Set six years after season 6, Occupied Equestria presents an alternative history where the Changelings have conquered half of Equestria, while a former Equestrian colony - soured to Princess Twilight's notion of harmony with all creatures because of their encounters with griffins - Invaded and took the other half. In Baltimare and the Equestrian Southeast, the magic of friendship has weakened, as Communists, Changeling infiltrators, Fascists, gangs, and corrupt creepy politicians threaten the city. This role play is based in large part upon the Equestria at War mod for Hearts of Iron 4, and uses D&d 3.5e mechanics.
The long train ride to Bales is over, with Brie, Onyx, and Spark reaching their destination a little bruised but not dead or arrested. Before them lies a new and unfamiliar city and world, at the crossroads of Equestria's past and present, and also the Changeling Occupied Zone and East Equestria. In Baltimare, Dark Star prepares to set out on a mission to track down and arrest unfaithful and unreliable local law enforcement that have been leaking information to rebel forces. Silver may finally have a new toy he can use to clear the Catacombs of their undead presence. Iron, meanwhile, has drifted further into an temple in his search for a treasure sough by an archaeological expedition that was ambushed by bandits.
/vx/ - Videogames and Paranormal
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1867 replies and 166 files omitted.
>>101159
Yes, he can see both Cauldron and Pear on the other side
Cauldron: “You’re alive!” with a bit of joy
Pear pulls out a bit and tosses it to Cauldron
Yes, he can see both Cauldron and Pear on the other side
Cauldron: “You’re alive!” with a bit of joy
Pear pulls out a bit and tosses it to Cauldron
>>101161
Iron chuckles to himself, a warm smile over how Cauldron cared for his life.
"I am indeed alive. Have you found any other way around this wall?"
Hah! Pear doesn't know the extent of Iron's stubborness to be alive!
Iron chuckles to himself, a warm smile over how Cauldron cared for his life.
"I am indeed alive. Have you found any other way around this wall?"
Hah! Pear doesn't know the extent of Iron's stubborness to be alive!
>>101162
"No, it appears that rocks filled this hole right hear caused by one of the panels being dislodged, which of course was previously filled by the panel"
"No, it appears that rocks filled this hole right hear caused by one of the panels being dislodged, which of course was previously filled by the panel"
>>101169
“No. The wall consists of rectangular slabs of stones that were placed vertically. One has dislodged. The ceiling above has partly collapsed into the gap left, probably at the same time this guy over here was crushed”
“No. The wall consists of rectangular slabs of stones that were placed vertically. One has dislodged. The ceiling above has partly collapsed into the gap left, probably at the same time this guy over here was crushed”
[1d20+6 = 11]
>>101170
Iron ponders for a bit, then turns around to prepare for a test buck to see if the stones would dare move by his thick hindlegs.
Rolling power attack +5 unarmed attack.
>>101170
Iron ponders for a bit, then turns around to prepare for a test buck to see if the stones would dare move by his thick hindlegs.
Rolling power attack +5 unarmed attack.
[1d20+6 = 12]
>>101172
Iron peers in the hole again.
"I suggest you two move back in case something bad happens. I am tearing this wall down."
Returning to his original bucking position, he slams his rear hooves against the wall again to start creating a slightly bigger entrance for the mares to get inside.
>>101172
Iron peers in the hole again.
"I suggest you two move back in case something bad happens. I am tearing this wall down."
Returning to his original bucking position, he slams his rear hooves against the wall again to start creating a slightly bigger entrance for the mares to get inside.
File (): A063FB34FC454F5BCD4FA24E07B17303-86825.png (84.8 KB, 1024x1024, B62D8A02-A2B7-4706-B365-5368B1DEEAD6.png)
[1d20+6 = 23]
>>101175
(Yield at my hooves, you stubborn stone bricks.)
The bucking keeps on coming.
Bowchicabowwow~
>>101175
(Yield at my hooves, you stubborn stone bricks.)
The bucking keeps on coming.
Bowchicabowwow~
>>101176
And with this, rocks fly backward at a high rate of speed. Good thing the other ponies moved out of the way. The path now is clear
And with this, rocks fly backward at a high rate of speed. Good thing the other ponies moved out of the way. The path now is clear
>>101177
Iron exhales in satisfaction, a grin on his face.
"Alright, the path is clear. Are you both ready to see what is on the other side?"
Iron walks slowly back towards the recently discovered tomb, expecting the mares to follow suit.
Any comments along the way are appreciated.
Iron exhales in satisfaction, a grin on his face.
"Alright, the path is clear. Are you both ready to see what is on the other side?"
Iron walks slowly back towards the recently discovered tomb, expecting the mares to follow suit.
Any comments along the way are appreciated.
>>101175
So, question still stands from yesterday: what can Silver do, in relation to what I'm wanting done with explosives and/or frag bombs?
So, question still stands from yesterday: what can Silver do, in relation to what I'm wanting done with explosives and/or frag bombs?
Please note I’m actually still at work, so don’t be surprised if I can’t respond promptly or well
>>101178
“Are you ready?” She says
>>101179
Cauldron says “yes”
Pear simply nods, as if she were anticipating this
On the slabs are numerous figures and landscapes, a different scene on each slab. The body of the shot pony, who was likely a graduate student or helper, lays face down now, and partly covered in the rocks that were pushed over top him. His limbs and body generally are oddly contorted. Before, he lay against the rocks, as if they fell, or at least most of them fell, before he did
>>101180
Silver can buy any components for anything he names (if legal), and can craft whatever he thinks of putting together
>>101178
“Are you ready?” She says
>>101179
Cauldron says “yes”
Pear simply nods, as if she were anticipating this
On the slabs are numerous figures and landscapes, a different scene on each slab. The body of the shot pony, who was likely a graduate student or helper, lays face down now, and partly covered in the rocks that were pushed over top him. His limbs and body generally are oddly contorted. Before, he lay against the rocks, as if they fell, or at least most of them fell, before he did
>>101180
Silver can buy any components for anything he names (if legal), and can craft whatever he thinks of putting together
>>101181
Well, a coffee can, nails, and ball bearings would be legal, obviously. The issue is that I don't know what would serve as the low-yield explosive element, nor if there is something that would both serve that purpose and is legal.
Well, a coffee can, nails, and ball bearings would be legal, obviously. The issue is that I don't know what would serve as the low-yield explosive element, nor if there is something that would both serve that purpose and is legal.
>>101181
Got it, Mr GM. Don't multitask too hard for our sake.
Iron, deciding that maybe these dead ponies could have some more info about this place, walks over to the deceased pony and looks for anything that stands out.
Iron and crew are in that tomb of the mare with all the gold, right?
Got it, Mr GM. Don't multitask too hard for our sake.
Iron, deciding that maybe these dead ponies could have some more info about this place, walks over to the deceased pony and looks for anything that stands out.
Iron and crew are in that tomb of the mare with all the gold, right?
>>101184
She motions over to a guard, and after 30 seconds, he returns with a number of shells
“Remember, we prefer them alive”
>>101182
>>101186
>>101188
Dude, I’ve given you extremely detailed and extensive advice on this subject in very long posts
>>101183
He has nothing on him. Either what he had was taken from him, or he had nothing at the time
He does, however, have a couple basics like note paper, and a flashlight
This is the scene in front of the tomb
She motions over to a guard, and after 30 seconds, he returns with a number of shells
“Remember, we prefer them alive”
>>101182
>>101186
>>101188
Dude, I’ve given you extremely detailed and extensive advice on this subject in very long posts
>>101183
He has nothing on him. Either what he had was taken from him, or he had nothing at the time
He does, however, have a couple basics like note paper, and a flashlight
This is the scene in front of the tomb
>>101189
Sorry. My short- and long-term memory is shot all to hell, some things I can't remember mere minutes after being told while others stay around for years on end, and I forgot to write all that down.
Sorry. My short- and long-term memory is shot all to hell, some things I can't remember mere minutes after being told while others stay around for years on end, and I forgot to write all that down.
>>101189
"I Won't pull it out, unless they get aggressive. even then i'll go for a wounding shot."
He Smiles at her
"I Won't pull it out, unless they get aggressive. even then i'll go for a wounding shot."
He Smiles at her
>>101189
Iron, nodding at the new magic light thing in front of him, picks him up and hoofs it over to Cauldron.
With that, he decides to check out the slabs, now that he's more relaxed about the existence of at least some treasure to give to Cauldron.
Iron, nodding at the new magic light thing in front of him, picks him up and hoofs it over to Cauldron.
With that, he decides to check out the slabs, now that he's more relaxed about the existence of at least some treasure to give to Cauldron.
>>101192
So, coffee cans for the housing, plenty of nails and ball bearings for the fragments, a mixture of fertilizer and diesel for the explosive, and stuff to make the part of the tripwire mechanism that actually sets the bombs off. And enough of those said materials to make two, maybe even four bombs. Am I missing anything?
So, coffee cans for the housing, plenty of nails and ball bearings for the fragments, a mixture of fertilizer and diesel for the explosive, and stuff to make the part of the tripwire mechanism that actually sets the bombs off. And enough of those said materials to make two, maybe even four bombs. Am I missing anything?
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>>101193
On the first slab is depicted a number of ponies in a beautiful city, with rectangular stone buildings and pyramids. A small crowd is around a trio of ponies. To the left is an Earth Pony stallion with a traditional sword, and the skin of a tiger as headdress and armor. Two ponies with traditional swords stand at attention next to him. To the right is an Earth Pony mare wearing a brilliant headdress of bright feathers. She seems to be saying some incantation over a bowl, and vapors rise from it. She wears long robes, and two more ponies, wearing long robes prostrate themselves near her, but not to her. And in the center, ontop of pyramid in minature, is a large throne with a pegasus stallion on top. He wears a large headdress sort of similar to the mare, but larger, and with circles of turquoise radiating out along the edges, around the ears. He has a staff, and most ponies look up towards him.
The next panel in large part portrays a similar scene. It's the same city, and the pegasus stallion remains high in the center. But from the left intrude new characters. There are a number of ponies, by and large pegasi, who carry spear, and wear the plate armor of Equestrians. They wear simple metal helmets. They now take up much of the left side of the image, and they, not the pony on the pyramid, are the center of attention. All eyes converge on them, especially, a prominent pony among them who looks up to the pony on the pyramid. The Tiger wearing pony, sword now relaxed on his side, has been displaced from his position on the left. He stands alongside the mare, and her attention is on the intruders. The ponies beside her no longer prostrate themselves. They, too, standby in anticipation.
Panel three is the panel that has been dislodged, and now lies on the ground.
In panel 4, the scene has changed. There is no city, no large structures, and no staff wielding pony at the center. Some of the characters, however, remain the same. Over on the far left are a small number of huts and low level rectangular stone buildings. There is one pony in Equestrian armor, with metal helmet and spear standing in this scene, and he looks off to the left. Perhaps 4 ponies are also in the village. But a small trail of ponies head towards the right side. The middle of the panel is divided by a hill with a few trees on it, and ponies go over it. On the right side is a scene around either a small building or an entrance to a cave. A number of ponies prostrate themselves around a small fire, which itself is at the convergence of four small idols that are placed at corners around the fire, which they face. A few ponies in robes pour some sort of liquid into that makes the flames go higher and give off streaks of gas. Near the center of it is the Mare in the headdress, who stands on her high legs as she makes motions with her forelegs before the fire. The Tiger wearing pony lays prostrate beside and just behind her. Though he is down in a suppliant position, he has his head up and looks up, and so too, do several armed ponies around him. What is most interesting about this scene is what is depicted above: in the smoke that rises fly several horse shaped ethereal entities that fly in a circle.
Panel 5 is the same location. Over in the village, a number of ponies either lay on their backs, sit down and lay against buildings in a look of discomfort, or just lay on their stomachs not really looking alive. The Equestrian soldier lays sprawled partly on the ground and partly ontop of a step to a house. His rear legs are stretched all the way out, his mouth is open, and one foreleg reaches out as if to grasp something. Most have a black streak coming down from each visible eye. Water in a well has a sickly blackish hue to it, and looks unpalatable. In the skies above the clouds are thick and seem to move quickly with fast winds, as lightning comes down in multiple points. Above the clouds, above all, are the ghostly horses, dancing around. But even below, ponies dance. A number of ponies dance around the structure on the left side, around a fire. The mare moves a hoof up towards the sky. To her immediate right, sitting on the ground, is a new pony: a foal, very young, who couldn't be older than a yearling. As in the panels before, the Tiger wearing pony is not far away. But he stands proudly, sword raised to the heavens. So too do the other armed ponies stand proudly, swords raised.
Panel 6, same location. To the left is the village, but it is completely empty. There is nothing growing in the fields, no water in the well, and no livestock nor ponies. In the center, however, is a different scene. This panel depicts a battle, largely ontop of the hill. Ponies in the hides of predators, or with no armor, or with shoulder plates, clank their swords against the plate armor of Equestrian soldiers who wear their metal helmets, and who in turn thrust their spears back. And here is our Tiger wearing pony, joining in the battle, and swinging his sword. A few archers join in down the hill, but over towards the structure, a few ponies huddle. Some look thin, or even sick. Some look scared and hold onto the ponies next to them. But the mare in the headdress stands tall and confidently, looking over towards the hill with no expression of uncertainty. A yearling, now identifiable as a filly, stands next to her, and leans against her shoulders. The other robed ponies likewise stand. But far above, on the left side, the clouds dissipate, and rays of sunlight shine in. Over to the left one horse figure rides through the sky, but he seems to be heading further left and off the panel.\r
On the first slab is depicted a number of ponies in a beautiful city, with rectangular stone buildings and pyramids. A small crowd is around a trio of ponies. To the left is an Earth Pony stallion with a traditional sword, and the skin of a tiger as headdress and armor. Two ponies with traditional swords stand at attention next to him. To the right is an Earth Pony mare wearing a brilliant headdress of bright feathers. She seems to be saying some incantation over a bowl, and vapors rise from it. She wears long robes, and two more ponies, wearing long robes prostrate themselves near her, but not to her. And in the center, ontop of pyramid in minature, is a large throne with a pegasus stallion on top. He wears a large headdress sort of similar to the mare, but larger, and with circles of turquoise radiating out along the edges, around the ears. He has a staff, and most ponies look up towards him.
The next panel in large part portrays a similar scene. It's the same city, and the pegasus stallion remains high in the center. But from the left intrude new characters. There are a number of ponies, by and large pegasi, who carry spear, and wear the plate armor of Equestrians. They wear simple metal helmets. They now take up much of the left side of the image, and they, not the pony on the pyramid, are the center of attention. All eyes converge on them, especially, a prominent pony among them who looks up to the pony on the pyramid. The Tiger wearing pony, sword now relaxed on his side, has been displaced from his position on the left. He stands alongside the mare, and her attention is on the intruders. The ponies beside her no longer prostrate themselves. They, too, standby in anticipation.
Panel three is the panel that has been dislodged, and now lies on the ground.
In panel 4, the scene has changed. There is no city, no large structures, and no staff wielding pony at the center. Some of the characters, however, remain the same. Over on the far left are a small number of huts and low level rectangular stone buildings. There is one pony in Equestrian armor, with metal helmet and spear standing in this scene, and he looks off to the left. Perhaps 4 ponies are also in the village. But a small trail of ponies head towards the right side. The middle of the panel is divided by a hill with a few trees on it, and ponies go over it. On the right side is a scene around either a small building or an entrance to a cave. A number of ponies prostrate themselves around a small fire, which itself is at the convergence of four small idols that are placed at corners around the fire, which they face. A few ponies in robes pour some sort of liquid into that makes the flames go higher and give off streaks of gas. Near the center of it is the Mare in the headdress, who stands on her high legs as she makes motions with her forelegs before the fire. The Tiger wearing pony lays prostrate beside and just behind her. Though he is down in a suppliant position, he has his head up and looks up, and so too, do several armed ponies around him. What is most interesting about this scene is what is depicted above: in the smoke that rises fly several horse shaped ethereal entities that fly in a circle.
Panel 5 is the same location. Over in the village, a number of ponies either lay on their backs, sit down and lay against buildings in a look of discomfort, or just lay on their stomachs not really looking alive. The Equestrian soldier lays sprawled partly on the ground and partly ontop of a step to a house. His rear legs are stretched all the way out, his mouth is open, and one foreleg reaches out as if to grasp something. Most have a black streak coming down from each visible eye. Water in a well has a sickly blackish hue to it, and looks unpalatable. In the skies above the clouds are thick and seem to move quickly with fast winds, as lightning comes down in multiple points. Above the clouds, above all, are the ghostly horses, dancing around. But even below, ponies dance. A number of ponies dance around the structure on the left side, around a fire. The mare moves a hoof up towards the sky. To her immediate right, sitting on the ground, is a new pony: a foal, very young, who couldn't be older than a yearling. As in the panels before, the Tiger wearing pony is not far away. But he stands proudly, sword raised to the heavens. So too do the other armed ponies stand proudly, swords raised.
Panel 6, same location. To the left is the village, but it is completely empty. There is nothing growing in the fields, no water in the well, and no livestock nor ponies. In the center, however, is a different scene. This panel depicts a battle, largely ontop of the hill. Ponies in the hides of predators, or with no armor, or with shoulder plates, clank their swords against the plate armor of Equestrian soldiers who wear their metal helmets, and who in turn thrust their spears back. And here is our Tiger wearing pony, joining in the battle, and swinging his sword. A few archers join in down the hill, but over towards the structure, a few ponies huddle. Some look thin, or even sick. Some look scared and hold onto the ponies next to them. But the mare in the headdress stands tall and confidently, looking over towards the hill with no expression of uncertainty. A yearling, now identifiable as a filly, stands next to her, and leans against her shoulders. The other robed ponies likewise stand. But far above, on the left side, the clouds dissipate, and rays of sunlight shine in. Over to the left one horse figure rides through the sky, but he seems to be heading further left and off the panel.\r
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>>101199
>>101193
Panel 7 is the final panel. There are far fewer ponies in this one. There is no life in the village, no great battle on the hill, an no sign of the tiger wearing pony nor any other hide-wearing pony. The skies above are perfectly clear, with no sign of cloud, and a bright sun's rays stretch across the panel. Part of the structure that was wooden on the far left is gone, burned down, and what remains is recognizable as the temple entrance seen above, with large basalt blocks. There are not as many ponies in robes in the center, nor as many unclothed-ponies there. Four ponies look on as the headdress wearing pony uses her two hooves to plunge a dagger into her stomach, and their heads face down. The four idols sit in the back as they did before.
Over on the left, past the hill, are several unclothed ponies. All look thin. They walk up to two ponies wearing Equestrian armor, and the two in the lead prostrate themselves. Along with this group of ponies is the yearling filly, slightly larger than in the last painting. She is behind in the group, towards the right, and carries a couple feathers. But she does not look to the left, towards the soldiers. She looks to the right at a sight she could not see, beyond the hill and at the temple entrance.
>>101193
Panel 7 is the final panel. There are far fewer ponies in this one. There is no life in the village, no great battle on the hill, an no sign of the tiger wearing pony nor any other hide-wearing pony. The skies above are perfectly clear, with no sign of cloud, and a bright sun's rays stretch across the panel. Part of the structure that was wooden on the far left is gone, burned down, and what remains is recognizable as the temple entrance seen above, with large basalt blocks. There are not as many ponies in robes in the center, nor as many unclothed-ponies there. Four ponies look on as the headdress wearing pony uses her two hooves to plunge a dagger into her stomach, and their heads face down. The four idols sit in the back as they did before.
Over on the left, past the hill, are several unclothed ponies. All look thin. They walk up to two ponies wearing Equestrian armor, and the two in the lead prostrate themselves. Along with this group of ponies is the yearling filly, slightly larger than in the last painting. She is behind in the group, towards the right, and carries a couple feathers. But she does not look to the left, towards the soldiers. She looks to the right at a sight she could not see, beyond the hill and at the temple entrance.
Anyone here?
Also, posting a cute agrarian pony.
Also, posting a cute agrarian pony.
>>101201
Had an unannounced nap. Now trying to catch as much info as I can about this lore piece dropped on me.
Had an unannounced nap. Now trying to catch as much info as I can about this lore piece dropped on me.
>>101202
At the very least, the lore makes me feel as if me coming up with 1,000+ years of lore for Severyana is fairly normal.
It kinda sucks that the Watertowns are nothing more than a pawn piece on the chessboards of the surrounding powers. Their leader is top qt3.14.
At the very least, the lore makes me feel as if me coming up with 1,000+ years of lore for Severyana is fairly normal.
It kinda sucks that the Watertowns are nothing more than a pawn piece on the chessboards of the surrounding powers. Their leader is top qt3.14.
>>101200
>>101199
>,joining in the battle, and swinging his A few archers join in down to the hill
Not sure if it's a typo of just missing a dot or an unfinished sentence.
Iron looks on, amazed by the sight before him. He watched as the Earth Pony, tiger skin wearing stallion and his supposed mare face off against the Equestrian Army.
(Wait, why do these statues seem so familiar. Could it be that I am holding one of them right now?)
He focuses on the fourth panel's small idols, trying hard to identify their shapes and if they're the ones Iron and Co. were currently carrying.
After that, he carries on reading about the demise of the seemingly powerful empire over their supposed overconfidence.
"It seems they thought to have won the war due to the idols, but failed," he mutters out loud, "what a tragic disgrace they have fallen into."
He makes note of the filly standing next to the female leader of the Empire as well as how the robed mare essentially stabbed herself behind her.
"Was it a pony sacrifice to them?"
He then notices how the filly was suspiciously doing something different.
"It seems either her mother did not want her daughter to witness her death or someone betrayed somebody."
He check around him to see if Pear is currently reading this to see how right he was processing the information in front of him, walking towards the third big slab that was laying on the ground and turning it around to see what was missing from this story.
I sure hope you can abide by my continuous posting for this one.
>>101199
>,joining in the battle, and swinging his A few archers join in down to the hill
Not sure if it's a typo of just missing a dot or an unfinished sentence.
Iron looks on, amazed by the sight before him. He watched as the Earth Pony, tiger skin wearing stallion and his supposed mare face off against the Equestrian Army.
(Wait, why do these statues seem so familiar. Could it be that I am holding one of them right now?)
He focuses on the fourth panel's small idols, trying hard to identify their shapes and if they're the ones Iron and Co. were currently carrying.
After that, he carries on reading about the demise of the seemingly powerful empire over their supposed overconfidence.
"It seems they thought to have won the war due to the idols, but failed," he mutters out loud, "what a tragic disgrace they have fallen into."
He makes note of the filly standing next to the female leader of the Empire as well as how the robed mare essentially stabbed herself behind her.
"Was it a pony sacrifice to them?"
He then notices how the filly was suspiciously doing something different.
"It seems either her mother did not want her daughter to witness her death or someone betrayed somebody."
He check around him to see if Pear is currently reading this to see how right he was processing the information in front of him, walking towards the third big slab that was laying on the ground and turning it around to see what was missing from this story.
I sure hope you can abide by my continuous posting for this one.
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>>101205
>Idols
Whether the idols in the painted reliefs are one for one, the exact same idols as Iron now possesses is impossible to know. What can be determined is that they do indeed seem to be idols to the same deities as Iron possesses, or at least, take the same animal forms. A dog, a turkey, a jaguar, and a pony skeleton.
The third panel lays upright on the ground. It features the same setting as panels 1 and 2 - the city - and the same individuals. What is new, however, is one pony: an Alicorn. She wears gold regalia, and has a heavenly mane, but isn't much more ornately dressed than the other ponies in the image. Though she has no headdress, the sculptor has chosen to display rays of sun emanating from behind her head in a radial pattern resembling a headdress. She stands tall beside but not on the steps that lead to the throne, and looks down to the pony below her. The pony on the throne, who wore his great headdress of feathers and turquoise, now bows before the alicorn, descending from his throne to stand before her. The Equestrian soldiers bow likewise, though some, like the soldier who stood out in front as the evident leader in panel two, bow their heads, but not their full bodies. Most of the other ponies in the image, who are not clothed, or wear ordinary civilian clothing, likewise bow to the Alicorn. A number of small columns tip over, and an idol can be seen crashing to the floor, and cracking in two. Above the city, the sun shines with bright rays, and the rays from the sun in the center link with the rays emanating from the Alicorn. But over on the right side of the image, many familiar ponies, our mare with the headdress, and the Tiger hide wearing sword wielder, do not bow before their new God Empress, nor do several other robe wearers and sword wielders, nor a few unclothed ponies. Their reactions very from horror, to disgust, to fear. Most, including the mare and stallion that become the centers of the later panels, turn their heads away.
>Idols
Whether the idols in the painted reliefs are one for one, the exact same idols as Iron now possesses is impossible to know. What can be determined is that they do indeed seem to be idols to the same deities as Iron possesses, or at least, take the same animal forms. A dog, a turkey, a jaguar, and a pony skeleton.
The third panel lays upright on the ground. It features the same setting as panels 1 and 2 - the city - and the same individuals. What is new, however, is one pony: an Alicorn. She wears gold regalia, and has a heavenly mane, but isn't much more ornately dressed than the other ponies in the image. Though she has no headdress, the sculptor has chosen to display rays of sun emanating from behind her head in a radial pattern resembling a headdress. She stands tall beside but not on the steps that lead to the throne, and looks down to the pony below her. The pony on the throne, who wore his great headdress of feathers and turquoise, now bows before the alicorn, descending from his throne to stand before her. The Equestrian soldiers bow likewise, though some, like the soldier who stood out in front as the evident leader in panel two, bow their heads, but not their full bodies. Most of the other ponies in the image, who are not clothed, or wear ordinary civilian clothing, likewise bow to the Alicorn. A number of small columns tip over, and an idol can be seen crashing to the floor, and cracking in two. Above the city, the sun shines with bright rays, and the rays from the sun in the center link with the rays emanating from the Alicorn. But over on the right side of the image, many familiar ponies, our mare with the headdress, and the Tiger hide wearing sword wielder, do not bow before their new God Empress, nor do several other robe wearers and sword wielders, nor a few unclothed ponies. Their reactions very from horror, to disgust, to fear. Most, including the mare and stallion that become the centers of the later panels, turn their heads away.
>>101207
So Celestia herself probably caused the attack. How scandalous!
Iron is dumbfounded.
(A pony with wings and horn? What is this I am seeing? Why would the Empire's leaders act so hostile to begin with? Did she try to placate them with peace, knowing that reliance on technology is bound to weaken their spirits? Did she simply waltz in and declared war?)
Iron was quite confused at this new revelation, rubbing his temples.
So Celestia herself probably caused the attack. How scandalous!
Iron is dumbfounded.
(A pony with wings and horn? What is this I am seeing? Why would the Empire's leaders act so hostile to begin with? Did she try to placate them with peace, knowing that reliance on technology is bound to weaken their spirits? Did she simply waltz in and declared war?)
Iron was quite confused at this new revelation, rubbing his temples.
File (): D6D715FA8573D2C662E8CE0F9AA7AB5B-322400.jpg (314.8 KB, 696x870, d5rjryc-68118d8d-2aba-4cfc-a723-c745001229ca.jpg)
Pear looks at Iron, then at the painted reliefs, then back at Iron.
"Critical Theory - My department head at the University - wrote that there is a new consensus as to what happened in the Equestrian integration of the Southern Ponies... They say that viceroy Valiant Cello sent in High View to bring the independent Marexica ponies to heel, and then when a portion of them did not submit, crushed them violently. They say that Hummingbird Feather was kept as a nominal vassal to justify the conquest as a prisoner of High View. They say that the disaster that followed in the Tenochtitlan basin, the drought, the storms, and the cocoliztli was caused by Equestrian mismanagement and indifference. They say the cocolitzi was caused by Equestrians moving the natives closer together, and among new livestock, which, combined with drought forcing fewer and more contaminated water supplies, caused bacterial outbreaks. They say the bad weather was caused by Equestrian weather control taking over a carefully balanced southern ecosystem. They say all of this happened under the watch of Celestia, who herself forced the Southern ponies to assimilate culturally and forced them to become part of her empire."
She seems a little emotional, not really to the point of tears, but perhaps halfway there.
"But that is not what this says here. The Marexica were a proud and culturally productive herd, and they were independent and prosperous in the generations after the fall of Quetzalcoatl. But they were not bullied by Equestria the way the revisionist historians say they were. The Marexica were very religious. They saw nature as controlled by a number of deities. When they saw that the Goddess of Sun and Light herself appeared before them, they recognized her as the head of the natural order. Hummingbird Feather was not kept hostage as a political prisoner by Equestrian conquerers..."
She points her hoof at the third panel on the ground
"When he saw Celestia, he saw her for who she was, She who brings the Sun, and who can instill harmony in ponies. He willingly accepted her as Suzerain over his Kingdom, and the majority of his ponies did as well."
Her eyes look over to the right, towards panels 4 and on
"But the Marexica were a proud and religious herd... The Neighuatl pantheon has a number of Dieties in it, both light and dark, good and evil. To them, all were gods, and masters of the Universe, and ponies were subservient to all. Equestrian religion, though perhaps possessing a greater claim to good and the light, has no place for Darkness nor Evil. Many of the idols of the Marexica were destroyed, and this change in religious practice, as well as other societal changes and subservience to foreign rulers caused unrest in a portion of the population, especially among the priesthood and the military, who didn't fit in well after the changes the Equestrians brought. They saw their culture and country as being subverted and destroyed. So they fled to their hideouts in the hills and in the caves.
There, they once again prayed to their gods, the gods who had their idols smashed, and prayed for them to take vengeance on the invaders and the traitors. When they saw the Cocoliztli and the drought, they must have thought their prayers had been answered - whatever the true cause. So they resisted, and waged a guerilla war against the Equestrians. But the Equestrians had faith in their own God to carry them in battle, and what is more, they had steel. And Equestrian faith, blood, and steel lead them to victory over the rebels. The last rebels either surrendered, or committed suicide. And that's what in this temple. Not Hummingbird Feather and his treasure - he's under a cathedral in Tenochtitlan - but the last free pony of the Marexica. She decided to die rather than to surrender, and her followers buried her here along with the idols of her lost religion"
\r
"Critical Theory - My department head at the University - wrote that there is a new consensus as to what happened in the Equestrian integration of the Southern Ponies... They say that viceroy Valiant Cello sent in High View to bring the independent Marexica ponies to heel, and then when a portion of them did not submit, crushed them violently. They say that Hummingbird Feather was kept as a nominal vassal to justify the conquest as a prisoner of High View. They say that the disaster that followed in the Tenochtitlan basin, the drought, the storms, and the cocoliztli was caused by Equestrian mismanagement and indifference. They say the cocolitzi was caused by Equestrians moving the natives closer together, and among new livestock, which, combined with drought forcing fewer and more contaminated water supplies, caused bacterial outbreaks. They say the bad weather was caused by Equestrian weather control taking over a carefully balanced southern ecosystem. They say all of this happened under the watch of Celestia, who herself forced the Southern ponies to assimilate culturally and forced them to become part of her empire."
She seems a little emotional, not really to the point of tears, but perhaps halfway there.
"But that is not what this says here. The Marexica were a proud and culturally productive herd, and they were independent and prosperous in the generations after the fall of Quetzalcoatl. But they were not bullied by Equestria the way the revisionist historians say they were. The Marexica were very religious. They saw nature as controlled by a number of deities. When they saw that the Goddess of Sun and Light herself appeared before them, they recognized her as the head of the natural order. Hummingbird Feather was not kept hostage as a political prisoner by Equestrian conquerers..."
She points her hoof at the third panel on the ground
"When he saw Celestia, he saw her for who she was, She who brings the Sun, and who can instill harmony in ponies. He willingly accepted her as Suzerain over his Kingdom, and the majority of his ponies did as well."
Her eyes look over to the right, towards panels 4 and on
"But the Marexica were a proud and religious herd... The Neighuatl pantheon has a number of Dieties in it, both light and dark, good and evil. To them, all were gods, and masters of the Universe, and ponies were subservient to all. Equestrian religion, though perhaps possessing a greater claim to good and the light, has no place for Darkness nor Evil. Many of the idols of the Marexica were destroyed, and this change in religious practice, as well as other societal changes and subservience to foreign rulers caused unrest in a portion of the population, especially among the priesthood and the military, who didn't fit in well after the changes the Equestrians brought. They saw their culture and country as being subverted and destroyed. So they fled to their hideouts in the hills and in the caves.
There, they once again prayed to their gods, the gods who had their idols smashed, and prayed for them to take vengeance on the invaders and the traitors. When they saw the Cocoliztli and the drought, they must have thought their prayers had been answered - whatever the true cause. So they resisted, and waged a guerilla war against the Equestrians. But the Equestrians had faith in their own God to carry them in battle, and what is more, they had steel. And Equestrian faith, blood, and steel lead them to victory over the rebels. The last rebels either surrendered, or committed suicide. And that's what in this temple. Not Hummingbird Feather and his treasure - he's under a cathedral in Tenochtitlan - but the last free pony of the Marexica. She decided to die rather than to surrender, and her followers buried her here along with the idols of her lost religion"
\r
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