/mlpol/ - My Little Politics

Iron Age Italian shield with the Black Sun.
Approx. 500 BC. Pigorini Museum, Rome.
https://www.youreporter.it/foto_il_settore_preistorico_del_museo_pigorini_all_eur_di_roma/
https://vod.rcsobjects.it/youreporter/photoyr/big/856584.jpg

>>365966

Had to read all of this. and i am proud of you. you defended your points better than i would have done. and i agree totally with you.

also thank you for using aryanne pics with wonderful facial expresions that i bet made the "N.socialism is socialism" cuck to be triggered more. lol

the other thing that was weird is the guy uses two differen IDs or was he samefagging? or there were two of them? anyways. you were based and redpilled. Good fight

>>365913

and you are great too, same to say like my other comment here

>369069

i have to check my old hard drive for some old paintings of mares from an artist similar to "the nightmare" painting. i will post later if i find those

Prometheus

.

>>355551

Found it. after a year lol

HANS BALDUNG

i anm doing a bit of research. it´s like he liked HORSE/MARES too much..

His art is focused in some controversial stuff like zoophilia

circa 1544 damn!. Read the third pic.

first pic: story is about a smith that worked with horses and fucked mares and it seems it was bewitched and that's the reason he fucked mares, and was tormented by having done that.. yeah sure.. the devil made me do it

>>369404

in 1534 drew this one

>>369404

oh now i understand more. HORSES AS LOVE OBJECTS. YEAR 1544

https://piafcuneo.faculty.arizona.edu/sites/piafcuneo.faculty.arizona.edu/files/LoveObjects2014.pdf

More insteresting reading about marefucker.

>The horse had certainly been-or was about to have been-the focus of the
>groom's attention, as the pitchfork and curry comb that have dropped out of
>his frozen hands clearly indicate. But in approaching the horse, was the man's
>only intention to clean the stall and groom the animal? The probing view
>between the man's and the horse's legs that the perspective forces upon the
>spectator, and the presence of flames and several phallic objects (pitchfork,
>torch, unicorn horn, the curved surface of the curry comb and even its handle)
>Pia F. Cuneo 155
>together imply that the groom had intended to act on desires other than those
>for cleanliness. The print seems to hint strongly that one of the themes it
>touches upon is bestiality.
>Fundamental to many of the interpretations sketched above is the
>understanding of the figure of the horse as a symbol of unrestrained carnality
>and lust. The classical and medieval texts, the folktales and legends referenced
>in the articles cited above also serve to provide proof of and precedence for
>the interpretation of the horse in this manner. For scholars, the animal is
>interesting only in terms of its function as something else, namely as a onedimensional symbol of human >sexuality and the dangers of its unbridled
>expression. In these interpretations, the fact that the animal in the print is a
>horse is entirely secondary to its metaphorical function.
>As a signifier, the horse can certainly connote sexuality, and by extension,
>the artist, and artistic expression. And yet, what is it about the horse that
>allowed it in early modern culture to signify such phenomena? What kinds
>of attitudes and assumptions about this animal held currency at this time?
>Antique discourse contributed significantly to shaping these attitudes,
>but early modern man did not live by Aristotle alone. Attitudes were also
>shaped by the roles horses played in early modern life; by the horse-human
>interactions that took place and the physical, practical exigencies that arose
>from horse-keeping; and, at a further level, by the contemporaneous discourse

>Yet there are dangers even for an elite audience of horsemen, hints that
>in fact encourage an eroticized appreciation of the horse and that could also
>lead to an excessive kind of fondness. Baldung surely meant the viewer of his
>woodcut to notice the swelling, taut, curved shape of the mare's hindquarters.
>He has accentuated that shape by placing it directly adjacent to the central axis
>of the image, and by highlighting it as an area of bright light bounded at the top
>by a heavy dark shadow. In some of the hippological literature, discussion of
>ideal equine conformation includes comparison between a well-shaped horse
>160 ANIMALS AND EARLY MODERN IDENTITY
>and a beautiful woman

he knew...

>>369406
>To judge from the
>man's handsome livery and the appointment of the stable in which he has
>worked, the groom in the print seems to have a wealthy employer, but he
>himself would have been a man with little formal education. Not surprisingly,
>in the cases of early modern bestiality, it is precisely amongst these kinds of
>men who worked closely with animals where the behavior often occurred.

Probably true in the modern day. Though, this gets caught the most often because you're molesting another man's mare. If you own your own horses it's much less likely to be detected.
Good read btw.

>>369409

Just imagine in 500 years some scholar writing a book like that about mlpol anons

>Fundamental to many of the interpretations sketched above is the
>understanding of the figure of the horse as a symbol of unrestrained carnality
>and lust with also heavy political implications

>>369406
>together imply that the groom had intended to act on desires other than those for cleanliness
lul, what a christcuckoid goy. The love between a mare and a man, or a stallion and a woman, is greater, purer, more honest, and loving, than that between the average Nigel and the jackboots he worships daily.

Artist: Gian Lorenzo Bernini.

>>369424

i think the writer was not talking about cucktolic "cleanliness" (of soul or some shit).
he was talking about the fact that the groom job was to CLEAN the mare not fuck her.

he is not wrong about the job the groom has to do.

Just imagine you hire a guy to CLEAN your mares and he rapes her. i will hang him

>>369424

i forgoit to say that the text is very good because in fact it aknowledges that mares are sexy

Rievaulx Abbey, North Yorkshire, England .

>>369444
Exactly this. CLEANING the mare is the job, FUCKING the mare is for after work. Also, consensual rape only or the groom goes on the groomer list.