>>173259It's supposed to be one for the city, and another is the chapel for the Grandmaster personally, or at least, for the Order. Then again, what I had modeled this on was a city where each cathedral was of a different denominationThe guards give her the simple enough directions. Through the entrance, she is in a courtyard with a marble floor, a fountain, and columns decorated with motifs of wind. But crossing it to the left, Amber enters an foyer with a long marble staircase going up to a second floor, with tapestries depicting what seems to be hunts on either side. Here Amber also sees the white and black flag of Hellquill displayed prominently. Though the original construction is clearly hundreds of years old, there are more modern elements, most obviously the shinny new marble floors at the upper landing. She enters into a long hall, going right. To the left are large windows, and to the right, maps of Hellquill, and scenes of battles, and just as often, the modern flag of hellquill. Electric lighting pervades.
Amber ends in a large room with stone walls, surely the old refractory. It has vaulted ceilings, columns along the edges, and portraits of griffins, surely the old grandmasters, lining the walls above the columns. The floor To her left is an impressive artifact, a full-sized replica of the idol of Boreas, surely made out of gold.
But what is really most of concern to Amber are the griffins in the room. On the floor, and coming towards Amber from the right, as if they had themselves not been there long, are the familiar sights of Helder, wearing a vest, and Erich, with his violin. Felder lied is present as well, behind them and off to the side.
But in front of Amber are several tables, presumably meant for food but with no cloths covering them. These are in a line, blocking off the far edge of the room. These have chairs behind them, and by the wall, perhaps 20 feet behind and raised behind wooden steps covered in red carpet, are several wooden chairs, and in the center, a wooden throne. But these are not what is occupied. What are occupied are the chairs at the table closer to Amber.
In the chairs are seven griffins. Every one of them is male. They range in age from 30 to 65. They all wear the long, black leather cloaks of the Reformisten. Half are smoking. And moving forward, just about to sit down in the middle, wearing his tattle-tale black cap with a silver eagle symbol on it, is a blue-coated griffin whose identity Amber can guess based off of context, and his appearance in newspapers in Katerinburg. He smiles malignly and takes a seat.