>>160393This is the fourth door Amber has had to go through to get to the item in question. After it opens, Amber understands why. Amber goes downwards in a small staircase to a room downstairs.
The room is square in shape, with stone bottom, walls, and ceiling, though the ceiling is vaulted upwards in an arch. On the far side is a raised square that seems to be something like a well, containing a hole that cannot be viewed into, at least without directed light like a flashlight, which no one here has. There are slots for torches, and a couple holes in the roof that seem to be part of some kind of ventilation system. The room as a whole is maybe 18 feet by 18 feet, rather large. In the center of the room is a raised square of stone, perhaps an entire foot higher. On top of that is a few pieces of lumber. But it's what is on top of that that demands all attention
On top of the raised platform is a statue that is just a little bit smaller than a life sized griffin Exactly what the statute is made of is hard to say. Surely, it must be a composite of more than material. At the base is a rectangle covered in what appears to be sea amber, with glyphs and writing in some language Amber cannot identity, surrounding it.
On top of the base is a statue of what appears to be a griffin - or something that approximates the appearance of a griffin - sitting on a throne. It's posture has it hunched over, with a curved, arched back, and wings that are only partly covered in feathers that are pulled up, and partly extended. The front legs are unnaturally long and very thin, extending down to the base. The beak is open, as if cawing, and the head is slightly angled, though looking forward.
There are two things that immediately stand out. One, the depiction does not seem to approximate a live griffin, but probably approximates a dead griffin, or maybe a griffin suffering from extreme hunger. The legs are bony and thin, with no muscle and almost bare bone. The paws are so devoid of flesh that only the claws show. The wings are bare in many places of feathers, appearing skeletal and almost like a bat. There is the ridge of an eye socket, but no eye. The ribs show, and the belly is so thin as to be like a greyhound. The tail is very, very long, and curls around from underneath the griffin, all the way up to the front, and halfway up towards the griffin's head in a large 3/4 circle.
But what is more is why this depiction
approximates the appearance of a dying griffin. The simple truth is that it isn't a representation of a griffin at all. Rather, it is a depiction of something else assuming the appearance of a griffin - a colony of worms, or at least tentacles, all coming together to shape themselves like a griffin. There are no nostrils, no eyes, no fur, no actual bones or feathers. Rather, the sculpture expertly textures so many hundred smaller worm like creatures coming together in the shape of a hunched over griffin, sitting on a throne. One super organism from a colony of so many others, like a Portuguese Man O' War.