepony else could interrogate him.” Anyways, good to see you back. And stay away from alcohol, it’s bad for you. Unfortunately, I have to go to sleep right now.
I think that post was supposed to be “sompepony else could interrogate him.” Anyways, good to see you back. And stay away from alcohol, it’s bad for you. Unfortunately, I have to go to sleep right now.
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Is anyponer here this morning?
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>>103562
You said that last night
But more seriously, that’s fine. I’m still at work but have absolutely nothing to do
>>103563
One of the creatures turns its back towards Silver, and shoots a quill as a projectile in the direction of Silver and the colts. It hits the plastic, and is deflected. White Orchid moves back, while Mint Marine dives to hide under Silver behind his forelegs
You said that last night
But more seriously, that’s fine. I’m still at work but have absolutely nothing to do
>>103563
One of the creatures turns its back towards Silver, and shoots a quill as a projectile in the direction of Silver and the colts. It hits the plastic, and is deflected. White Orchid moves back, while Mint Marine dives to hide under Silver behind his forelegs
>>103564
Real shit, I'm having a test today at midday. I somehow am still alive after sleeping for 3 hours.
Do you think you'll have your dialog ready when I come back in about 2 or 3 hours later?
Real shit, I'm having a test today at midday. I somehow am still alive after sleeping for 3 hours.
Do you think you'll have your dialog ready when I come back in about 2 or 3 hours later?
>>103564
Silver flinches in surprise, half-expecting to look down and see a quill stuck in his hide before he realizes that it was deflected. "I suddenly see why there is plastic screen." He looks first back to White Orchid, then down to Mint Marine between his forelegs. "Are you two alright?"
Silver flinches in surprise, half-expecting to look down and see a quill stuck in his hide before he realizes that it was deflected. "I suddenly see why there is plastic screen." He looks first back to White Orchid, then down to Mint Marine between his forelegs. "Are you two alright?"
>>103565
Oh shit! Well good luck. I am technically at work for these next three hours, including a long lunch break that shall be spent at a local taco place, so I will be posting from phone and may not have a long set of dialogue ready. But I’ll keep it in mind
>>103566
“Y-Yes” says Mint Marine, looking out. White Orchid has flinched as well, even if he did not dive for cover.
“... Pukwudgies”
One of the brightly colored little creatures leans forward and gives a “Raaah!” While two more must believe their business is concluded, as they turn away and start to wonder off.
Oh shit! Well good luck. I am technically at work for these next three hours, including a long lunch break that shall be spent at a local taco place, so I will be posting from phone and may not have a long set of dialogue ready. But I’ll keep it in mind
>>103566
“Y-Yes” says Mint Marine, looking out. White Orchid has flinched as well, even if he did not dive for cover.
“... Pukwudgies”
One of the brightly colored little creatures leans forward and gives a “Raaah!” While two more must believe their business is concluded, as they turn away and start to wonder off.
>>103569
Silver takes note at how afraid the two colts are. "Should we leave them be and look at next exhibit?"
Silver takes note at how afraid the two colts are. "Should we leave them be and look at next exhibit?"
>>103571
“Sure...”
Mint Marine takes another long look at the Jelly bean colored terrors before moving off
The next location is more open, with just a basic fence and some grass
“Sure...”
Mint Marine takes another long look at the Jelly bean colored terrors before moving off
The next location is more open, with just a basic fence and some grass
>>103574
The first creatures to be seen are little brown rabbits with antlers on them. They seem almost curious, and approach
The first creatures to be seen are little brown rabbits with antlers on them. They seem almost curious, and approach
>>103576
"I think I have heard of these before, but I can not think of name." He waves at the approaching rabbits. "Hello little ones."
"I think I have heard of these before, but I can not think of name." He waves at the approaching rabbits. "Hello little ones."
>>103579
"Aw, yes, that is name." Silver does much the same as the foals, though all he needs to do is peer over the top of the fence. "Cute little things, these."
"Aw, yes, that is name." Silver does much the same as the foals, though all he needs to do is peer over the top of the fence. "Cute little things, these."
>tfw you hit reply too early without replying to someone else
>>103580
That sucks to hear, Anon. I hope things get better for you soon.
>>103580
That sucks to hear, Anon. I hope things get better for you soon.
>>103585
Silver lets out a chuckle and musses up the colt's mane. He remembers being like White Orchid, once. "Sorry, little one." He also waves to the mare as a friendly greeting.
Silver lets out a chuckle and musses up the colt's mane. He remembers being like White Orchid, once. "Sorry, little one." He also waves to the mare as a friendly greeting.
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