We ride again
/vx/ - Videogames and Paranormal
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1571 replies and 60 files omitted.
>>121918
Iron watches in discomfort, figuring that even though they were probably implicitly guilty of dumping corpses down the sewers, these possible deaths by fire is too much. He makes sure to cover as much of the exit as he can, making sure as few griffon as they can try to squeeze through the exit.
Iron watches in discomfort, figuring that even though they were probably implicitly guilty of dumping corpses down the sewers, these possible deaths by fire is too much. He makes sure to cover as much of the exit as he can, making sure as few griffon as they can try to squeeze through the exit.
>>121922
Iron simply stares for a bit, before tugging his cloth shirt out.
"Screw it," he utters, holding his white, worker shirt on his mouth. "This is not right."
He proceeds to try and help putting out the fires on the griffons.
Iron simply stares for a bit, before tugging his cloth shirt out.
"Screw it," he utters, holding his white, worker shirt on his mouth. "This is not right."
He proceeds to try and help putting out the fires on the griffons.
>>121918
Midnight stares grimly at the scene before her, before turning to make sure Meadows cannot see.
Midnight stares grimly at the scene before her, before turning to make sure Meadows cannot see.
>>121923
Hit against the tan and white griffin, now naked and covered in burns
>>121924
Iron's big weight proves useful in this, battering down griffins, already on the floor, with clothing.
The thing is that when the bottle exploded, most of the oil did not immediately burn, but flew up. Which got onto cotton shirts. Which burn more easily than the oil, and are now covered in oil. These can of course be removed, but oil seeps through onto hide, and it takes time to remove the robes.
>>121925
Meadows is behind, in the hallway. She can see nothing. But she can hear the screams. The yipping. Even sometimes the more subtle sounds of fire cackling or steel against flesh
Hit against the tan and white griffin, now naked and covered in burns
>>121924
Iron's big weight proves useful in this, battering down griffins, already on the floor, with clothing.
The thing is that when the bottle exploded, most of the oil did not immediately burn, but flew up. Which got onto cotton shirts. Which burn more easily than the oil, and are now covered in oil. These can of course be removed, but oil seeps through onto hide, and it takes time to remove the robes.
>>121925
Meadows is behind, in the hallway. She can see nothing. But she can hear the screams. The yipping. Even sometimes the more subtle sounds of fire cackling or steel against flesh
>>121926
Iron breathes in, knowing there's bout to be some hoof burning.
"Let us commence the trial by fire."
Without care for his own hoofs and forelegs, he starts to take off as many of the griffons' burning clothes as he can.
Iron breathes in, knowing there's bout to be some hoof burning.
"Let us commence the trial by fire."
Without care for his own hoofs and forelegs, he starts to take off as many of the griffons' burning clothes as he can.
>>121927
The griffin is cut into. Wounded. Ontop of burns. Yet still, he is not out. Though he is knocked down prone, the green and blue jagged, wavy sword swings again, moving back towards him, and to Silver.
>>121928
It's a bit awkward to pull off. It would probbaly be easier with a knife. But not undoable. The griffins do not resist, they do not fight back. But they don't help either. He gets at least one off, after some effort
The griffin is cut into. Wounded. Ontop of burns. Yet still, he is not out. Though he is knocked down prone, the green and blue jagged, wavy sword swings again, moving back towards him, and to Silver.
>>121928
It's a bit awkward to pull off. It would probbaly be easier with a knife. But not undoable. The griffins do not resist, they do not fight back. But they don't help either. He gets at least one off, after some effort
>>121929
Iron would ask Sands for the knife, but he's pretty sure she'd rather watch them, opting to juryrig his teeth as the knife, trying to tear up the burning clothes.
Iron would ask Sands for the knife, but he's pretty sure she'd rather watch them, opting to juryrig his teeth as the knife, trying to tear up the burning clothes.
>>121926
Sadly, Midnight cannot silence the screams for her new friend. But she can make sure that her voice doesn't join them as she stands guard.
Sadly, Midnight cannot silence the screams for her new friend. But she can make sure that her voice doesn't join them as she stands guard.
[1d20+8 = 12]
>>121930
Silver dodges the blade this time. He strikes at the griffon again, hoping for a finishing blow.
>>121930
Silver dodges the blade this time. He strikes at the griffon again, hoping for a finishing blow.
>>121936
If he were on his feet, that would likely not be possible, and certainly not with the help of his magical powers. Yet, even with some mysterious force helping to protect him, he is hit
If he were on his feet, that would likely not be possible, and certainly not with the help of his magical powers. Yet, even with some mysterious force helping to protect him, he is hit
[1d20+7 = 16]
>>121936
From off, over to the right, Mala - covered in blood, off on his own excursion - charges in, and tries to tear into the griffin
>>121936
From off, over to the right, Mala - covered in blood, off on his own excursion - charges in, and tries to tear into the griffin
>>121935
Iron's mind does stop, humming slightly.
"Now that I think about it," he mutters to himself. "I have not seen her on the catwalk with Skies and Star."
Iron's mind does stop, humming slightly.
"Now that I think about it," he mutters to himself. "I have not seen her on the catwalk with Skies and Star."
With corpses and burning bodies littering the floor, all hostile parties are down. The archer that shot at Dark Star at some point slipped into the mass.
>>121938
>>121939
Silver rends into the brunt hide and cuts down into it, as Mala comes up and starts tearing at his neck. The Griffin is down, or dead.
>>121940
She is no where to be seen, nor is Skies for that matter. Dark Star is on the second level hallway railing
>>121938
>>121939
Silver rends into the brunt hide and cuts down into it, as Mala comes up and starts tearing at his neck. The Griffin is down, or dead.
>>121940
She is no where to be seen, nor is Skies for that matter. Dark Star is on the second level hallway railing
>>121941
Seeing the main threat is dealt with, he decides to search the first loose end he should be searching for: Where is Khoi and if she's doing good.
With that, he pulls out himself, following Khoi's steps.
Seeing the main threat is dealt with, he decides to search the first loose end he should be searching for: Where is Khoi and if she's doing good.
With that, he pulls out himself, following Khoi's steps.
>>121941
Dark Star is torn between trying to help out with the chaos below, and looking for his absent marefriend. Even for him, this is pretty brutal.
Silver, now bleeding pretty badly from the wound he got from the magic sword, tries to calm his doggo friend down. "Okay, Mala, he's down, you can stop now."
Dark Star is torn between trying to help out with the chaos below, and looking for his absent marefriend. Even for him, this is pretty brutal.
Silver, now bleeding pretty badly from the wound he got from the magic sword, tries to calm his doggo friend down. "Okay, Mala, he's down, you can stop now."
>>121947
Mala lunges and tears at the griffin, biting him and pulling his neck. He pulls it in a way like its designed to rip the hide off the bone, or even rip the head off. There is blood on Mala's neck fur and around his mouth, almost all of which was not there when Mala left Silver's side a minute ago. He does not respond immediately, but starts to growl less, before calming down.
Dark Star has a fairly good view of what is below. It looks like, unfortunately, not many griffins remain for bounty. There remain several griffins who are either stunned, or unconscious, that still need to be tied, and a few who are downed but could be saved from bleeding out. Unless the two that went to the other side escaped, there are none to spread the word to any other hostiles elsewhere in the building, and in that regards it is a success.
>>121946
There is no trail, persay, but he can go up levels. There is no pony on the second floor
Mala lunges and tears at the griffin, biting him and pulling his neck. He pulls it in a way like its designed to rip the hide off the bone, or even rip the head off. There is blood on Mala's neck fur and around his mouth, almost all of which was not there when Mala left Silver's side a minute ago. He does not respond immediately, but starts to growl less, before calming down.
Dark Star has a fairly good view of what is below. It looks like, unfortunately, not many griffins remain for bounty. There remain several griffins who are either stunned, or unconscious, that still need to be tied, and a few who are downed but could be saved from bleeding out. Unless the two that went to the other side escaped, there are none to spread the word to any other hostiles elsewhere in the building, and in that regards it is a success.
>>121946
There is no trail, persay, but he can go up levels. There is no pony on the second floor
>>121948
Silver starts petting Mala's head and down the back of his neck. "Good boy."
Dark Star starts to tie up what griffons he can find with whatever's available.
Silver starts petting Mala's head and down the back of his neck. "Good boy."
Dark Star starts to tie up what griffons he can find with whatever's available.
>>121950
Mala at first lurches back, as if to bite Silver's hoof when Silver touches him. But he doesn't, and he moves back, letting Silver touch him. He slowly eases out of tension, blinks a few times, calms down, licks the blood off his lips, and starts to pant, moving his head to where Silver can touch him more.
Upstairs, there are two griffins, one of whom is stunned, one is shot with a bow and stunned in part. Downstairs there are many more griffins. Dark Star has a couple ties, some mane ties, and there is always clothing. Plenty of clothing. All of them were wearing robes of some kind, much of which were burnt, but still.
Mala at first lurches back, as if to bite Silver's hoof when Silver touches him. But he doesn't, and he moves back, letting Silver touch him. He slowly eases out of tension, blinks a few times, calms down, licks the blood off his lips, and starts to pant, moving his head to where Silver can touch him more.
Upstairs, there are two griffins, one of whom is stunned, one is shot with a bow and stunned in part. Downstairs there are many more griffins. Dark Star has a couple ties, some mane ties, and there is always clothing. Plenty of clothing. All of them were wearing robes of some kind, much of which were burnt, but still.
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Though the noises of a few whines and moans don't stop, the scene settles down. Mostly, at least. There’s a terrible smell of burning oil, hide, and cotton in the air. The room is darker now, either by soot covering the lights or the lingering remnants of the mist – though it feels as if some active force of darkness has entered the room and suppressed the light.
The Southern entrance, unguarded for the totality of the fight, still shimmers in flame, as the fuel-oil-whiskey-bottle's contents spread across the floor. The viscous liquid of black and gold spreads partly in a puddle, but partly partly across contours in the floor, revealing an uneven surface that slopes slightly east, towards the sea. A second puddle, connected by a stream to the first, represents either a level gathering basin for the oil, or the epicenter of a second shattered bottle. The still-burning puddles leaves an area slightly to the right that could perhaps be wide enough to fit a creature.
But this entrance was no escape. One unfortunate griffin seems to have been caught in the initial fire, and fell in the threshold of the doorway. Her clothes must have caught fire immediately, as none remain, though almost her her body has burn marks. Some portions of her body, more burned than others, must have been where the sticky oil bled through the clothing and onto her hide. Unlike the cotton robes, the oil burns slowly, and ultimately deeper into her hide. Around her chest, beneath her neck, the hilt of one of the twisted daggers sticks out.
Another griffin female did not make it as far, but yet perhaps died even more brutally when she tried to get around the fires of the threshold. She is surrounded in blood, not flame and oil, and it pours out of innumerable tears in her flesh. Her robes are tattered and torn in multiple places, with a great tear on her back around her spine revealing flesh as but crushed as sliced. A shoulder, likewise is ripped into, and the once-brown robe surrounding the right foreleg is dyed with blood. But it's her neck that is the worst off, as dozens of small cuts and tears were matched by a force pulling and ripping first the flesh and skin, then the jugular, out of her neck.
Two more lay by the entrance, though they did not get as far. A lies with a stuck in the back of his head, just to the left of where the spine and skull meet. Another one, whose body is turned around in part, has two bolts sticking out of him from the barrel and the shoulder. He may not even be dead.
The fates of these griffins contrast sharply with those on the opposite side, by the North entrance. Five griffins lay on the floor in their red, brown, and white robes. Punched in the head, headbutted, and hit with a hammer, they often suffer broken bones, broken ribs, and concussions. None are yet dead.
Immediately above the North entrance, on the second level hallway, are two more griffins. Though one is shot in the chest with a bolt, both are stunned.
To the East, by the Sea, four griffins and a zebra lay on the ground. The zebra is stabbed through several times, and fell to his side, with only a small pool of blood. One griffin is simply stunned, though stabbed with a machete. Another lays on the floor. Stabbed twice, and bleeding, but not dead when he fell. One lay dead, but a particularly unfortunate female griffin lays down bleeding and breathing heavily with a robe partly on fire. She fled the fire, only to be stabbed with both dagger and sword.
But it's the Western entrance that has the most bloody scene. A scimitar lying on the ground, a zebra rend and split open, guts on the floor, a pair of griffins cut and sliced, open. Two more griffins who, stabbed and cut, were not likely dead when they fell, but may have since bled out. A scimitar abandoned on the floor.
Closer to the center, between the southern and western exits, a lone griffin is prone and unbound. She is perhaps the only griffin in the entire room – besides Jubilosa – to have no injuries of any kind. Opposite that side, between Iron and Midnight, are four griffins, prone on the floor, and with their robed removed, sometimes torn off. These griffins were splashed with burning oil, which then caught their robes on fire. Iron has physically removed several of the robes. A fifth griffin lies nearer the center, though with even more burn marks, and a bow next to him. He is stunned, but his robe was removed before he sustained more serious burns.
Another griffin, lying blacked and charred on the ground like meat fallen through the grate of a grill, was not so fortunate as the last. This griffin, a bow next to him, must have been right next to the splash of the fire. Rather than finding the opportunity to remove his robe, by some misfortune he must have tripped, slipped, or collided with another griffin in the confusion and fog, falling to the ground into a puddle of oil. He burned where he fell. Also near the center is dead and naked leader of the group, the priest of Sacred Heart. He was fortunate to remove his robe. He was not so fortunate to piss off Silver Sword, and was soon stabbed, cut, and mauled.
The fate of the two griffins that flew up to the second level is unknown, as is the locations of White Sands, Blue Skies, and now Khoi Lua.
Jubilosa, anxious before, now trembles. She pulls her beak back or even furls it upwards, looks away, and tightens the muscles around her eyes. She turns herself to look at the prisoners - but away from the burning scene in the center. Before Khoi went off, she would look on the scene before her with less expressive eyes and tighten lips, though she would cover her eyes and mouth with her foreleg. Mala pants and smiles, enjoying Silver's pets.
All in all, a job well done.
\r
The Southern entrance, unguarded for the totality of the fight, still shimmers in flame, as the fuel-oil-whiskey-bottle's contents spread across the floor. The viscous liquid of black and gold spreads partly in a puddle, but partly partly across contours in the floor, revealing an uneven surface that slopes slightly east, towards the sea. A second puddle, connected by a stream to the first, represents either a level gathering basin for the oil, or the epicenter of a second shattered bottle. The still-burning puddles leaves an area slightly to the right that could perhaps be wide enough to fit a creature.
But this entrance was no escape. One unfortunate griffin seems to have been caught in the initial fire, and fell in the threshold of the doorway. Her clothes must have caught fire immediately, as none remain, though almost her her body has burn marks. Some portions of her body, more burned than others, must have been where the sticky oil bled through the clothing and onto her hide. Unlike the cotton robes, the oil burns slowly, and ultimately deeper into her hide. Around her chest, beneath her neck, the hilt of one of the twisted daggers sticks out.
Another griffin female did not make it as far, but yet perhaps died even more brutally when she tried to get around the fires of the threshold. She is surrounded in blood, not flame and oil, and it pours out of innumerable tears in her flesh. Her robes are tattered and torn in multiple places, with a great tear on her back around her spine revealing flesh as but crushed as sliced. A shoulder, likewise is ripped into, and the once-brown robe surrounding the right foreleg is dyed with blood. But it's her neck that is the worst off, as dozens of small cuts and tears were matched by a force pulling and ripping first the flesh and skin, then the jugular, out of her neck.
Two more lay by the entrance, though they did not get as far. A lies with a stuck in the back of his head, just to the left of where the spine and skull meet. Another one, whose body is turned around in part, has two bolts sticking out of him from the barrel and the shoulder. He may not even be dead.
The fates of these griffins contrast sharply with those on the opposite side, by the North entrance. Five griffins lay on the floor in their red, brown, and white robes. Punched in the head, headbutted, and hit with a hammer, they often suffer broken bones, broken ribs, and concussions. None are yet dead.
Immediately above the North entrance, on the second level hallway, are two more griffins. Though one is shot in the chest with a bolt, both are stunned.
To the East, by the Sea, four griffins and a zebra lay on the ground. The zebra is stabbed through several times, and fell to his side, with only a small pool of blood. One griffin is simply stunned, though stabbed with a machete. Another lays on the floor. Stabbed twice, and bleeding, but not dead when he fell. One lay dead, but a particularly unfortunate female griffin lays down bleeding and breathing heavily with a robe partly on fire. She fled the fire, only to be stabbed with both dagger and sword.
But it's the Western entrance that has the most bloody scene. A scimitar lying on the ground, a zebra rend and split open, guts on the floor, a pair of griffins cut and sliced, open. Two more griffins who, stabbed and cut, were not likely dead when they fell, but may have since bled out. A scimitar abandoned on the floor.
Closer to the center, between the southern and western exits, a lone griffin is prone and unbound. She is perhaps the only griffin in the entire room – besides Jubilosa – to have no injuries of any kind. Opposite that side, between Iron and Midnight, are four griffins, prone on the floor, and with their robed removed, sometimes torn off. These griffins were splashed with burning oil, which then caught their robes on fire. Iron has physically removed several of the robes. A fifth griffin lies nearer the center, though with even more burn marks, and a bow next to him. He is stunned, but his robe was removed before he sustained more serious burns.
Another griffin, lying blacked and charred on the ground like meat fallen through the grate of a grill, was not so fortunate as the last. This griffin, a bow next to him, must have been right next to the splash of the fire. Rather than finding the opportunity to remove his robe, by some misfortune he must have tripped, slipped, or collided with another griffin in the confusion and fog, falling to the ground into a puddle of oil. He burned where he fell. Also near the center is dead and naked leader of the group, the priest of Sacred Heart. He was fortunate to remove his robe. He was not so fortunate to piss off Silver Sword, and was soon stabbed, cut, and mauled.
The fate of the two griffins that flew up to the second level is unknown, as is the locations of White Sands, Blue Skies, and now Khoi Lua.
Jubilosa, anxious before, now trembles. She pulls her beak back or even furls it upwards, looks away, and tightens the muscles around her eyes. She turns herself to look at the prisoners - but away from the burning scene in the center. Before Khoi went off, she would look on the scene before her with less expressive eyes and tighten lips, though she would cover her eyes and mouth with her foreleg. Mala pants and smiles, enjoying Silver's pets.
All in all, a job well done.
\r
>>121957
Iron looks around on the second level, to see that Khoi is not there, nor is she immediately responding to calls
Iron looks around on the second level, to see that Khoi is not there, nor is she immediately responding to calls
The third floor has about the same layout as the second floor, notably with big rooms on the side between the hallway and the atrium than hang over the first floor hall.
But when Iron calls out, he gets a response from the room, over on the right
"Yes? Over here"
But when Iron calls out, he gets a response from the room, over on the right
"Yes? Over here"
>>121960
Iron walks over to the room on the right, making sure his ears are on high alert, possibly anticipating a trap from the griffons.
Iron walks over to the room on the right, making sure his ears are on high alert, possibly anticipating a trap from the griffons.
>>121961
In the hall, around the corner, lying on the floor is a griffin, dead or dying, with a bolt in his back, and some blood on the floor. Just pass this is an open door. A voice, unmistakably Khoi's, says "Iron? come in here"
In the hall, around the corner, lying on the floor is a griffin, dead or dying, with a bolt in his back, and some blood on the floor. Just pass this is an open door. A voice, unmistakably Khoi's, says "Iron? come in here"
>>121963
The door enters into a hall 50 feet or so long, and big enough for a set of beds on each side, and indeed there are beds on each side, and a few drawers too. Most are empty, but some have sheets and pillows, and a couple even have the sheets and pillows pulled back.
More interesting is what is closer to the door. Khoi is sitting down in the middle, with four griffins, two to each side. Chicks. Small ones. Or rather two very small ones, one almost an adolescent, and one between those two ages.
Khoi looks at Iron. The small griffins look afraid or disturbed, though not terrified, understanding that something is clearly wrong, but not understanding what. Khoi herself is mostly not expressive, but with a slight air of concern
The door enters into a hall 50 feet or so long, and big enough for a set of beds on each side, and indeed there are beds on each side, and a few drawers too. Most are empty, but some have sheets and pillows, and a couple even have the sheets and pillows pulled back.
More interesting is what is closer to the door. Khoi is sitting down in the middle, with four griffins, two to each side. Chicks. Small ones. Or rather two very small ones, one almost an adolescent, and one between those two ages.
Khoi looks at Iron. The small griffins look afraid or disturbed, though not terrified, understanding that something is clearly wrong, but not understanding what. Khoi herself is mostly not expressive, but with a slight air of concern
>>121964
Iron cocks his head, unsure of what to think of this surprisingly twisted event happening in front of him.
"It seems we have found... chicks?" he offers, trying to figure out the proper term for these small birds.
Iron cocks his head, unsure of what to think of this surprisingly twisted event happening in front of him.
"It seems we have found... chicks?" he offers, trying to figure out the proper term for these small birds.
>>121965
She nods, halfway, before stopping
“Yes. Well. I do not know what to calm them” she says in her almost over bearing accent.
“But they are here. I do not know why they did not take them with them.”
One of the smaller chicks, with a grey and brown coloration, walks - he at least can walk - over closer to Iron
She nods, halfway, before stopping
“Yes. Well. I do not know what to calm them” she says in her almost over bearing accent.
“But they are here. I do not know why they did not take them with them.”
One of the smaller chicks, with a grey and brown coloration, walks - he at least can walk - over closer to Iron
>>121966
Iron looks at the chick with apparent curiosity, mind going back to what the madestallion he and Ash argued about way before as he lets it come closer.
Iron looks at the chick with apparent curiosity, mind going back to what the madestallion he and Ash argued about way before as he lets it come closer.
>>121967
The chick sits down about two feet from Iron, then sits up in a way so his forelegs do not touch the ground, and he looks up to Iron with big, orange eyes.
Then the oldest Chick speaks in ponish
"What is going on?"
The chick sits down about two feet from Iron, then sits up in a way so his forelegs do not touch the ground, and he looks up to Iron with big, orange eyes.
Then the oldest Chick speaks in ponish
"What is going on?"
>>121968
Iron looks at Khoi, frankly discomforted by what he should say, before breathing deeply.
"A fight out on the main hall," he responds. "Many got hurt out there due to what they did." He pauses. "Some more than others."
Iron looks at Khoi, frankly discomforted by what he should say, before breathing deeply.
"A fight out on the main hall," he responds. "Many got hurt out there due to what they did." He pauses. "Some more than others."
>>121969
Khoi shakes her head, slowly, and mouths "no."
She has a hoof around the chick that is still young, but in the middle of the age range.
The older griffin, who is still only elementary school aged, still has many questions. "Who are you? Why are there outsiders? ...... Are the elders okay?"
He is tearing up
Khoi shakes her head, slowly, and mouths "no."
She has a hoof around the chick that is still young, but in the middle of the age range.
The older griffin, who is still only elementary school aged, still has many questions. "Who are you? Why are there outsiders? ...... Are the elders okay?"
He is tearing up
>>121970
Iron looks at Khoi, not really understanding the effects on the children he's causing by telling him this.
"I am not sure who are these elders," he responds. "But some outsiders got angry and decided they were not approving of what they did."
Iron kneels down, hopefully still blocking the exit in case the small griff was outside.
"Tell me. Do you know what they did?"
Iron looks at Khoi, not really understanding the effects on the children he's causing by telling him this.
"I am not sure who are these elders," he responds. "But some outsiders got angry and decided they were not approving of what they did."
Iron kneels down, hopefully still blocking the exit in case the small griff was outside.
"Tell me. Do you know what they did?"
>>121971
Khoi is still shaking her head, but she now moves a foreleg between the older chick and Iron. The middle one looks on in intrigue, the one that came up to Iron is still looking at Iron, and the second youngest, a female, has evidently fallen asleep against a bed post
"They made a community because the outsiders would not let them. And now they are hurt."
He is angry and teary eyed
Khoi is still shaking her head, but she now moves a foreleg between the older chick and Iron. The middle one looks on in intrigue, the one that came up to Iron is still looking at Iron, and the second youngest, a female, has evidently fallen asleep against a bed post
"They made a community because the outsiders would not let them. And now they are hurt."
He is angry and teary eyed
>>121972
Iron simply remains there, opting to stop answering the small one's questions as he figures the chick wouldn't believe if he told the chick, deciding to simply block the exit with his body.
He only shakes his head.
Iron simply remains there, opting to stop answering the small one's questions as he figures the chick wouldn't believe if he told the chick, deciding to simply block the exit with his body.
He only shakes his head.
>>121973
He is silent for a moment. The moves forward a step, into Khoi’s hooves.
“Are mom and dad okay?” He asks
Now, he can’t stop himself from crying, and he sits down again
The chick leaning on the bed post wakes up, and says a word in some foreign language to the female in Khoi’s arms. She speaks back to her, and both seem confused and concerned, but more composed than the crying older male. The one in front of Iron stops looking at him, and looks back to the older make.
“And Juergen and Deinesheer....”
Khoi removes her leg from in front of him, and places it around him
He doesn’t look up, but says “What will happen to us?”
The older female says something to him in a foreogn language, and he responds with a single word.
Khoi looks back to Iron
“I saw the griffin and the hotbed one go upstairs.”
He is silent for a moment. The moves forward a step, into Khoi’s hooves.
“Are mom and dad okay?” He asks
Now, he can’t stop himself from crying, and he sits down again
The chick leaning on the bed post wakes up, and says a word in some foreign language to the female in Khoi’s arms. She speaks back to her, and both seem confused and concerned, but more composed than the crying older male. The one in front of Iron stops looking at him, and looks back to the older make.
“And Juergen and Deinesheer....”
Khoi removes her leg from in front of him, and places it around him
He doesn’t look up, but says “What will happen to us?”
The older female says something to him in a foreogn language, and he responds with a single word.
Khoi looks back to Iron
“I saw the griffin and the hotbed one go upstairs.”
>>121974
With a nod, Iron simply closes the door as he leaves, following Khoi instructions, grunting slightly over the difficulty of the kirin's situation.
(I hope she'll be fine in there. At least she won't be too bloodthirsty)
With a nod, Iron simply closes the door as he leaves, following Khoi instructions, grunting slightly over the difficulty of the kirin's situation.
(I hope she'll be fine in there. At least she won't be too bloodthirsty)
>>121975
Iron goes back to the stairs. While the stairs to the left, going down, are metal, the ones going up are wooden. In the exact separation between the third and fourth floor, a span of about 10 inches, there is naked cinderblock, and above that, a flaking white paint scheme covers the walls. The door - metal, like the lower doors, but unpainted - is open. There is no open railing on this top level, but wooden walls with a simple paint. The hall is not well illuminated to the right, with one simple light. To the left, there is one door, and a door by the corner of the hall. But to the right is one door. It is open
Iron goes back to the stairs. While the stairs to the left, going down, are metal, the ones going up are wooden. In the exact separation between the third and fourth floor, a span of about 10 inches, there is naked cinderblock, and above that, a flaking white paint scheme covers the walls. The door - metal, like the lower doors, but unpainted - is open. There is no open railing on this top level, but wooden walls with a simple paint. The hall is not well illuminated to the right, with one simple light. To the left, there is one door, and a door by the corner of the hall. But to the right is one door. It is open
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