Set six years after season 6, Occupied Equestria presents an alternative history where Chrysalis chose a different approach to her second attack on Equestria. The Changelings have conquered half of Equestria, while a former Equestrian colony - soured to Princess Twilight's notion of harmony with all creatures thank to their dealing with griffins - Invaded and took the other half. In Baltimare and the Equestrian Southeast, the magic of friendship has weakened, as Communists, Changeling infiltrators, Fascists, gangs, and corrupt creepy politicians threaten the city. This role play is based in large part upon the Equestria at War mod for Hearts of Iron 4, and uses D&d 3.5e mechanics.
Silver is learning about foreign pony cultures, Dark Star is preparing to put on a play for the children of the Saint Prancis Orphanage, Onyx has received several possible missions from the government, Brie is buying clothing, presumably for a long journey. Ash and Iron are leaving the office of a now enraged gangster... or not.
/vx/ - Videogames and Paranormal
File (): EB7FB87B17231B3B0A3953DF6C013BC9-2114724.jpg (2.0 MB, 3508x2480, 782310.jpg)
1912 replies and 79 files omitted.
>>91256
An eye pokes out from behind the doorway
>>91257
Kerr does not seem to fully understand. Wesley volunteers an explanation to Kerr
"Die Bruderschaft ist ein wert der Wechselbalgs. Ponys haben nicht die gleichen Beziehungen zu ihren Kameraden und haben kein Pflichtgefühl. Sie haben keine Hingabe an den Bienenstock und teilen nicht die wenigen Mütter."
An eye pokes out from behind the doorway
>>91257
Kerr does not seem to fully understand. Wesley volunteers an explanation to Kerr
"Die Bruderschaft ist ein wert der Wechselbalgs. Ponys haben nicht die gleichen Beziehungen zu ihren Kameraden und haben kein Pflichtgefühl. Sie haben keine Hingabe an den Bienenstock und teilen nicht die wenigen Mütter."
>>91258
"Er hat recht. Ich weiß nicht, wie das Leben in oder für den Bienenstock ist, aber obwohl Ponys für ihre Liebe bekannt sind, zeichnen sie sich durch Grausamkeit und Missachtung aus. Das Leiden eines Ponys ist für das nächste nicht relevant. Sie werden sich auf der Straße sterben lassen, wenn es für sie selbst und für die, die sie für „würdig“ halten, einen Moment des Glücks bedeutet." Brie is looking about with steely eyes at this point, reminded of who and where he is.
"Er hat recht. Ich weiß nicht, wie das Leben in oder für den Bienenstock ist, aber obwohl Ponys für ihre Liebe bekannt sind, zeichnen sie sich durch Grausamkeit und Missachtung aus. Das Leiden eines Ponys ist für das nächste nicht relevant. Sie werden sich auf der Straße sterben lassen, wenn es für sie selbst und für die, die sie für „würdig“ halten, einen Moment des Glücks bedeutet." Brie is looking about with steely eyes at this point, reminded of who and where he is.
>>91261
"Nothing is going on right now." She says, folding up the vomit-stained handkerchief
"I would like to speak with you, if you would please."
"Nothing is going on right now." She says, folding up the vomit-stained handkerchief
"I would like to speak with you, if you would please."
>>91261
"Miss, is there something I can help you with? You seemed captivated by my conversation. I wonder if perhaps you had some interest in what I was saying." Brie says tapping her on the shoulder, not aggressively, but with subtle weight to his words.
"Miss, is there something I can help you with? You seemed captivated by my conversation. I wonder if perhaps you had some interest in what I was saying." Brie says tapping her on the shoulder, not aggressively, but with subtle weight to his words.
>>91262
He moves his head out to look at Ash, but does not come through the door way. The two mooks are effectively in front of him, and have come to understand that nothing short of murder will make Ash leave. Willowbrooks continues with an odd mix of terror and curiosity in his expression
>>91263
Well, she's not close enough for touching, but she does stop looking at him, and trot off
He moves his head out to look at Ash, but does not come through the door way. The two mooks are effectively in front of him, and have come to understand that nothing short of murder will make Ash leave. Willowbrooks continues with an odd mix of terror and curiosity in his expression
>>91263
Well, she's not close enough for touching, but she does stop looking at him, and trot off
>>91250
I'm fighting really fucking hard against my own autism right now.
Silver brings his own muzzle up, putting his lips but a hair's width from Blue's. She can feel the warmth of his breath, and the soft radiating heat from his lips from the extraordinarily short distance between them. He looks deep into her eyes. "You are very beautiful mare."
I'm fighting really fucking hard against my own autism right now.
Silver brings his own muzzle up, putting his lips but a hair's width from Blue's. She can feel the warmth of his breath, and the soft radiating heat from his lips from the extraordinarily short distance between them. He looks deep into her eyes. "You are very beautiful mare."
>>91265
Brie fixes his gaze at Kerr and Wesley. Staring sternly at them, he looks to the mare and then nods his head in her direction, and then slowly follows her to allow them to catch up.
Brie fixes his gaze at Kerr and Wesley. Staring sternly at them, he looks to the mare and then nods his head in her direction, and then slowly follows her to allow them to catch up.
>>91266
She smiles, in that devious sort of grin that sort of defines her. And she stares right into his eyes. Her eyes are on the darker green side of turquoise. She moves away, just a little to position him in front of her. She says softly, without moving her lips too much,
"I try"
>>91270
She moves along, on a sidewalk. She moves her head back, evidently just enough to look back, and then she speeds up, her trot becoming a canter
>>91272
He comes through the door. Sort of between, and still behind either mook
She smiles, in that devious sort of grin that sort of defines her. And she stares right into his eyes. Her eyes are on the darker green side of turquoise. She moves away, just a little to position him in front of her. She says softly, without moving her lips too much,
"I try"
>>91270
She moves along, on a sidewalk. She moves her head back, evidently just enough to look back, and then she speeds up, her trot becoming a canter
>>91272
He comes through the door. Sort of between, and still behind either mook
>>91275
"And you succeed..." Without much of a second thought, Silver thrusts his head forward, pressing his lips against hers in a kiss.
"And you succeed..." Without much of a second thought, Silver thrusts his head forward, pressing his lips against hers in a kiss.
>>91285
**>not making him roll for it first**
"Right there." Sister Ash replies, gesturing at Henhill just a few paces ahead of herself
**>not making him roll for it first**
"Right there." Sister Ash replies, gesturing at Henhill just a few paces ahead of herself
[1d20 = 3]
>>91285
Brie matches speed but does not attempt to close, he's more intent on keeping a visual on her.
B> Hopefully she will wear herself out in her flight
>Don't get yourself killed
>Seems kind of mean to me
>Comrades before kin
>Kirr, she's a riabirity
Brie scans ahead to determine any possibilities to close distance without drawing unnecessary attention
spot check
>>91285
Brie matches speed but does not attempt to close, he's more intent on keeping a visual on her.
B> Hopefully she will wear herself out in her flight
>Don't get yourself killed
>Seems kind of mean to me
>Comrades before kin
>Kirr, she's a riabirity
Brie scans ahead to determine any possibilities to close distance without drawing unnecessary attention
spot check
Fug
>>91285
He keeps into it, leaning forward and parting her lips slightly to try to encourage her to contribute.
He keeps into it, leaning forward and parting her lips slightly to try to encourage her to contribute.
>>91291
She pushes into him, and then, places a hoof over his shoulder. She opens her mouth a bit more, then licks her tongue against his
ROLL DIE
>>91288
It doesn't seem to be. There are a number of ponies on the streets. The shops are arranged in a block fashion, with straight lines and 90 degree turns
She pushes into him, and then, places a hoof over his shoulder. She opens her mouth a bit more, then licks her tongue against his
ROLL DIE
>>91288
It doesn't seem to be. There are a number of ponies on the streets. The shops are arranged in a block fashion, with straight lines and 90 degree turns
>>91299
Iron remains in place, looking at the dyke closest to her.
(Oh great. It's that mare. Hopefully she doesn't try to act like a stallion.)
Iron remains in place, looking at the dyke closest to her.
(Oh great. It's that mare. Hopefully she doesn't try to act like a stallion.)
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