Now, on Occupied Equestria: Silver is storming the Ministry building to find a changeling bomb. Posey is making her get away from unknown hostiles after an adventure in the city. Amber is trying desperately to flee the country. All of that, and more
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1209 replies and 98 files omitted.
>>169287
>have moved to canterlot
Isn't that currently under changeling occupation, or am I mistaken?
What does Posey know about the current political/military situation right now.
Rolling a history/local check (same modifier)
[1d20+3 = (10+3) = 13]
>some new shift of power against organized labor
Hmmm, I thought fascism was on the rise here; didn't think organized labor would be on the chopping block with fascists in charge. I guess it must be a product of paranoia with the threat of communism.
Posey takes note of this, looking for any political wedges that may assist the conquest of the Dread League.
>When the family has money again, the father will not be stressed, her mother will recover, and she and Lament could have a life together.
Hmmm, looks like Lament has his own, mortal motivations. Posey observes this from a distance, her golden eyes watching the two silently.
[i]resists the urge to sneak up and jumpscare them
>have moved to canterlot
Isn't that currently under changeling occupation, or am I mistaken?
What does Posey know about the current political/military situation right now.
Rolling a history/local check (same modifier)
[1d20+3 = (10+3) = 13]
>some new shift of power against organized labor
Hmmm, I thought fascism was on the rise here; didn't think organized labor would be on the chopping block with fascists in charge. I guess it must be a product of paranoia with the threat of communism.
Posey takes note of this, looking for any political wedges that may assist the conquest of the Dread League.
>When the family has money again, the father will not be stressed, her mother will recover, and she and Lament could have a life together.
Hmmm, looks like Lament has his own, mortal motivations. Posey observes this from a distance, her golden eyes watching the two silently.
[i]resists the urge to sneak up and jumpscare them
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>>169287
>her father's wishes
>stress
>specific suitor
>life together
Hmmm, complex problems require complex solutions... I think I just might have an idea.
>her father's wishes
>stress
>specific suitor
>life together
Hmmm, complex problems require complex solutions... I think I just might have an idea.
>>169288
Posey knows that Canterlot has always been the center of the Equestrian Elite, though it hardly has a monopoly. It seems to be under pony (New Mareland State) control, albeit on the border.
Posey is able to gather a small history of labor relations in Baltimare. Evidently there has always been tension, very often violent, between labor and industry in Baltimare. As Lament tells her, it has been going on since before she was born. Under the Twilight Administration the balance of power shifted decisively towards industry, as factories could simply replace striking and disgruntled workers with cheap migrant laborers that came in by the tens of thousands, although this did not translate to personal success for the Mare's father as now they competed with a company out of Hippogriffia. Lament claims this whole period just made the worker's even angrier, although the mare seems to have preferred this era as the social gatherings were nicer. The mare doesn't care for the gatherings herself much, but her mother does, and she wants to see her mother happy. It should also be noted that the mare doesn't terribly like the migrants. Specifically bat ponies. They look creepy with their slit pupils, and tall ears.
Then came the war. The goods her father makes - industrial dyes mostly used in clothing - came in much higher demand, and so things were looking brighter. But then the pools of migrant labor dried up, and a general labor shortage began. The unions took advantage of this, and several strikes began. Between this and the low profit of the government contracts, what promised to be an opportunity for business turned into a series of losses. Then calamity struck when New Mareland invaded, and cut off Baltimare from most of the world. General shortages, and certainly no selling of goods. Peace came, but was followed by a revolt, which saw discontented workers try to seize the factory and evidently a small amount of damage was done - not that much, but one more bill on top of others. The old unions were abolished and replaced by a new one. The new union will not permit strikes, and the workers think that the (multiple) agreed upon wage increases are not sufficient given the labor shortages and inflation. Workers will act independently of the union, like the aforementioned cabbage throwing (one incident among many). The mare's father evidently has contracts with several state run businesses that are apparently more lucrative than the former wartime contracts, or even trying to compete with the Hippogriffian suppliers.
Lament smiles to the mare (on the one occasion Posey can see his face; the angle she's observing them from does not permit a good view), and places his hoof on her mane at one point in a reassuring manner. The mare more or less keeps her hooves next to her on the sofa. This may be caused by her sadden state, but she's actually less touchy towards Lament than Day Low Rain was the previous day.
>>169289
I'm... not so sure the mare agrees
Posey knows that Canterlot has always been the center of the Equestrian Elite, though it hardly has a monopoly. It seems to be under pony (New Mareland State) control, albeit on the border.
Posey is able to gather a small history of labor relations in Baltimare. Evidently there has always been tension, very often violent, between labor and industry in Baltimare. As Lament tells her, it has been going on since before she was born. Under the Twilight Administration the balance of power shifted decisively towards industry, as factories could simply replace striking and disgruntled workers with cheap migrant laborers that came in by the tens of thousands, although this did not translate to personal success for the Mare's father as now they competed with a company out of Hippogriffia. Lament claims this whole period just made the worker's even angrier, although the mare seems to have preferred this era as the social gatherings were nicer. The mare doesn't care for the gatherings herself much, but her mother does, and she wants to see her mother happy. It should also be noted that the mare doesn't terribly like the migrants. Specifically bat ponies. They look creepy with their slit pupils, and tall ears.
Then came the war. The goods her father makes - industrial dyes mostly used in clothing - came in much higher demand, and so things were looking brighter. But then the pools of migrant labor dried up, and a general labor shortage began. The unions took advantage of this, and several strikes began. Between this and the low profit of the government contracts, what promised to be an opportunity for business turned into a series of losses. Then calamity struck when New Mareland invaded, and cut off Baltimare from most of the world. General shortages, and certainly no selling of goods. Peace came, but was followed by a revolt, which saw discontented workers try to seize the factory and evidently a small amount of damage was done - not that much, but one more bill on top of others. The old unions were abolished and replaced by a new one. The new union will not permit strikes, and the workers think that the (multiple) agreed upon wage increases are not sufficient given the labor shortages and inflation. Workers will act independently of the union, like the aforementioned cabbage throwing (one incident among many). The mare's father evidently has contracts with several state run businesses that are apparently more lucrative than the former wartime contracts, or even trying to compete with the Hippogriffian suppliers.
Lament smiles to the mare (on the one occasion Posey can see his face; the angle she's observing them from does not permit a good view), and places his hoof on her mane at one point in a reassuring manner. The mare more or less keeps her hooves next to her on the sofa. This may be caused by her sadden state, but she's actually less touchy towards Lament than Day Low Rain was the previous day.
>>169289
I'm... not so sure the mare agrees
>>169292
Posey scoffs at the state of labor relations. The mages in League know better, as skeletons don't go on strike (or at least, not successfully)
https://m.youtube.com/watch?v=EcXcKg4pm3k
>I'm... not so sure the mare agrees
I was gonna shoot the shot, but I guess no point in jumping the gun.
Posey remains silent, contemplating this information.
Posey scoffs at the state of labor relations. The mages in League know better, as skeletons don't go on strike (or at least, not successfully)
https://m.youtube.com/watch?v=EcXcKg4pm3k
>I'm... not so sure the mare agrees
I was gonna shoot the shot, but I guess no point in jumping the gun.
Posey remains silent, contemplating this information.
>>169293
Perhaps some day, Posey can revolutionize industrial production in Baltimare by showing the obsolesce of a living workforce.
The conversation drags on for quite a long time for Posey to get the above information - at least 30 minutes. By that time. Posey is likely wanting to do something else.
>>169294
Posey gets the distinct impression that Day Low Rain does not actually live in the manor
Perhaps some day, Posey can revolutionize industrial production in Baltimare by showing the obsolesce of a living workforce.
The conversation drags on for quite a long time for Posey to get the above information - at least 30 minutes. By that time. Posey is likely wanting to do something else.
>>169294
Posey gets the distinct impression that Day Low Rain does not actually live in the manor
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>>169295
>perhaps some day
Well, Posey is waiting for the Dread League to get ready to declare war on all life, so her political ambitions are a bit different.
>Posey is likely wanting to do something else.
Posey decides to explore the manor, the presence of this new mare making her question its secrecy, and it's inhabitants. She goes for a stroll, examining its fortifications, rooms, utilities and supposed inhabitants.
In the 30 minutes, did she catch the mare's name?
>perhaps some day
Well, Posey is waiting for the Dread League to get ready to declare war on all life, so her political ambitions are a bit different.
>Posey is likely wanting to do something else.
Posey decides to explore the manor, the presence of this new mare making her question its secrecy, and it's inhabitants. She goes for a stroll, examining its fortifications, rooms, utilities and supposed inhabitants.
In the 30 minutes, did she catch the mare's name?
>>169295
>distinct impression that Day Low Rain does not actually live in the manor
Posey makes note to inquire where she resides at the earliest opportunity.
>distinct impression that Day Low Rain does not actually live in the manor
Posey makes note to inquire where she resides at the earliest opportunity.
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>>169301
>Mare's name
Lament never actually says the Mare's full name. He does refer to her as "Bell," so she can surmise that is at least part of her name, but likely not her full name. Bell's father is referred to as "Mr. Mordant," at points.
Posey explores the house to find that:
The large library-parlor room occupies a portion of the southeast of the house, with a billard room next to it, which includes a pair of tables with other games. Lament has more than one chest set, including a griffin knight themed set, as well as a drawer displaying what seems to be collectable playing cards. On the other side from the library parlor room is another room likely best described as a parlor room (smaller than the last), with a couple couches and a large potted plant. This room holds a display with a number of weapons (a halberd, assorted pole arms, swords, an entire suit of armor, arquibuses and a musket). Beyond this in the corner is a library, which seems to be more the "real" library than the last. This room is two floors with a spiral staircase going up, a small desk, and while there are several windows, there are book shelves going all the way to the top of the second floor, with a small ladder to reach them. These books look a bit older. Adjacent to this room, though not connected, is a large kitchen, as well as a pantry, a large butler's pantry, and in the northwest corner connected to the entry foyer, a large dining room with a long dining table, a cabinet with a porcelain collection, a chandelier, and a set of silver plateware and candle holders. The long semi-library, the billiard room, and the library are decorated in green, albeit different shades of green, with the true library having a forest green, and the billiard room and semi-library a lighter shade. The parlor room and the living room, as well as the entry foyer have red wall paper. Floral pattern decorations occasionally paint the high ceilings. The dining room is blue and white, like the porceilin in the cabinets, and every outer wall is lined with windows. The entry foyer has a large chandelier, and the two semi-circular staircases going up to a large landing. Underneath this staircase, towards the door going outside that sits between the parlor room and the semi-library, is a powder room, and a seperate, larger bathroom that includes a tub. There is also a closet with boots and umbrellas inside, and across from that, a door that opens into a basement.
Going up the staircase, there is a landing with red carpet, a suit of pony armor on the left, as well as paintings on the walls. It should be noted that most rooms have at least one painting on the walls, as this seems to decorate empty wall space when there is no cabinet or display case. Every single painting that is not a portrait is in the same artistic genre - a school of realism that was popular about 200 years ago. Most of the paintings show nature scenes, ruins, famous landmarks, or mundane scenes like a colt putting on shoes in an outdoors scene. These paintings mostly come from the same four or so artists, it seems. Upstairs, there are also several portraits of unicorns. These appear old and are accompanied by a pair of old photographs - more than a half century old - of mares. At the far end of the landing is a "flower room," with large windows, several potted plants, an old stove, a couple chairs, and a pair of small statues of mares. This room connects to what must be a work room on the left, which has a large, luxurious desk, a large window, a leather chair, more bookshelves, and decorations like zebrican shields, more halberds, and paintings on the wall that include symbols and abstract shapes. There is a table at the far end that is a small, marble square placed at an odd angle. This room connects to the staircase of the library, and to what seems to be a dressing room, that in turn connects to what seems to be the master bedroom. The Master bedroom has a large bed, a phonograph, a sofa, more paintings and cabinets, another statue, and a taxidermied... Chimera? It's not the full animal. This connects to a large bathroom and closet with a marble jaccuzi tub in the former (this must be a new addition as it does not fit with the general decorum) and a closet full of suits. There is also a door that connects to a staircase that goes up to a third floor.
All of these rooms take up the left/northern half of the second floor, but the other half includes one, two, three more bedrooms, on the other side, as well as two smaller bathrooms, and a small smoking room that connects to the flower room. This latter room is decorated with many mirrors.
>fortifications
The manor is not anywhere styled as a castle, and certainly was not actually intended to be a castle. There may be magical wards, but no mundane locks on the main floors. In fact, the staircases going to the third floor and the basement are the only doors that are locked.
>Utilities
The house has electric lighting and indoor plumbing. These must have been added during renovation, as the house's construction seems to have preceded these innovations.
>Inhabitants
Lament seems to be the only pony living in the manor itself, although unmade beds in a couple bedrooms suggest there may have been others.
The manor is of course only one of several buildings on the property.
>Mare's name
Lament never actually says the Mare's full name. He does refer to her as "Bell," so she can surmise that is at least part of her name, but likely not her full name. Bell's father is referred to as "Mr. Mordant," at points.
Posey explores the house to find that:
The large library-parlor room occupies a portion of the southeast of the house, with a billard room next to it, which includes a pair of tables with other games. Lament has more than one chest set, including a griffin knight themed set, as well as a drawer displaying what seems to be collectable playing cards. On the other side from the library parlor room is another room likely best described as a parlor room (smaller than the last), with a couple couches and a large potted plant. This room holds a display with a number of weapons (a halberd, assorted pole arms, swords, an entire suit of armor, arquibuses and a musket). Beyond this in the corner is a library, which seems to be more the "real" library than the last. This room is two floors with a spiral staircase going up, a small desk, and while there are several windows, there are book shelves going all the way to the top of the second floor, with a small ladder to reach them. These books look a bit older. Adjacent to this room, though not connected, is a large kitchen, as well as a pantry, a large butler's pantry, and in the northwest corner connected to the entry foyer, a large dining room with a long dining table, a cabinet with a porcelain collection, a chandelier, and a set of silver plateware and candle holders. The long semi-library, the billiard room, and the library are decorated in green, albeit different shades of green, with the true library having a forest green, and the billiard room and semi-library a lighter shade. The parlor room and the living room, as well as the entry foyer have red wall paper. Floral pattern decorations occasionally paint the high ceilings. The dining room is blue and white, like the porceilin in the cabinets, and every outer wall is lined with windows. The entry foyer has a large chandelier, and the two semi-circular staircases going up to a large landing. Underneath this staircase, towards the door going outside that sits between the parlor room and the semi-library, is a powder room, and a seperate, larger bathroom that includes a tub. There is also a closet with boots and umbrellas inside, and across from that, a door that opens into a basement.
Going up the staircase, there is a landing with red carpet, a suit of pony armor on the left, as well as paintings on the walls. It should be noted that most rooms have at least one painting on the walls, as this seems to decorate empty wall space when there is no cabinet or display case. Every single painting that is not a portrait is in the same artistic genre - a school of realism that was popular about 200 years ago. Most of the paintings show nature scenes, ruins, famous landmarks, or mundane scenes like a colt putting on shoes in an outdoors scene. These paintings mostly come from the same four or so artists, it seems. Upstairs, there are also several portraits of unicorns. These appear old and are accompanied by a pair of old photographs - more than a half century old - of mares. At the far end of the landing is a "flower room," with large windows, several potted plants, an old stove, a couple chairs, and a pair of small statues of mares. This room connects to what must be a work room on the left, which has a large, luxurious desk, a large window, a leather chair, more bookshelves, and decorations like zebrican shields, more halberds, and paintings on the wall that include symbols and abstract shapes. There is a table at the far end that is a small, marble square placed at an odd angle. This room connects to the staircase of the library, and to what seems to be a dressing room, that in turn connects to what seems to be the master bedroom. The Master bedroom has a large bed, a phonograph, a sofa, more paintings and cabinets, another statue, and a taxidermied... Chimera? It's not the full animal. This connects to a large bathroom and closet with a marble jaccuzi tub in the former (this must be a new addition as it does not fit with the general decorum) and a closet full of suits. There is also a door that connects to a staircase that goes up to a third floor.
All of these rooms take up the left/northern half of the second floor, but the other half includes one, two, three more bedrooms, on the other side, as well as two smaller bathrooms, and a small smoking room that connects to the flower room. This latter room is decorated with many mirrors.
>fortifications
The manor is not anywhere styled as a castle, and certainly was not actually intended to be a castle. There may be magical wards, but no mundane locks on the main floors. In fact, the staircases going to the third floor and the basement are the only doors that are locked.
>Utilities
The house has electric lighting and indoor plumbing. These must have been added during renovation, as the house's construction seems to have preceded these innovations.
>Inhabitants
Lament seems to be the only pony living in the manor itself, although unmade beds in a couple bedrooms suggest there may have been others.
The manor is of course only one of several buildings on the property.
>>169306
>description
Very detailed.
With nothing better to do, Posey decides to take a bath, in the more remote bathroom, filling the tub before shutting of the water and entering it. She takes about half an hour, paying attention to scrub her mane, coat and other bits clean, applying copious amounts of various soaps and cosmetic products if any are available.
When she's finished, she exits the tub before draining it, retires her mane into her war-bun, and dries herself off, looking especially fluffy as she does. She momentarily recoils at the sight of a mirror, before turning and going about her night, stalking the mansion, like a cat prowling about its turf.
>Lament seems to be the only pony living in the manor itself
No servants of any kind. Interesting.
>unmade beds in a couple bedrooms suggest there may have been others
How fresh do they appear? Are there any clues as to whomever they might be?
>description
Very detailed.
With nothing better to do, Posey decides to take a bath, in the more remote bathroom, filling the tub before shutting of the water and entering it. She takes about half an hour, paying attention to scrub her mane, coat and other bits clean, applying copious amounts of various soaps and cosmetic products if any are available.
When she's finished, she exits the tub before draining it, retires her mane into her war-bun, and dries herself off, looking especially fluffy as she does. She momentarily recoils at the sight of a mirror, before turning and going about her night, stalking the mansion, like a cat prowling about its turf.
>Lament seems to be the only pony living in the manor itself
No servants of any kind. Interesting.
>unmade beds in a couple bedrooms suggest there may have been others
How fresh do they appear? Are there any clues as to whomever they might be?
>>169306
>The manor is of course only one of several buildings on the property.
Which other buildings are present? Posey might want to explore those, with no mission at hoof.
>The manor is of course only one of several buildings on the property.
Which other buildings are present? Posey might want to explore those, with no mission at hoof.
>>169307
>more remote bathroom
On the second floor?
Posey can probably avoid being found lurking in the manor, and she can probably avoid hearing anything more if she so desires... though it should be noted that the floors creak periodically. The house is more than a century old, and like all venerable, old, large houses, the house has a way of producing noises to make one think they are not alone, even when no pony else is present. Posey does hear Lament and Bell at one point, when the two move to the back porch. She can hear Lament tell Bell something about the plantation evidently having a history of growing indigo at some point, though not much else.
Any blood, or smell of hyena, or other undesirable debris or contaminant is washed off of Posey, and she's left just as beautiful as ever, although for whom her bueaty is intended remains to be seen.
One of the extra bedrooms seems to have been used perhaps a week ago. The bed is made, but there is an empty bottle of whiskey, and a vest belonging to a stallion remaining there. The other room has an unmade bed, an empty wine glass, and a sock that seems to belong to a female. That one is a few days old, if that.
>>169308
Posey can see more buildings. One building best seen from the library, to the left/north of the manor and a bit behind it, is a barn-like structure with a large door and a gambrel roof. The dirt road that moves past the manor goes up to it. Immediately behind the manor is a fountain, though it's empty now, and a few beds belonging to a garden, though it is dead or dormant now. There are several buildings in almost a circle behind the manor in the large clearing that is bordered by trees. There is the cottage that Posey went to during the day, another pair of what seem to be houses, a small building with a covered porch and a steep roof, and then one more, shed-like building.
To the east, posey is already familiar with the small path that goes towards her cottage on the lake.
Posey can see that over to the left/north, behind the gambrel roofed building, there is a large dirt road that goes over into the tree line. Next to this small road is a powerline, which makes the path through the trees even wider. Looming over this northern tree line, and dark against a clouded night sky that reflects the distant lights of Baltimare in a yellow luminescence, the outline of what seems to be a small steeple and another structure, that seems to move slightly in the night.
>more remote bathroom
On the second floor?
Posey can probably avoid being found lurking in the manor, and she can probably avoid hearing anything more if she so desires... though it should be noted that the floors creak periodically. The house is more than a century old, and like all venerable, old, large houses, the house has a way of producing noises to make one think they are not alone, even when no pony else is present. Posey does hear Lament and Bell at one point, when the two move to the back porch. She can hear Lament tell Bell something about the plantation evidently having a history of growing indigo at some point, though not much else.
Any blood, or smell of hyena, or other undesirable debris or contaminant is washed off of Posey, and she's left just as beautiful as ever, although for whom her bueaty is intended remains to be seen.
One of the extra bedrooms seems to have been used perhaps a week ago. The bed is made, but there is an empty bottle of whiskey, and a vest belonging to a stallion remaining there. The other room has an unmade bed, an empty wine glass, and a sock that seems to belong to a female. That one is a few days old, if that.
>>169308
Posey can see more buildings. One building best seen from the library, to the left/north of the manor and a bit behind it, is a barn-like structure with a large door and a gambrel roof. The dirt road that moves past the manor goes up to it. Immediately behind the manor is a fountain, though it's empty now, and a few beds belonging to a garden, though it is dead or dormant now. There are several buildings in almost a circle behind the manor in the large clearing that is bordered by trees. There is the cottage that Posey went to during the day, another pair of what seem to be houses, a small building with a covered porch and a steep roof, and then one more, shed-like building.
To the east, posey is already familiar with the small path that goes towards her cottage on the lake.
Posey can see that over to the left/north, behind the gambrel roofed building, there is a large dirt road that goes over into the tree line. Next to this small road is a powerline, which makes the path through the trees even wider. Looming over this northern tree line, and dark against a clouded night sky that reflects the distant lights of Baltimare in a yellow luminescence, the outline of what seems to be a small steeple and another structure, that seems to move slightly in the night.
>>169216
Amber finds a suitably thick piece of cloth–a handkerchief, perhaps–and gags the griffon. This car lacks an adequate closet so she drags him to the next car.
Amber finds a suitably thick piece of cloth–a handkerchief, perhaps–and gags the griffon. This car lacks an adequate closet so she drags him to the next car.
>>169311
The griffin is starting to try to talk, and opens his eyes. Helder pulls out his handkerchief.... until he sees that it is covered in blood. He puts it away quickly before the passengers see it. The griffin manages to yell "Hey!" before Federklied places what seems to be a sock in the griffin's beak. Erich helps Amber drag the griffin to the front of the car, presumably to the lavatory.
The griffin is starting to try to talk, and opens his eyes. Helder pulls out his handkerchief.... until he sees that it is covered in blood. He puts it away quickly before the passengers see it. The griffin manages to yell "Hey!" before Federklied places what seems to be a sock in the griffin's beak. Erich helps Amber drag the griffin to the front of the car, presumably to the lavatory.
>>169313
Amber resists the urge to talk about further plans while their captive is in earshot. Hopefully they can seal him away without further incident.
Amber resists the urge to talk about further plans while their captive is in earshot. Hopefully they can seal him away without further incident.
>>169314
A bit of twine around the beak, then around the claws, then around the hind legs, and an attempt on the wings... forget the wings, just stuff him in the bathroom and lock it.
And it is done.
A bit of twine around the beak, then around the claws, then around the hind legs, and an attempt on the wings... forget the wings, just stuff him in the bathroom and lock it.
And it is done.
>>169315
Once it is done Amber takes Erich aside and asks, "My friend, what do you recommend once we get to the next station?"
Once it is done Amber takes Erich aside and asks, "My friend, what do you recommend once we get to the next station?"
>>169316
Erich replies:
"Helder better not be shitting us about his contacts in the Reformitsen. If there is even a chance they will turn us over, we'll have to stay in these clothes all the way to Lake City."
Erich replies:
"Helder better not be shitting us about his contacts in the Reformitsen. If there is even a chance they will turn us over, we'll have to stay in these clothes all the way to Lake City."
>>169317
Amber seems disconcerted by this. "The longer we stay on this train, the harder it will be to keep up the charade. Would they really turn us over?"
Amber seems disconcerted by this. "The longer we stay on this train, the harder it will be to keep up the charade. Would they really turn us over?"
>>169318
"I do not know" he answers, clearly irritated. "I've never been completely into this 'occultism'. Helder is the one who got me into this. He's the one who knows someone in the Reformitsen. This is my first time outside of the Herzlands."
"I do not know" he answers, clearly irritated. "I've never been completely into this 'occultism'. Helder is the one who got me into this. He's the one who knows someone in the Reformitsen. This is my first time outside of the Herzlands."
>>169319
"And you know Helm turned out…," Amber remarks bitterly. "Let's get more details from him. I don't like being kept in the dark." Amber goes to find Helder.
"And you know Helm turned out…," Amber remarks bitterly. "Let's get more details from him. I don't like being kept in the dark." Amber goes to find Helder.
>>169320
Helder is at the end of the coach, evidently trying to figure out how to close the rear door. He is kind of near passengers at the moment.
Helder is at the end of the coach, evidently trying to figure out how to close the rear door. He is kind of near passengers at the moment.
>>169322
"Yes... But we don't have a nail. We may have to hold it shut till Soldau." He answers, looking at the door, and then at Amber
"Yes... But we don't have a nail. We may have to hold it shut till Soldau." He answers, looking at the door, and then at Amber
>>169323
"There must be an alternative," she replies, thinking that sealing the door will help the passengers feel secure. She tries to find something nearby that can brace or hold the door shut.
"There must be an alternative," she replies, thinking that sealing the door will help the passengers feel secure. She tries to find something nearby that can brace or hold the door shut.
>>169326
And...
It seems to hold. Placing the wrench between the door handle and the edge seems to stop it. Jamming in the crowbar for good measure is... hopefully enough. Hopefully.
And...
It seems to hold. Placing the wrench between the door handle and the edge seems to stop it. Jamming in the crowbar for good measure is... hopefully enough. Hopefully.
>>169327
They are over the border, there shouldn't be more intruders…right? Amber is satisfied, and takes Helder and Erich aside to discuss who his "connections" are.
They are over the border, there shouldn't be more intruders…right? Amber is satisfied, and takes Helder and Erich aside to discuss who his "connections" are.
>>169328
There... shouldn't be. Surely they wouldn't cross the border just to stop these dangerous rebels, and also to rescue their comrade whom they left behind? The invisible line on the map will stop them. Right?
https://www.youtube.com/watch?v=Omw9H7In200
Erich and Amber take Helder to the vestibule at the front of the last car. Helder explains:
"I knew several of them when they would come to Katerinburg. I think you saw them too. A Feuerblume and a Geizhals in particular. Wingfried Von Katerinburg is the grandmaster now, and he is the cousin of the deposed Diazella. The Reformitsen appreciate our special knowledge and our art in ways the Imperials simply won't. Birds of a feather, after all."
There... shouldn't be. Surely they wouldn't cross the border just to stop these dangerous rebels, and also to rescue their comrade whom they left behind? The invisible line on the map will stop them. Right?
https://www.youtube.com/watch?v=Omw9H7In200
Erich and Amber take Helder to the vestibule at the front of the last car. Helder explains:
"I knew several of them when they would come to Katerinburg. I think you saw them too. A Feuerblume and a Geizhals in particular. Wingfried Von Katerinburg is the grandmaster now, and he is the cousin of the deposed Diazella. The Reformitsen appreciate our special knowledge and our art in ways the Imperials simply won't. Birds of a feather, after all."
>>169329
"They would heavily dislike the Empire now, wouldn't they? Hmm…if we don't cause trouble in Hellquill itself, maybe they will be accommodating. What do you say, Erich?"
"They would heavily dislike the Empire now, wouldn't they? Hmm…if we don't cause trouble in Hellquill itself, maybe they will be accommodating. What do you say, Erich?"
>>169330
Erich blinks
"I'm not sure what else we can do. We can't go back to Katerinburg, or the Imperial District. That's for damn sure."
Erich blinks
"I'm not sure what else we can do. We can't go back to Katerinburg, or the Imperial District. That's for damn sure."
>>169333
"We're going to have to trust Helder's contacts then. We'll quietly get off at Hellquill Station and proceed on our way."
"We're going to have to trust Helder's contacts then. We'll quietly get off at Hellquill Station and proceed on our way."
>>169310
Posey decides to go out for a stroll, to assess the state of the buildings arranged in the circle, and seek any inhabitants.
Posey decides to go out for a stroll, to assess the state of the buildings arranged in the circle, and seek any inhabitants.
>>169347
Amber is hesitant to answer. "I'd like to get off, except, this close to the border, the Inquisition is likely to have agents ready to intercept us. They're local police, so we probably won't find Helder's contacts and they'll be easier to bribe–but we don't have anything to bribe them with. I would rather go to Hellquill. We've done it so far, and it's not too much more."
Amber is hesitant to answer. "I'd like to get off, except, this close to the border, the Inquisition is likely to have agents ready to intercept us. They're local police, so we probably won't find Helder's contacts and they'll be easier to bribe–but we don't have anything to bribe them with. I would rather go to Hellquill. We've done it so far, and it's not too much more."
>>169340
The first building on the left that Posey sees is the structure with the gambrel roof that is near the manor. It is rectangular, and the roof is tar. The walls are whitewashed, and painted recently enough that it obviously has been painted in the last few decades. The paint is, nevertheless, faded in places.
It has only a few windows, and these are closed with blinds.
Posey would pass a dirt road that leads north, in the direction of the structures over the trees. It's a cart road with the aforementioned powerlines
The second structure is further back, also on the left, and looks kind of like a small home. It has a triangular roof, a painted white wood exterior, and a more or less square shape. It looks rather like the bungalow Posey saw ealier. The blinds on the windows are down, and posey can see that there seems to be a light inside.
The next building past this one is similar in design. It literally is the bungalow that Posey saw earlier.
On the right are another bungalow, albeit one where the roof seems to be dilapidated and the paint is deterioted.
There is a building a bit closer to the manor that is rectangular with a tiny covered porch, a chimney, and open blinds. There are no lights. It isn't completely deteriorated, but there are missing tiles on the roof.
There is also a structure that seems to be some type of shed. Hints of white paint indicate that this structure, too, was once whitewashed. It is hard to say if this building is abandoned or not.
Posey can also see a lonely brick chimney in another plot, and then still another lot that has a hint of a foundation.
>>169348
Erich does not seem to like this answer, but for once, his response is resignation rather than revolt.
"Alright" He answers
Helder actually has the stronger response
"Can you keep it up?" He asks
The first building on the left that Posey sees is the structure with the gambrel roof that is near the manor. It is rectangular, and the roof is tar. The walls are whitewashed, and painted recently enough that it obviously has been painted in the last few decades. The paint is, nevertheless, faded in places.
It has only a few windows, and these are closed with blinds.
Posey would pass a dirt road that leads north, in the direction of the structures over the trees. It's a cart road with the aforementioned powerlines
The second structure is further back, also on the left, and looks kind of like a small home. It has a triangular roof, a painted white wood exterior, and a more or less square shape. It looks rather like the bungalow Posey saw ealier. The blinds on the windows are down, and posey can see that there seems to be a light inside.
The next building past this one is similar in design. It literally is the bungalow that Posey saw earlier.
On the right are another bungalow, albeit one where the roof seems to be dilapidated and the paint is deterioted.
There is a building a bit closer to the manor that is rectangular with a tiny covered porch, a chimney, and open blinds. There are no lights. It isn't completely deteriorated, but there are missing tiles on the roof.
There is also a structure that seems to be some type of shed. Hints of white paint indicate that this structure, too, was once whitewashed. It is hard to say if this building is abandoned or not.
Posey can also see a lonely brick chimney in another plot, and then still another lot that has a hint of a foundation.
>>169348
Erich does not seem to like this answer, but for once, his response is resignation rather than revolt.
"Alright" He answers
Helder actually has the stronger response
"Can you keep it up?" He asks
>>169349
Posey contemplates harassing the creatures in the lit building, but decides that she's knocked on enough doors for tonight.
Can Posey detect any other signs of life/unlife?
Rolling Spot
[1d20+4 = (11+4) = 15]
And Listen
[1d20+4 = (14+4) = 18]
Posey contemplates harassing the creatures in the lit building, but decides that she's knocked on enough doors for tonight.
Can Posey detect any other signs of life/unlife?
Rolling Spot
[1d20+4 = (11+4) = 15]
And Listen
[1d20+4 = (14+4) = 18]
>>169350
A tap, and a couple clops.
A shadow seems to move, albeit briefly.
Further away, Posey can hear the sounds of crickets, frogs, and a yip.
A tap, and a couple clops.
A shadow seems to move, albeit briefly.
Further away, Posey can hear the sounds of crickets, frogs, and a yip.
>>169349
Oh yeah, Search check as well, in case there's a secret door beneath the chimney foundation, as there often is in games.
[1d20+5 = (13+5) = 18]
Oh yeah, Search check as well, in case there's a secret door beneath the chimney foundation, as there often is in games.
[1d20+5 = (13+5) = 18]
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(26.1 KB, 400x567, Shadow_elemental.jpg)
>>169353
The best guess is that it's a quadraped, but the distance of the source of the shadow from the blind, as well as the angle, prevents any kind of specificity.
>>169352
Well, yes. Kinda. A simple door on the ground made of wood barely still exists, but it does, sort of. Opening this door reveals something kind of like a crawlspace, or a tiny basement. It is not deep enough for a pony to stand up in, it is covered by a wooden floor that is collapsing, and the ground of this space is not just covered in dirt, but now vegetation.
The best guess is that it's a quadraped, but the distance of the source of the shadow from the blind, as well as the angle, prevents any kind of specificity.
>>169352
Well, yes. Kinda. A simple door on the ground made of wood barely still exists, but it does, sort of. Opening this door reveals something kind of like a crawlspace, or a tiny basement. It is not deep enough for a pony to stand up in, it is covered by a wooden floor that is collapsing, and the ground of this space is not just covered in dirt, but now vegetation.
>>169354
So, not an undead shadow.
Posey decides to check if anything is hidden in the crawlspace.
She feels around with her horn, preferring not to get dirty shortly after bathing.
So, not an undead shadow.
Posey decides to check if anything is hidden in the crawlspace.
She feels around with her horn, preferring not to get dirty shortly after bathing.
>>169355
"Why is nothing haunted around here? There should be more hauntings." Posey says to herself, still managing her expectations for what Equestria should look like
Rolling Search, to look for treasure in the crawlspace
[1d20+5 = (3+5) = 8]
"Why is nothing haunted around here? There should be more hauntings." Posey says to herself, still managing her expectations for what Equestria should look like
Rolling Search, to look for treasure in the crawlspace
[1d20+5 = (3+5) = 8]
>>169349
Amber is tired from the fight and the fears it brought, but maintains her resolve. "I can. Can you?"
Amber is tired from the fight and the fears it brought, but maintains her resolve. "I can. Can you?"
>>169358
I guess Posey should go to a guild bulletin or something if she wants to encounter the undead.
I guess Posey should go to a guild bulletin or something if she wants to encounter the undead.
Rolling an untrained Perform check to dance around in the moonlight and garner the attention of restless spirits (just a shitpost roll)
[1d20+4 = (15+4) = 19]
[1d20+4 = (15+4) = 19]
Hey, DM
Right now, Posey is basically between quests, so would it be okay to do a sort of timeskip, whenever is convenient? I appreciate these detailed descriptions of the buildings, but if nothing happens tonight, maybe we could just fast forward through it, to get to the next quest hook? For something to happen, or for someone to commission Posey for a quest?
Right now, Posey is basically between quests, so would it be okay to do a sort of timeskip, whenever is convenient? I appreciate these detailed descriptions of the buildings, but if nothing happens tonight, maybe we could just fast forward through it, to get to the next quest hook? For something to happen, or for someone to commission Posey for a quest?
>>169362
>>169361
From West, and in front of the manor, a chilling breeze blows through, shaking the limbs of those trees that have kept their leaves, and even shaking barren branches. Masses of decaying leaves are lifted up in swirls, cast into the air and falling down again. A cloud passes over the light of the waning gibbous moon, as the wind gently howls.
>>169364
Posey hasn't found the thing I wanted her to yet
I suppose we could. What sort of thing do you have in mind?
>>169361
From West, and in front of the manor, a chilling breeze blows through, shaking the limbs of those trees that have kept their leaves, and even shaking barren branches. Masses of decaying leaves are lifted up in swirls, cast into the air and falling down again. A cloud passes over the light of the waning gibbous moon, as the wind gently howls.
>>169364
Posey hasn't found the thing I wanted her to yet
I suppose we could. What sort of thing do you have in mind?
>>169359
https://www.youtube.com/watch?v=KfAHbm7G2R0
Amber now has the answer to the question "can a griffin scrunch?" Not exactly, but they can come damn close. Helder finally replies "yes."
Amber feels the train slowing down. She can hear a brief screech as the pneumatic brakes press too hard, and then ease up.
https://www.youtube.com/watch?v=KfAHbm7G2R0
Amber now has the answer to the question "can a griffin scrunch?" Not exactly, but they can come damn close. Helder finally replies "yes."
Amber feels the train slowing down. She can hear a brief screech as the pneumatic brakes press too hard, and then ease up.
>>169365
Any quest would do.
>you must kill X
>investigate reports of X
>find the lost X
>take X to Y
I'm not too picky.
Preferably undead-related, on in a way that advances the political goal of the Dread League. Fulfilling her duties to the league and advancing her personal powers over the dead are Posey's primary motivations.
I've been back reading some of the old threads, and I see there is/was a lich or something near the city? I didn't absorb the whole situation, but I think the League would have/want contacts with any local liches, so that information might be something Posey would have some wind of. Maybe something related to that, as an aftermath of the other party's quest. Maybe that could also potentially lead me to cross paths with the party, potentially.
Posey is content to sit at home and read, or lay in a coffin forever, but
I'm never going to find it at this rate. Give me a clue, please.
Any quest would do.
>you must kill X
>investigate reports of X
>find the lost X
>take X to Y
I'm not too picky.
Preferably undead-related, on in a way that advances the political goal of the Dread League. Fulfilling her duties to the league and advancing her personal powers over the dead are Posey's primary motivations.
I've been back reading some of the old threads, and I see there is/was a lich or something near the city? I didn't absorb the whole situation, but I think the League would have/want contacts with any local liches, so that information might be something Posey would have some wind of. Maybe something related to that, as an aftermath of the other party's quest. Maybe that could also potentially lead me to cross paths with the party, potentially.
Posey is content to sit at home and read, or lay in a coffin forever, but
I'm never going to find it at this rate. Give me a clue, please.
>>169367
Just that she'd see the village that's just down the road. I'm not sure how important it really is
>there is/was a lich or something near the city?
Correct
Okay, I have a couple ideas
Just that she'd see the village that's just down the road. I'm not sure how important it really is
>there is/was a lich or something near the city?
Correct
Okay, I have a couple ideas
>>169368
I guess it's worth seeing what the village is inhabited by, and how secluded it is. It might come in handy just in case Posey needs to commit a quick warcrime for reasons later.
I guess it's worth seeing what the village is inhabited by, and how secluded it is. It might come in handy just in case Posey needs to commit a quick warcrime for reasons later.
File (): 9B345A50502E32BC007FE41BD773BD52-2121406.png
(2.0 MB, 2000x1124, 2159032.png)
>>169371
>>169378
Perhaps it is of interest to Posey, perhaps it isn't, but it is most certainly something Posey could encounter on a nightly walk.
Standing on the foundations of the now lost structure, Posey could walk down that winding path east, and back to her cottage. She could go back to the manor. She could wonder into the treeline, full of wild and still verdant cypress trees, and rows of defoliated citrus trees.
But should she move just a little west back towards the manor, and to that small, dirt cart path now lined by wooden poles carrying a powerline, she could follow it through a tree line not a hundred yards in depth and exit into a vast clearing. Over to the left, the far left, Posey would find a large, plowed, fallow field with sprouting grass and rimed with trees that likely mark the border with the road that took Posey to the manor from Baltimare. Over to the far right, Posey can see comparatively neat rows of barren branch deciduous trees that are almost certainly oranges, lemons, or some kind of kind of fruit. But it's what is in front of her, and to her more immediate left and right, that is far more interesting.
The road continues a ways down, mostly straight, and composed of dirt and pebbles. But to either side of this road are a number of structures. At first, coming out of the trees, there is nothing. But to the left, is a wooden structure that Posey understands well enough to call a barn. It has one of those machines parked in it, visible through an open door, the mortals use for their agriculture. Just a bit further past are shrubs growing ontop of the foundations of what must have been, some decades ago, structures. But just a few yards past these, on either side of the road, are small rectangular buildings, slightly raised above the ground, with little steps leading up to them and low angled roofs that hang over the edges, and a small chimney at the end. These buildings are made of wood, sometimes painted white, sometimes barren or perhaps painted brown. In some, grass and shrubs have grown high around them. Some have simple cut grass, while others have manicured rose bushes. Most have gardens behind them, raised beds with raised or dormant plants in them, though some grow winter hardy vegetables like lettuce, cabbage, or squash. These gardens are sometimes separated by fences, be they barbed wire or wood, and sometimes open. A couple have compost heaps, with little bits of rotten food wastes sitting on the top. There are perhaps eighteen or so of these small buildings in total. Though a few seem abandoned, most seem inhabited with blinds closed on the glass windows, and a few have lights on inside. These rows of buildings are split in the middle by a pair of slightly larger buildings with big wooden doors, surrounded by dirt and pebbles. The two buildings are slightly different, but both have big chimneys, with the one on the right having an external oven. Further away off to the right, by the tree line, are bigger, two-story buildings with few windows, and timber emanating from the center.
Though the row begins with simple foundations, it ends with two structures that are bigger and more impressive than those that came before. One is a house with a stucco exterior, albeit one that is bigger than any before, being longer, wider, taller, and better constructed than those that came before, with a tile roof. This house has lights on inside. Across from the house, and slightly further away, is a small - very small - rectangular church building, complete with a steeple and a brass sun figure hanging over the door. The walls are coated in fresh-enough whitewash, and the windows are unbroken, suggesting the building remains in use. But Posey does not feel that wicked aura normally exuded by these buildings.
The road continues, veering off slightly to the left, before turning right to cross the river on a small wooden bridge. There is some sort of shed across the river, and then rows of what seem to be more fruit trees. But what lays to the right is more interesting. The road splits, and a section goes to the right, down to the small river. There is a large brick structure that Posey can immediately recognize as a windmill. It's four wooden blades move slowly in the breeze, even as the top of the structure looks as if a hole has been blown into it, or else collapsed from decay. But behind the windmill, on the gentle slope to the river, and the riverbank itself, are more small structures. The river is perhaps twelve or so feet below the ground level, and several small shed-like structures that seem to be homes line the river and the hill. These are made of unpainted wood, usually with tin or sheet metal roofs. Lights, sometimes the consistent yellow of electrical lighting, and more often the flickering of kerosene lamps, shine through many windows, or even sit on the wooden porches that extend out onto the still water of the river. Posey can hear the sounds of a drum coming from the river, and perhaps would see activity if only she peered further. The small river opens to a bayou or swamp, with low cypress trees small than those seen before lining the waterline. Posey can see the outline of what must have been a watermill, but perhaps that is further away than she dares look.
>>169378
Perhaps it is of interest to Posey, perhaps it isn't, but it is most certainly something Posey could encounter on a nightly walk.
Standing on the foundations of the now lost structure, Posey could walk down that winding path east, and back to her cottage. She could go back to the manor. She could wonder into the treeline, full of wild and still verdant cypress trees, and rows of defoliated citrus trees.
But should she move just a little west back towards the manor, and to that small, dirt cart path now lined by wooden poles carrying a powerline, she could follow it through a tree line not a hundred yards in depth and exit into a vast clearing. Over to the left, the far left, Posey would find a large, plowed, fallow field with sprouting grass and rimed with trees that likely mark the border with the road that took Posey to the manor from Baltimare. Over to the far right, Posey can see comparatively neat rows of barren branch deciduous trees that are almost certainly oranges, lemons, or some kind of kind of fruit. But it's what is in front of her, and to her more immediate left and right, that is far more interesting.
The road continues a ways down, mostly straight, and composed of dirt and pebbles. But to either side of this road are a number of structures. At first, coming out of the trees, there is nothing. But to the left, is a wooden structure that Posey understands well enough to call a barn. It has one of those machines parked in it, visible through an open door, the mortals use for their agriculture. Just a bit further past are shrubs growing ontop of the foundations of what must have been, some decades ago, structures. But just a few yards past these, on either side of the road, are small rectangular buildings, slightly raised above the ground, with little steps leading up to them and low angled roofs that hang over the edges, and a small chimney at the end. These buildings are made of wood, sometimes painted white, sometimes barren or perhaps painted brown. In some, grass and shrubs have grown high around them. Some have simple cut grass, while others have manicured rose bushes. Most have gardens behind them, raised beds with raised or dormant plants in them, though some grow winter hardy vegetables like lettuce, cabbage, or squash. These gardens are sometimes separated by fences, be they barbed wire or wood, and sometimes open. A couple have compost heaps, with little bits of rotten food wastes sitting on the top. There are perhaps eighteen or so of these small buildings in total. Though a few seem abandoned, most seem inhabited with blinds closed on the glass windows, and a few have lights on inside. These rows of buildings are split in the middle by a pair of slightly larger buildings with big wooden doors, surrounded by dirt and pebbles. The two buildings are slightly different, but both have big chimneys, with the one on the right having an external oven. Further away off to the right, by the tree line, are bigger, two-story buildings with few windows, and timber emanating from the center.
Though the row begins with simple foundations, it ends with two structures that are bigger and more impressive than those that came before. One is a house with a stucco exterior, albeit one that is bigger than any before, being longer, wider, taller, and better constructed than those that came before, with a tile roof. This house has lights on inside. Across from the house, and slightly further away, is a small - very small - rectangular church building, complete with a steeple and a brass sun figure hanging over the door. The walls are coated in fresh-enough whitewash, and the windows are unbroken, suggesting the building remains in use. But Posey does not feel that wicked aura normally exuded by these buildings.
The road continues, veering off slightly to the left, before turning right to cross the river on a small wooden bridge. There is some sort of shed across the river, and then rows of what seem to be more fruit trees. But what lays to the right is more interesting. The road splits, and a section goes to the right, down to the small river. There is a large brick structure that Posey can immediately recognize as a windmill. It's four wooden blades move slowly in the breeze, even as the top of the structure looks as if a hole has been blown into it, or else collapsed from decay. But behind the windmill, on the gentle slope to the river, and the riverbank itself, are more small structures. The river is perhaps twelve or so feet below the ground level, and several small shed-like structures that seem to be homes line the river and the hill. These are made of unpainted wood, usually with tin or sheet metal roofs. Lights, sometimes the consistent yellow of electrical lighting, and more often the flickering of kerosene lamps, shine through many windows, or even sit on the wooden porches that extend out onto the still water of the river. Posey can hear the sounds of a drum coming from the river, and perhaps would see activity if only she peered further. The small river opens to a bayou or swamp, with low cypress trees small than those seen before lining the waterline. Posey can see the outline of what must have been a watermill, but perhaps that is further away than she dares look.
>>169366
"That must be our stop now! About time…" Amber remarks. She makes her way to the front of the train to be ready for when it stops.
"That must be our stop now! About time…" Amber remarks. She makes her way to the front of the train to be ready for when it stops.
>>169383
>full of wild and still verdant cypress trees, and rows of defoliated citrus trees.
"Abundant vegetation... enough to raze without ponies noticing." Posey silently thinks to herself
>wooden poles carrying a powerline
"The ponies in this realm rely on these overhead infrastructures for fuel and light. Temporary blackouts are plausible." Posey observes, as she follows the lightning-powered structure down the path
>a large, plowed, fallow field with sprouting grass
"Agricultural activity in the more rural areas. Concealing contingent troops below the fields offers the potential to encircle the cities on sudden notice if forces are built up overtime." Posey ponders, the schematics for such a siege going through her head
>Just a bit further past are shrubs growing ontop of the foundations of what must have been, some decades ago, structures
"Decayed structures... a site of interest."
>small rectangular buildings
This catches her attention. She silently moves closer, as she dates.
"Isolated rural communities... of interest."
>In some, grass and shrubs have grown high around them.
"Either low activity, or cultural taste. Best investigate."
>Some have simple cut grass, while others have manicured rose bushes.
"Roses... A needy flower, one to wither and die when it's not cared for, not loved... The ponies here live peaceful lives, with abundant free time. Mortal activity is present" Posey observes, lurking in the shadows
>Most have gardens behind them, raised beds with raised or dormant plants in them, though some grow winter hardy vegetables like lettuce, cabbage, or squash.
>A couple have compost heaps, with little bits of rotten food wastes sitting on the top.
"Self-sufficiency, peace, humble lifestyles... These ponies would be unaffected even if their capital were to burn, as they have since time immemorable." Posey pauses, as if lost in thought
>Though a few seem abandoned
"...Or perhaps not. The population declines, perhaps either mobilized by war, or moving for opportunities in the city..."
>There are perhaps eighteen or so of these small buildings in total.
"Settlement size... Thorp, not even a hamlet. Perhaps one of countless across the countryside." Posey thinks, as she takes mental note of the demographics
>external oven
"Blacksmith, if my hunch is correct. The ponies here likely repair their own shoes and tools. They would be affected little by supply chain crises."
>Further away off to the right, by the tree line, are bigger, two-story buildings with few windows, and timber emanating from the center.
"Lumber is processed too. Living off the land..." her hooves pat at the fertile soil beneath her, some of the grass turning gray and withering with her touch
"I can feel the love these ponies have for their home... so fertile, so much fuel..." she gives a bit of a sinister, fanged grin
>Though the row begins with simple foundations, it ends with two structures that are bigger and more impressive than those that came before.
"The upper class appears to prefer this side of the settlement. Perhaps the the thorp includes servants and hirelings brought for construction and services..." Posey observes
>rectangular church building
As the sight of this, she freezes, her face twisting in momentary panic, before she regains her composure as
>Posey does not feel that wicked aura normally exuded by these buildings
"This... temple... hasn't been hallowed in years, perhaps not even consecrated. The priesthood may be absent, or in decline due to the state of the princess... The ponies appear to remain faithful though. It's a site of interest." Posey thinks to herself, gritting her fangs
She trots a bit closer, with utmost caution, interested in any holy symbology associated with the structure
Religion Check
[1d20+9 = (8+9) = 17]
>several small shed-like structures that seem to be homes line the river and the hill
"This settlement may be larger than I thought... a Hamlet, perhaps even a village."
>These are made of unpainted wood, usually with tin or sheet metal roofs. Lights, sometimes the consistent yellow of electrical lighting, and more often the flickering of kerosene lamps, shine through many windows
"Structure indicates that the lower class resides here..."
>further away than she dares look.
Posey contemplates crossing the river, her vampire-like phobia causing rigor mortis in her flesh as her body freezes, like a corpse
>full of wild and still verdant cypress trees, and rows of defoliated citrus trees.
"Abundant vegetation... enough to raze without ponies noticing." Posey silently thinks to herself
>wooden poles carrying a powerline
"The ponies in this realm rely on these overhead infrastructures for fuel and light. Temporary blackouts are plausible." Posey observes, as she follows the lightning-powered structure down the path
>a large, plowed, fallow field with sprouting grass
"Agricultural activity in the more rural areas. Concealing contingent troops below the fields offers the potential to encircle the cities on sudden notice if forces are built up overtime." Posey ponders, the schematics for such a siege going through her head
>Just a bit further past are shrubs growing ontop of the foundations of what must have been, some decades ago, structures
"Decayed structures... a site of interest."
>small rectangular buildings
This catches her attention. She silently moves closer, as she dates.
"Isolated rural communities... of interest."
>In some, grass and shrubs have grown high around them.
"Either low activity, or cultural taste. Best investigate."
>Some have simple cut grass, while others have manicured rose bushes.
"Roses... A needy flower, one to wither and die when it's not cared for, not loved... The ponies here live peaceful lives, with abundant free time. Mortal activity is present" Posey observes, lurking in the shadows
>Most have gardens behind them, raised beds with raised or dormant plants in them, though some grow winter hardy vegetables like lettuce, cabbage, or squash.
>A couple have compost heaps, with little bits of rotten food wastes sitting on the top.
"Self-sufficiency, peace, humble lifestyles... These ponies would be unaffected even if their capital were to burn, as they have since time immemorable." Posey pauses, as if lost in thought
>Though a few seem abandoned
"...Or perhaps not. The population declines, perhaps either mobilized by war, or moving for opportunities in the city..."
>There are perhaps eighteen or so of these small buildings in total.
"Settlement size... Thorp, not even a hamlet. Perhaps one of countless across the countryside." Posey thinks, as she takes mental note of the demographics
>external oven
"Blacksmith, if my hunch is correct. The ponies here likely repair their own shoes and tools. They would be affected little by supply chain crises."
>Further away off to the right, by the tree line, are bigger, two-story buildings with few windows, and timber emanating from the center.
"Lumber is processed too. Living off the land..." her hooves pat at the fertile soil beneath her, some of the grass turning gray and withering with her touch
"I can feel the love these ponies have for their home... so fertile, so much fuel..." she gives a bit of a sinister, fanged grin
>Though the row begins with simple foundations, it ends with two structures that are bigger and more impressive than those that came before.
"The upper class appears to prefer this side of the settlement. Perhaps the the thorp includes servants and hirelings brought for construction and services..." Posey observes
>rectangular church building
As the sight of this, she freezes, her face twisting in momentary panic, before she regains her composure as
>Posey does not feel that wicked aura normally exuded by these buildings
"This... temple... hasn't been hallowed in years, perhaps not even consecrated. The priesthood may be absent, or in decline due to the state of the princess... The ponies appear to remain faithful though. It's a site of interest." Posey thinks to herself, gritting her fangs
She trots a bit closer, with utmost caution, interested in any holy symbology associated with the structure
Religion Check
[1d20+9 = (8+9) = 17]
>several small shed-like structures that seem to be homes line the river and the hill
"This settlement may be larger than I thought... a Hamlet, perhaps even a village."
>These are made of unpainted wood, usually with tin or sheet metal roofs. Lights, sometimes the consistent yellow of electrical lighting, and more often the flickering of kerosene lamps, shine through many windows
"Structure indicates that the lower class resides here..."
>further away than she dares look.
Posey contemplates crossing the river, her vampire-like phobia causing rigor mortis in her flesh as her body freezes, like a corpse
>>169385
>High grass
Posey can't tell if these buildings are recently uninhabited, or if the owners are just lazy. These buildings do not seem well maintenanced, but they must have been inhabited at least a decade ago.
Posey can say with reasonable certainty that many, or even most of the buildings, are currently inhabited.
Posey can tell that the rectangular structure with the steeple is clearly a church, and more specifically, a type of Equestrian Celestialist harmonism. Or at least, that's what the structure was built as, and that is what the corroded brass sun hanging high above the door would suggest. The windows are open, should Posey dare peer in.
Indeed, Posey may investigate much of anything further, although it is not clear she could do so unnoticed. This little thorp or hamlet is certainly sleepier than the crowded slums Posey saw earlier, but neither is dead.
>>169386
I doubt the meat could be reached this week (between work and Marefair), but I do think at minimum the set up could be completed.
>High grass
Posey can't tell if these buildings are recently uninhabited, or if the owners are just lazy. These buildings do not seem well maintenanced, but they must have been inhabited at least a decade ago.
Posey can say with reasonable certainty that many, or even most of the buildings, are currently inhabited.
Posey can tell that the rectangular structure with the steeple is clearly a church, and more specifically, a type of Equestrian Celestialist harmonism. Or at least, that's what the structure was built as, and that is what the corroded brass sun hanging high above the door would suggest. The windows are open, should Posey dare peer in.
Indeed, Posey may investigate much of anything further, although it is not clear she could do so unnoticed. This little thorp or hamlet is certainly sleepier than the crowded slums Posey saw earlier, but neither is dead.
>>169386
I doubt the meat could be reached this week (between work and Marefair), but I do think at minimum the set up could be completed.
>>169388
>should Posey dare peer in
I'm feeling bored, and Posey is feeling cocky, so she very cautiously approaches the window.
Rolling Stealth
[1d20+9 = (17+9) = 26]
>should Posey dare peer in
I'm feeling bored, and Posey is feeling cocky, so she very cautiously approaches the window.
Rolling Stealth
[1d20+9 = (17+9) = 26]
>>169389
>bored
scrunch
Posey thinks she is stealthy as she moves close to the window of the church, and peers in
Inside, she can see that the front rows of the pews have been removed to give a large open floor which has a few wooden chairs on it. Along the wall are black statues of varying sizes of equine shapes, shrunken equine skulls with locks of mane hair hanging down, and shelves with unknown jars. On the floor, drawn in chalk, are unknown complex symbols.
>bored
scrunch
Posey thinks she is stealthy as she moves close to the window of the church, and peers in
Inside, she can see that the front rows of the pews have been removed to give a large open floor which has a few wooden chairs on it. Along the wall are black statues of varying sizes of equine shapes, shrunken equine skulls with locks of mane hair hanging down, and shelves with unknown jars. On the floor, drawn in chalk, are unknown complex symbols.
>>169390
>Along the wall are black statues of varying sizes of equine shapes, shrunken equine skulls with locks of mane hair hanging down, and shelves with unknown jars. On the floor, drawn in chalk, are unknown complex symbols.
Oh, not so holy afterall, it seems.
Posey looks almost giddy.
Rolling Arcana to recognize what the chalkline is being used for
[1d20+9 = (13+9) = 22]
And religion too, because why not. Posey is no stranger to black magic, so she might recognize some symbols.
[1d20+9 = (17+9) = 26]
>Along the wall are black statues of varying sizes of equine shapes, shrunken equine skulls with locks of mane hair hanging down, and shelves with unknown jars. On the floor, drawn in chalk, are unknown complex symbols.
Oh, not so holy afterall, it seems.
Posey looks almost giddy.
Rolling Arcana to recognize what the chalkline is being used for
[1d20+9 = (13+9) = 22]
And religion too, because why not. Posey is no stranger to black magic, so she might recognize some symbols.
[1d20+9 = (17+9) = 26]
>>169391
Posey knows what culture this came from. This is Zerbican voodoo, a blanket term used to refer to a group of mostly hybrid religious practices coming from the traditional folk folk practices of Zarantia or the Greak Lakes region of Zebrica, esoteric pratices within these same regions, and sometimes hybridized with elements of religion from Equestria or the Riverlands.
Posey does not know precisely what the chalk line is being used for, but a best guess is that its purpose is to summon a spirit for purposes of communication.
Posey knows what culture this came from. This is Zerbican voodoo, a blanket term used to refer to a group of mostly hybrid religious practices coming from the traditional folk folk practices of Zarantia or the Greak Lakes region of Zebrica, esoteric pratices within these same regions, and sometimes hybridized with elements of religion from Equestria or the Riverlands.
Posey does not know precisely what the chalk line is being used for, but a best guess is that its purpose is to summon a spirit for purposes of communication.
>>169392
>summon a spirit for purposes of communication.
Now that's something interesting.
Posey looks around the interior for any creatures
Spot
[1d20+4 = (6+4) = 10]
Listen
[1d20+4 = (14+4) = 18]
>summon a spirit for purposes of communication.
Now that's something interesting.
Posey looks around the interior for any creatures
Spot
[1d20+4 = (6+4) = 10]
Listen
[1d20+4 = (14+4) = 18]
>>169393
Posey does not see anything inside of the church building.
Posey does not hear anything inside of the church building. Unless... is that a rat scurrying? Hard to say. From further down on the river, much further down, Posey thinks she can hear a creature talking. From a bit nearer and in front (blocked by the building), she thinks she can hear the sound of a hoof clopping on the dirt and rock road. And then from the tree line, there is a sound of... maybe it's a dog or a hog. Hard to say.
Posey does not see anything inside of the church building.
Posey does not hear anything inside of the church building. Unless... is that a rat scurrying? Hard to say. From further down on the river, much further down, Posey thinks she can hear a creature talking. From a bit nearer and in front (blocked by the building), she thinks she can hear the sound of a hoof clopping on the dirt and rock road. And then from the tree line, there is a sound of... maybe it's a dog or a hog. Hard to say.
>>169395
Posey steals herself, grits her teeth, and gives a bit of an exerted grunt as she enters the church, hoping she doesn't burst into flames as she enters.
Rolling Stealth, to sneak inside
[1d20+7 = (17+7) = 24]
Once she's inside, she examines the room more thoroughly
Search
[1d20+1 = (20+1) = 21]
(Applying a -2 penalty to checks, because undead phobia)
Posey steals herself, grits her teeth, and gives a bit of an exerted grunt as she enters the church, hoping she doesn't burst into flames as she enters.
Rolling Stealth, to sneak inside
[1d20+7 = (17+7) = 24]
Once she's inside, she examines the room more thoroughly
Search
[1d20+1 = (20+1) = 21]
(Applying a -2 penalty to checks, because undead phobia)
>>169396
Posey rolls around the front, carefully moving as a cloud passes over the moon, and silently opens the door (which fortunately, is unlocked) and moves inside, closing the door carefully and silently. She finds that though this structure was born as a church, it is now a hollowed-out corpse, used for other purposes.
Inside, Posey can see a number of things, including:
at least three shrunken heads.
A book of spells
A suspicious door to what is presumably a loft
Several jars containing herbs
An incense burner that actually does seem to have originated from a celestialist church.
A suspicious door on the ground behind the altar.
At a podium resembling an altar, Posey finds what seems to be a book of spells. There are also cloaks hanging from the wall, and a couple other symbols on the ground.
Posey rolls around the front, carefully moving as a cloud passes over the moon, and silently opens the door (which fortunately, is unlocked) and moves inside, closing the door carefully and silently. She finds that though this structure was born as a church, it is now a hollowed-out corpse, used for other purposes.
Inside, Posey can see a number of things, including:
at least three shrunken heads.
A book of spells
A suspicious door to what is presumably a loft
Several jars containing herbs
An incense burner that actually does seem to have originated from a celestialist church.
A suspicious door on the ground behind the altar.
At a podium resembling an altar, Posey finds what seems to be a book of spells. There are also cloaks hanging from the wall, and a couple other symbols on the ground.
>>169397
>it is now a hollowed-out corpse, used for other purposes.
How tasteful.
>book of spells
No use to Posey, sadly... Not a Wizard.
Posey looks around, for any signs of recent activity, to check if this church is still inhabited.
>it is now a hollowed-out corpse, used for other purposes.
How tasteful.
>book of spells
No use to Posey, sadly... Not a Wizard.
Posey looks around, for any signs of recent activity, to check if this church is still inhabited.
>>169398
Posey can discern that whoever uses this structure, does not live in it. But clearly, it is regularly used, albeit poorly locked up.
Posey can discern that whoever uses this structure, does not live in it. But clearly, it is regularly used, albeit poorly locked up.
>>169399
Posey decided to inspect the ritual site, to see if she can see what spell is being cast here. It looks like a Planar Binding.
Posey decided to inspect the ritual site, to see if she can see what spell is being cast here. It looks like a Planar Binding.
>>169400
It isn't so glamourous. Something more along the lines of channeling a spirit through a medium.
It isn't so glamourous. Something more along the lines of channeling a spirit through a medium.
>>169402
Supposedly, it is a natural talent, and only some creatures are receptive. But opinions differ, and with enough of a certain kind of training, perhaps most creatures can do it.
Supposedly, it is a natural talent, and only some creatures are receptive. But opinions differ, and with enough of a certain kind of training, perhaps most creatures can do it.
>>169403
Posey takes out her sketchbook and transcribes the runes on the circle for future reference. She carefully levitates the jars with her horn and takes a small sample of each herb, before placing them back where they were. She takes a hair from each shrunken head, and a pinch of incense, sniffing to see how recently it was burned.
Finally, she levitates the book, and flips through the pages, seeing if she can discern anything.
Posey takes out her sketchbook and transcribes the runes on the circle for future reference. She carefully levitates the jars with her horn and takes a small sample of each herb, before placing them back where they were. She takes a hair from each shrunken head, and a pinch of incense, sniffing to see how recently it was burned.
Finally, she levitates the book, and flips through the pages, seeing if she can discern anything.
>>169404
Posey makes a mental decision to leave the objects in this building where they were. She is interested in establishing communications with whoever resides here, so she won't frighten them off by indicating their little sanctuary has been discovered, and if it is truly abandoned she could easily return to retrieve the objects in a matter of weeks if they do not return.
She peers into the loft, interested in what kind of lifestyle these locals had here.
Posey makes a mental decision to leave the objects in this building where they were. She is interested in establishing communications with whoever resides here, so she won't frighten them off by indicating their little sanctuary has been discovered, and if it is truly abandoned she could easily return to retrieve the objects in a matter of weeks if they do not return.
She peers into the loft, interested in what kind of lifestyle these locals had here.
>>169404
The book is written in an obnoxious pidgin language that seems to be a dialect of Equestrian Ponish. With effort, a Ponish speaker can understand the text. Posey, though conversational in Ponish, likely has a harder time reading it that a native speaker would. This isn't to say that Posey can't understands it, only that it isn't as simple as reading the text.
Fortunately, there are images accompanying the text that helps in at least understanding what the given spells are about.
Posey can see hexes to be performed on enemies, a female fertility spell, a spell to induce luck, and other such spells.
Posey has samples of the herbs now.
The incense seems to have been burned a few days ago.
>>169405
There is not enough space above the rafters to put an equine, unless said leans down. Posey can see that there is another couple jars with white powder up there.
The book is written in an obnoxious pidgin language that seems to be a dialect of Equestrian Ponish. With effort, a Ponish speaker can understand the text. Posey, though conversational in Ponish, likely has a harder time reading it that a native speaker would. This isn't to say that Posey can't understands it, only that it isn't as simple as reading the text.
Fortunately, there are images accompanying the text that helps in at least understanding what the given spells are about.
Posey can see hexes to be performed on enemies, a female fertility spell, a spell to induce luck, and other such spells.
Posey has samples of the herbs now.
The incense seems to have been burned a few days ago.
>>169405
There is not enough space above the rafters to put an equine, unless said leans down. Posey can see that there is another couple jars with white powder up there.
>>169406
She examines the white powder, sniffing it, tasting some, unafraid of any poisons
"Zombie powder, perhaps?"
Alchemy check to discern it:
[1d20+3 = (8+3) = 11]
She examines the white powder, sniffing it, tasting some, unafraid of any poisons
"Zombie powder, perhaps?"
Alchemy check to discern it:
[1d20+3 = (8+3) = 11]
>>169409
Posey takes her face out of the jar, and puts the jar back where she found it.
And with that, I retire for the night. Need to work early tomorrow.
Posey takes her face out of the jar, and puts the jar back where she found it.
And with that, I retire for the night. Need to work early tomorrow.
>>169410
After Posey finishes her examination, she exits the building with a dusty sigh.
She makes a mental note to come back to this building to retrieve the materials in the event that she's unable to contact the practitioner(s).
She also examines the exterior of the building, searching for any hoofprints.
After Posey finishes her examination, she exits the building with a dusty sigh.
She makes a mental note to come back to this building to retrieve the materials in the event that she's unable to contact the practitioner(s).
She also examines the exterior of the building, searching for any hoofprints.
>>169419
It's potentially a literally dusty sigh with powder on her snout.
Posey sees no hoof prints on the exterior of the building, save for one rather obnoxious black hoofprint that seems to have stuck to the painted wood of the building a little left of the main entrance.
As for the area around the building, Posey sees disturbed dirt around the entrance and further away consistent with hoofprints, although between the rocks and dirt not retaining hoofprints well, evident recent rain, and the wind, the suggestions of hoofprints there are not distinct.
>>169424
>survival
Tracking?
It's potentially a literally dusty sigh with powder on her snout.
Posey sees no hoof prints on the exterior of the building, save for one rather obnoxious black hoofprint that seems to have stuck to the painted wood of the building a little left of the main entrance.
As for the area around the building, Posey sees disturbed dirt around the entrance and further away consistent with hoofprints, although between the rocks and dirt not retaining hoofprints well, evident recent rain, and the wind, the suggestions of hoofprints there are not distinct.
>>169424
>survival
Tracking?
>>169425
>Tracking?
In the event she found hoofprints, yes. She is interested in potentially locating the residence of the practitioners, or the direction they went, if they still exist.
>Tracking?
In the event she found hoofprints, yes. She is interested in potentially locating the residence of the practitioners, or the direction they went, if they still exist.
>>169426
Posey runs into the aforementioned problems of weather and the surface stratum being only moderately receptive to hoof prints, but she runs into a bigger problem that she may already be familiar with from her time in the slums: there are not too few hoofprints visible, but too many, such that distinguishing an individual set is nigh impossible. The hoofprints run to the house across the street, to the small rectangular houses nearer the manor, and to the still smaller huts by the river side. They run to the church and they run past the church, to the right side of the fork, the left side, and back towards the manor. There are, simply, hoofprints everywhere. Or more accurately, posey sees the remains of the imprints of a horseshoe, or sometimes a naked frog, often on top of one another.
Posey runs into the aforementioned problems of weather and the surface stratum being only moderately receptive to hoof prints, but she runs into a bigger problem that she may already be familiar with from her time in the slums: there are not too few hoofprints visible, but too many, such that distinguishing an individual set is nigh impossible. The hoofprints run to the house across the street, to the small rectangular houses nearer the manor, and to the still smaller huts by the river side. They run to the church and they run past the church, to the right side of the fork, the left side, and back towards the manor. There are, simply, hoofprints everywhere. Or more accurately, posey sees the remains of the imprints of a horseshoe, or sometimes a naked frog, often on top of one another.
>>169427
Seeing this, Posey gives up on her search. She will stake-out the abandoned church on her own time to catch the elusive zebras.
For now, she returns to the manor, having been out long enough that it may be morning in not too long.
Seeing this, Posey gives up on her search. She will stake-out the abandoned church on her own time to catch the elusive zebras.
For now, she returns to the manor, having been out long enough that it may be morning in not too long.
>>169428
Sooner or later, Posey shall find them
Returning to the Manor, that mare, Bell, has either gone home or gone to bed. Should Posey go looking for Lament, she will find him in the library. Otherwise, she may as well have the manor to herself, with the larger rooms unoccupied.
Sooner or later, Posey shall find them
Returning to the Manor, that mare, Bell, has either gone home or gone to bed. Should Posey go looking for Lament, she will find him in the library. Otherwise, she may as well have the manor to herself, with the larger rooms unoccupied.
>>169430
Posey will likely return to converse with Lament tonight.
At some point around dawn, she'll rest for the day, to take care of Gloomy (feeding, bathing, playing, cuddling, etc) and recover her Arcane spell slots (takes 8 hours of non-adventuring).
For now, I sleep, because I must wage-slave again tomorrow. Let's maybe pick up at the next point Posey meets Lament and start the conversation from there.
Posey will likely return to converse with Lament tonight.
At some point around dawn, she'll rest for the day, to take care of Gloomy (feeding, bathing, playing, cuddling, etc) and recover her Arcane spell slots (takes 8 hours of non-adventuring).
For now, I sleep, because I must wage-slave again tomorrow. Let's maybe pick up at the next point Posey meets Lament and start the conversation from there.
Posey encounters Lament standing in the manor, between the entry staircases of the foyer, and looking back through the hall towards the entrance that opens the manor to the garden. Precisely when, how, or under what circumstances this meeting takes place, and what, if anything, was said before, are not so important as what he says.
Lament wears a persistent smile that is expressive not so much of an intent to smooth relations with those around him, as of the joy of a mischievous plan well executed.
"Tell me, Posey. Do you wish to harm the enemies of the Dread League, or to enrich yourself by robbing the graves of those who came before?" He blinks, and a brief pause my cause Posey to think the answer sincere. But then he continues
"As I thought. As you well know, more necromancers and vampires of the dread league come from Equestria than any other principality, at least besides the Dread League itself. And yet, Equestria is, or rather, is very nearly, Lich and Vampire free. Why is that? Why would lords and mages choose to live in the frozen wastes, rather than the mansions, castles, and holds they built for themselves, or inherited by right of blood?" He blinks again with that same smile.
This time, he actually waits for Poesy's reply
Lament wears a persistent smile that is expressive not so much of an intent to smooth relations with those around him, as of the joy of a mischievous plan well executed.
"Tell me, Posey. Do you wish to harm the enemies of the Dread League, or to enrich yourself by robbing the graves of those who came before?" He blinks, and a brief pause my cause Posey to think the answer sincere. But then he continues
"As I thought. As you well know, more necromancers and vampires of the dread league come from Equestria than any other principality, at least besides the Dread League itself. And yet, Equestria is, or rather, is very nearly, Lich and Vampire free. Why is that? Why would lords and mages choose to live in the frozen wastes, rather than the mansions, castles, and holds they built for themselves, or inherited by right of blood?" He blinks again with that same smile.
This time, he actually waits for Poesy's reply
>>169441
>"Tell me, Posey. Do you wish to harm the enemies of the Dread League, or to enrich yourself by robbing the graves of those who came before?"
"My duty is to forward the interests of the League, through diplomacy, infiltration, subversion and conquest. Killing and plundering are... perks of the job." Posey replies
"So, yes, yes indeed."
>why is that
At this, Posey's expression sours, almost glum. She shakes her head slowly, as if
"... I would say, hubris, and apathy." She begins
"I think you're mistaken, vampires and liches do inhabit castles and mansions all over the world; it's because of that that you never hear about them. They lock themselves away and revel in their powers, lifting not a single hoof to change the war around them. Vampires especially prefer secrecy over infamy: they're content to feed off of populations of ponies, hiding in plain sight. They're selfish and hubristic creatures, who care not of the world of mortals beyond their personal enjoyment, and notoriously hate the prospect of creating more of their kind, beyond that which they can personally control." At this, she grits her teeth, with a bit of a grimace, the topic
"Liches are perhaps the opposite: having spent centuries in pursuit of knowledge and greed, they lose sight of themselves. As their senses dull and all worldly pleasures become but distant memories, they lose all ambition. They lose passion for what they once valued, and forget the reasons for why they transformed in the first place. With nothing left to live for, they lock themselves away in their towers and dungeons, pouring over their tomes and gathering dust for all eternity, or perhaps in fruitless pursuit of whatever research they never completed in their lives." She continues
"Vampire Lords... Liches... Within this world, such beings could use their powers to change the world, and yet they squander it, having their decadent parties or wallowing in self-pity..." the frustration in her face is now obvious
"The purpose of the league was to wage war on life, but until recently, it was plagued with infighting, between hubristic Lords of the Coven so gluttonous and self-serving that they're hardly better than changelings, and the liches who so jealously guard their research that they forget what it was for in the first place..."
>"Tell me, Posey. Do you wish to harm the enemies of the Dread League, or to enrich yourself by robbing the graves of those who came before?"
"My duty is to forward the interests of the League, through diplomacy, infiltration, subversion and conquest. Killing and plundering are... perks of the job." Posey replies
"So, yes, yes indeed."
>why is that
At this, Posey's expression sours, almost glum. She shakes her head slowly, as if
"... I would say, hubris, and apathy." She begins
"I think you're mistaken, vampires and liches do inhabit castles and mansions all over the world; it's because of that that you never hear about them. They lock themselves away and revel in their powers, lifting not a single hoof to change the war around them. Vampires especially prefer secrecy over infamy: they're content to feed off of populations of ponies, hiding in plain sight. They're selfish and hubristic creatures, who care not of the world of mortals beyond their personal enjoyment, and notoriously hate the prospect of creating more of their kind, beyond that which they can personally control." At this, she grits her teeth, with a bit of a grimace, the topic
"Liches are perhaps the opposite: having spent centuries in pursuit of knowledge and greed, they lose sight of themselves. As their senses dull and all worldly pleasures become but distant memories, they lose all ambition. They lose passion for what they once valued, and forget the reasons for why they transformed in the first place. With nothing left to live for, they lock themselves away in their towers and dungeons, pouring over their tomes and gathering dust for all eternity, or perhaps in fruitless pursuit of whatever research they never completed in their lives." She continues
"Vampire Lords... Liches... Within this world, such beings could use their powers to change the world, and yet they squander it, having their decadent parties or wallowing in self-pity..." the frustration in her face is now obvious
"The purpose of the league was to wage war on life, but until recently, it was plagued with infighting, between hubristic Lords of the Coven so gluttonous and self-serving that they're hardly better than changelings, and the liches who so jealously guard their research that they forget what it was for in the first place..."
>>169442
"Correct, dear Ring, but you evade the question. Why do we prefer secrecy to infamy? Why hide at all? The reason is obvious. The elk, hunted by the wolf, kicks back. It sometimes kicks the alpha predator in the teeth, dooming it to slow starvation. So too it is with the ponies. They've wisen up over the generations; Equestria had not even formed before the first professional monster hunters and vampire slayers came about, with their special prayers and enchanted weapons. Worse, they began to organize. First it was a hunters guild. Then, the Equestrian Inquisition launched a special subsection to look for necromancers and vampires. But the last few sets of nails to keep the dead in their coffins - for a while, anyways - came when a combination of guilds were given monopoly to work as a single organization under the blessing and direction of the Princess. It was known by several names, but always the same acronym; founded as the Secret Monster Interdiction League of Equestria. Its force of well trained, well-funded, and well equipped slayers and hunters completed the exodus the Inquisition had started. Every unsanctioned necromancer, and every single vampire that dared give a hint as to its own existence found a stake driven through its heart by their agents. Not to imply the Princess stopped with the undead..."
He sighs
"Just over twenty years ago, the organization celebrated killing the alleged last vampire in all of Equestria just a couple hours east of here; a vampire from a family in White Severyana who holed up in the forest southwest of New Horseleans. It gives me no small amount of joy that the organization was just last year finally splintered into a thousand pieces and scattered to the winds. But some of those pieces still remain. I have my sources... I have it on good authority that the agent responsible for killing that last vampire has been hiding in Fillydelphia. He is making the trip back to the Hayseed Forest to locate the lair of that last vampire. It was missed, or at least, ignored by the hunters two decades ago, and he believes that he alone can find it. That lair, he says, holds a large amount of gold belonging to its former inhabitant, among other things. He intends to retrieve it."
“Now tell, me, Rosie Ring. Would you have any interest in perhaps engaging in a little interdiction of your own?”
"Correct, dear Ring, but you evade the question. Why do we prefer secrecy to infamy? Why hide at all? The reason is obvious. The elk, hunted by the wolf, kicks back. It sometimes kicks the alpha predator in the teeth, dooming it to slow starvation. So too it is with the ponies. They've wisen up over the generations; Equestria had not even formed before the first professional monster hunters and vampire slayers came about, with their special prayers and enchanted weapons. Worse, they began to organize. First it was a hunters guild. Then, the Equestrian Inquisition launched a special subsection to look for necromancers and vampires. But the last few sets of nails to keep the dead in their coffins - for a while, anyways - came when a combination of guilds were given monopoly to work as a single organization under the blessing and direction of the Princess. It was known by several names, but always the same acronym; founded as the Secret Monster Interdiction League of Equestria. Its force of well trained, well-funded, and well equipped slayers and hunters completed the exodus the Inquisition had started. Every unsanctioned necromancer, and every single vampire that dared give a hint as to its own existence found a stake driven through its heart by their agents. Not to imply the Princess stopped with the undead..."
He sighs
"Just over twenty years ago, the organization celebrated killing the alleged last vampire in all of Equestria just a couple hours east of here; a vampire from a family in White Severyana who holed up in the forest southwest of New Horseleans. It gives me no small amount of joy that the organization was just last year finally splintered into a thousand pieces and scattered to the winds. But some of those pieces still remain. I have my sources... I have it on good authority that the agent responsible for killing that last vampire has been hiding in Fillydelphia. He is making the trip back to the Hayseed Forest to locate the lair of that last vampire. It was missed, or at least, ignored by the hunters two decades ago, and he believes that he alone can find it. That lair, he says, holds a large amount of gold belonging to its former inhabitant, among other things. He intends to retrieve it."
“Now tell, me, Rosie Ring. Would you have any interest in perhaps engaging in a little interdiction of your own?”
>>169444
Posey nods knowingly as Lament recounts his story, well aware of how fiercely the living have resisted the forces of darkness. Her expression appears rather stoic, not mournful, but disappointed as he recounts the systemic eradications.
>the agent responsible for killing that last vampire has been hiding in Fillydelphia
At this, her ears perk.
>“Now tell, me, Rosie Ring. Would you have any interest in perhaps engaging in a little interdiction of your own?”
She gives a sinister grin
"A treasure hunt, you say? Well, that's certainly an exciting prospect. I'm not the type to lay in a coffin all day while there's still adventure to be conquered." her grin deepens
"Count me in."
Posey nods knowingly as Lament recounts his story, well aware of how fiercely the living have resisted the forces of darkness. Her expression appears rather stoic, not mournful, but disappointed as he recounts the systemic eradications.
>the agent responsible for killing that last vampire has been hiding in Fillydelphia
At this, her ears perk.
>“Now tell, me, Rosie Ring. Would you have any interest in perhaps engaging in a little interdiction of your own?”
She gives a sinister grin
"A treasure hunt, you say? Well, that's certainly an exciting prospect. I'm not the type to lay in a coffin all day while there's still adventure to be conquered." her grin deepens
"Count me in."
>>169445
He smiles, and gives a nod.
“The papers gave general descriptions where the vampire was slain, and where he took his last victims. There was no description of just where, precisely, the lair was located. That is why this is an interdiction and not a race. You need that old hunter to arrive there first and find it for you. He certainly seems to think he can. Since SMILE was disbanded, its members have been hunted by the colonials. This particular agent has taken up arms with the Equestrian Liberation Front, an underground organization supposedly dedicated to removing the changelings and the colonials from Equestria and restoring the Principality. He’ll almost certainly have a few armed rebels with him, whether he brought them from Fillydelphia or picked them up in Hayseed. We don’t know exactly where the lair is, or what is there, or what sort of treasure is there. We don’t know if there are any undead remaining in or near the lair, and if they’ve survived these decades. And we don’t know who or whatelse may be involved. But it seems a decent lead.”
He smiles, and gives a nod.
“The papers gave general descriptions where the vampire was slain, and where he took his last victims. There was no description of just where, precisely, the lair was located. That is why this is an interdiction and not a race. You need that old hunter to arrive there first and find it for you. He certainly seems to think he can. Since SMILE was disbanded, its members have been hunted by the colonials. This particular agent has taken up arms with the Equestrian Liberation Front, an underground organization supposedly dedicated to removing the changelings and the colonials from Equestria and restoring the Principality. He’ll almost certainly have a few armed rebels with him, whether he brought them from Fillydelphia or picked them up in Hayseed. We don’t know exactly where the lair is, or what is there, or what sort of treasure is there. We don’t know if there are any undead remaining in or near the lair, and if they’ve survived these decades. And we don’t know who or whatelse may be involved. But it seems a decent lead.”
>>169447
"Splendid." Posey replies
"That begs the question though; where do we start?"
Also taking the liberty to roll Religion to see if I know anything about this particular vampire
[1d20+9 = (9+9) = 18]
"Splendid." Posey replies
"That begs the question though; where do we start?"
Also taking the liberty to roll Religion to see if I know anything about this particular vampire
[1d20+9 = (9+9) = 18]
>>169448
I guess I'll roll an untrained knowledge check to see if I know anything of this vampire slayer
[1d20+3 = (18+3) = 21]
I guess I'll roll an untrained knowledge check to see if I know anything of this vampire slayer
[1d20+3 = (18+3) = 21]
>>169448
“Take Meadow Brook’s highway until about five miles before it forks to Hayseed and New Horseleans. Then go south along an unnamed road to the hamlet of Painted Creek. That’s where he will arrive, I am sure. If not him, then his stallions. You should bd able to follow him from there. A portion of this town’s income comes from travelers, so they will be willing to talk. Don’t worry, I have multiple ponies who could take you there.”
Posey has heard the story of this vampire. He was a part of an old noble family in White Severyana that was its own vampire clan; the last in Equestria. None survived, and all knowledge about these last vampires comes from pony sources. This last vampire was one of the very last to have been created in Equestria, only a few years old if even that. He was the spoiled son of nobility, and held no special erudition or talents that would make him interesting to Dread League mages. When his family was killed, he fled south.
Posey is slightly more knowledgeable of the vampire slayer. His name was August Wreath; he was born in Vanhoover, and was only in his early twenties when he was credited with tracking down the last vampire, and killing him. This was the high point of his career, though he’s credited with other significant kills, like a particularly dangerous timber wolf. He was reassigned to counterintelligence during The War, and performed miserably at it. He was one of the agents to pass on Changeling “Hydra” misinformation, and was demoted. Evidently he’s survived the war.
“Take Meadow Brook’s highway until about five miles before it forks to Hayseed and New Horseleans. Then go south along an unnamed road to the hamlet of Painted Creek. That’s where he will arrive, I am sure. If not him, then his stallions. You should bd able to follow him from there. A portion of this town’s income comes from travelers, so they will be willing to talk. Don’t worry, I have multiple ponies who could take you there.”
Posey has heard the story of this vampire. He was a part of an old noble family in White Severyana that was its own vampire clan; the last in Equestria. None survived, and all knowledge about these last vampires comes from pony sources. This last vampire was one of the very last to have been created in Equestria, only a few years old if even that. He was the spoiled son of nobility, and held no special erudition or talents that would make him interesting to Dread League mages. When his family was killed, he fled south.
Posey is slightly more knowledgeable of the vampire slayer. His name was August Wreath; he was born in Vanhoover, and was only in his early twenties when he was credited with tracking down the last vampire, and killing him. This was the high point of his career, though he’s credited with other significant kills, like a particularly dangerous timber wolf. He was reassigned to counterintelligence during The War, and performed miserably at it. He was one of the agents to pass on Changeling “Hydra” misinformation, and was demoted. Evidently he’s survived the war.
>>169450
"I will be ready to leave in no time." Posey replies
> I have multiple ponies who could take you there.
"Great. When can we move out?"
>This last vampire was one of the very last to have been created in Equestria, only a few years old if even that. He was the spoiled son of nobility, and held no special erudition or talents
An amateur, huh. Probably relied on his innate powers and believed he was invincible. His slayer shouldn't be too much trouble then, but Posey won't underestimate him.
>performed miserably
Sounds like a guy who got a lucky mark and then did little of note thereafter. He might put up a good fight though.
"I will be ready to leave in no time." Posey replies
> I have multiple ponies who could take you there.
"Great. When can we move out?"
>This last vampire was one of the very last to have been created in Equestria, only a few years old if even that. He was the spoiled son of nobility, and held no special erudition or talents
An amateur, huh. Probably relied on his innate powers and believed he was invincible. His slayer shouldn't be too much trouble then, but Posey won't underestimate him.
>performed miserably
Sounds like a guy who got a lucky mark and then did little of note thereafter. He might put up a good fight though.
>>169451
Although, if this Slayer did kill a vampire on his own (usually CR 7 minimum, but possibly low as CR 6 if this vamp was an NPC classed lvl 5 Aristocrat), he might be a lvl 10 character, and could mog Posey with his WBL equipment alone (which I'll assume includes heavy artillery). Confronting him directly would be a bad idea... Posey will have to be careful.
Posey prepares her equipment for travel.
Although, if this Slayer did kill a vampire on his own (usually CR 7 minimum, but possibly low as CR 6 if this vamp was an NPC classed lvl 5 Aristocrat), he might be a lvl 10 character, and could mog Posey with his WBL equipment alone (which I'll assume includes heavy artillery). Confronting him directly would be a bad idea... Posey will have to be careful.
Posey prepares her equipment for travel.
>>169450
>Changeling “Hydra” misinformation,
I'll roll History to see if Posey knows anything about this
[1d20+3 = (1+3) = 4]
>Changeling “Hydra” misinformation,
I'll roll History to see if Posey knows anything about this
[1d20+3 = (1+3) = 4]
>>169450
>“Take Meadow Brook’s highway until about five miles before it forks to Hayseed and New Horseleans. Then go south along an unnamed road to the hamlet of Painted Creek. That’s where he will arrive, I am sure.
"How many nights away is this? I'm still unfamiliar with this country's geography."
>“Take Meadow Brook’s highway until about five miles before it forks to Hayseed and New Horseleans. Then go south along an unnamed road to the hamlet of Painted Creek. That’s where he will arrive, I am sure.
"How many nights away is this? I'm still unfamiliar with this country's geography."
It wouldn't take Posey long to be ready to leave. She only needs 8 hours rest for spell slot recovery, less if she'll be on a long car trip.
>>169453
"Hydra" references a secret organization spawned from the Changeling hegemony bent on world domination.
>>169455
>>169461
>>169452
"It's around about a hundred miles. This would take at least two days or more by hoof, but by car or truck, perhaps three hours. Train is faster still, but none stop where you're going."
I will let you chose the time of day for this quest.
"Hydra" references a secret organization spawned from the Changeling hegemony bent on world domination.
>>169455
>>169461
>>169452
"It's around about a hundred miles. This would take at least two days or more by hoof, but by car or truck, perhaps three hours. Train is faster still, but none stop where you're going."
I will let you chose the time of day for this quest.
>>169471
"By car then. We'll be better set off if we arrive earlier than later."
>I will let you chose the time of day for this quest.
Posey strongly prefers to go about her business at night, for various reasons including but not limited to darkvision advantage, appearance of certain light-aversive undead to interact with, stealth advantage, and her personal disdain for sunlight.
However, it's pretty late, so idk how much I can do tonight.
"By car then. We'll be better set off if we arrive earlier than later."
>I will let you chose the time of day for this quest.
Posey strongly prefers to go about her business at night, for various reasons including but not limited to darkvision advantage, appearance of certain light-aversive undead to interact with, stealth advantage, and her personal disdain for sunlight.
However, it's pretty late, so idk how much I can do tonight.
>>169475
Hmmm... afternoon arrival. This would place most action after dark anyways.
"I'll task Mason with getting you there." He pauses for a moment. "And what do you hope to bring back?"
Hmmm... afternoon arrival. This would place most action after dark anyways.
"I'll task Mason with getting you there." He pauses for a moment. "And what do you hope to bring back?"
>>169480
"Whatever the late lord of the mansion left behind. Treasure, artworks, documentation concerning connection with the coven. Perhaps even a friend or two."
"Whatever the late lord of the mansion left behind. Treasure, artworks, documentation concerning connection with the coven. Perhaps even a friend or two."
>>169483
"I doubt he caried that much, so far from home. But if I ever had to leave this place, I would certainly take a few carts with me."
"I doubt he caried that much, so far from home. But if I ever had to leave this place, I would certainly take a few carts with me."
>>169487
"Whatever's there, August seems to think it's worth investigating, and I intend to intercept his inquisition."
Posey takes all of her normal equipment with her on the quest, which is little.
"Whatever's there, August seems to think it's worth investigating, and I intend to intercept his inquisition."
Posey takes all of her normal equipment with her on the quest, which is little.
It has come to my attention that I have made errors in Posey's sheet. I misinterpreted the clause for the Corpsecrafter feat tree, and failed to notice that the tree only applies to undead created as the product of a spell. I will remove all the benefits of being created with the tree (6 HP, speed bonus, initiative bonus, natural armor bonus).
I will post an updated sheet later.
I will post an updated sheet later.
File (): B1CFBEC4BCB52B7AACE509916595D1AC-958399.png
(935.9 KB, 1472x7958, roseyring.png)
>>169503
Her new statblocks would be close to the same as the previous one.
Here's a rough draft. I removed all corpsecrafter benefits.
>I think this west could stretch the limits
That sounds great. I'm rather fond of high-risk splatfests. First time soloing one though.
Her new statblocks would be close to the same as the previous one.
Here's a rough draft. I removed all corpsecrafter benefits.
>I think this west could stretch the limits
That sounds great. I'm rather fond of high-risk splatfests. First time soloing one though.
Necro-bump
Posey remains with Gloomy for the remainder of the day. She makes sure he's well-fed, washed properly, and comfortable with his new environment.
File (): 68B2A2F47CFF8D144D9937BA851BD9AE-1450999.png
(1.4 MB, 1920x1080, 1699795.png)
Lament has Posey wait a few minutes before Mason drives up in a small truck. Posey takes a seat presumably in the front, and this time, there are no negative comments nor looks towards Posey's choice to go in full armor.
The truck takes its turn right at the end of the driveway, and towards the town through the increasingly familiar route, crossing that same bridge. But this time, the vehicle turns left rather than right. It continues alongside the river, passing townhouses, brick textile mills and manufactories, and government buildings like a shiny fire station. To the left, Posey can see a barge and tugboat going down the river with several barges of lumber. As the car travels west, the city slowly thins out, though the high-rises of the city center hang in the distance. Mason turns off of the road next to the river, a little north. Townhouses become houses spaced near each other with tiny yards, wooden fences, and barren branched trees, with the most impressive buildings being the occasional mills and schools. A name plate tells Posey she has entered Mane Chapel. They continue, and some minutes later they leave the town, and residences become sparse. Posey can see that they are now on the Meadowbrook Road, 97 miles to New Horseleans.
It's barely outside of the city that they encounter a checkpoint. Mason tells Posey to follow along and not start trouble. This checkpoint is more thorough than any Posey has gone through before. The griffin that Mason wished to speak to actually takes a different vehicle, and Mason converses with an overly inquisitive pegasus. The soldier asks Mason a long set of questions, far more than the basic "let me see your identification" and "where are you going?" Mason tells the soldier that he works for a paper company and they are going to a small number of locations in the west to check on local logging and mills as a part of a centralized effort to keep production figures up (he does name Painted Creek as a destination). He says that the truck is carrying some equipment, but also supplies like sulfuric acid (used in milling) that it's not best to mess with. He says that Posey is there as a discount expert (still in training) on death and decay. Specifically, the decay of wood inside of trees. Oh, of course the trees are still alive, but you see, the internal sections are actually dead. That's why they rot sometimes, and the company is looking to minimize rot inside of harvested trees, hence Posey's function. What's that? Why is she wearing that ridiculous outfit? Well it's because there are bears and hydras in the woods, and that is where she, unlike Mason, will be going. Why is it not off and in the back? Because there are sulfur fumes in the back. Also it's cold. The soldier seems unpersuaded, and the conversation lasts what feels an eternity, though it was surely less than a minute. Finally, the soldier lets them pass. Posey can't tell if that final move of the hoof on Mason's part obscured a bribe.
Driving away from the checkpoint, the truck leaves the city and enters rural Equestria. For the next hour, Posey rides past an endless number of fields. Some are plowed, some are covered in grass, but many have the stumble and remains of last year's harvested crops. A few have small, growing stocks of clover or onion. These fields are almost universally ringed by barriers of trees, which themselves are mostly barren branched for winter. The land is overwhelmingly flat, although from the end of one line of vision to the other, sometimes portions of land extend above others, in very low hills. Once, the road curves north, and through a break in the trees Posey can see the endless blue expanse of the ocean past a rocky cliff. Twice, the road bends south and Posey can see the Delamare River, winding its way along. Mostly though, the road traverses that space between the river and the sea. The railroad follows the same general path as the road, a little north, mostly separated by a field. It's usually raised above the ground, and double tracked. Posey sees a large plume of smoke, that soon enough becomes a steam locomotive pulling dozens of black and grey tanker cars in the direction of Baltimare. At another point, a bright red and chrome smokeless engine pulling stainless steel passenger cars overtakes them, heading west. At other times, the road winds, or a forest passes, and Posey loses sight of the railroad altogether, just for it to return later after the hiatus.
Homesteads, though sparse, are still common, and Posey passes quite a number of these. Occasionally, a windmill, or a shed or a barn is visible. A few homes and barns are burned, damaged, or otherwise demolished. Mostly though, the countryside speaks of an Equestria that, while dormant for the winter, is very much alive, with a majority of the buildings being undecayed, if wanting a fresh coat of paint. Homes and buildings are sometimes very old in their construction, and sometimes new. Though most are humble, a few are grand. Villages and small towns are spaced apart, and signs point to their existence long before they are approached. The villages tend to have their clusters of houses, with a couple stores, a gas station, a larger building like a mill, and a schoolhouse. A church tends to sit on the closest thing resembling a hill, and in one instance, is by the road, with Posey sensing its evil aura as she rides past. Twice, the car goes through the center of a town with two story brick buildings, inns, diners, and small shops like clothing stores.
The truck takes its turn right at the end of the driveway, and towards the town through the increasingly familiar route, crossing that same bridge. But this time, the vehicle turns left rather than right. It continues alongside the river, passing townhouses, brick textile mills and manufactories, and government buildings like a shiny fire station. To the left, Posey can see a barge and tugboat going down the river with several barges of lumber. As the car travels west, the city slowly thins out, though the high-rises of the city center hang in the distance. Mason turns off of the road next to the river, a little north. Townhouses become houses spaced near each other with tiny yards, wooden fences, and barren branched trees, with the most impressive buildings being the occasional mills and schools. A name plate tells Posey she has entered Mane Chapel. They continue, and some minutes later they leave the town, and residences become sparse. Posey can see that they are now on the Meadowbrook Road, 97 miles to New Horseleans.
It's barely outside of the city that they encounter a checkpoint. Mason tells Posey to follow along and not start trouble. This checkpoint is more thorough than any Posey has gone through before. The griffin that Mason wished to speak to actually takes a different vehicle, and Mason converses with an overly inquisitive pegasus. The soldier asks Mason a long set of questions, far more than the basic "let me see your identification" and "where are you going?" Mason tells the soldier that he works for a paper company and they are going to a small number of locations in the west to check on local logging and mills as a part of a centralized effort to keep production figures up (he does name Painted Creek as a destination). He says that the truck is carrying some equipment, but also supplies like sulfuric acid (used in milling) that it's not best to mess with. He says that Posey is there as a discount expert (still in training) on death and decay. Specifically, the decay of wood inside of trees. Oh, of course the trees are still alive, but you see, the internal sections are actually dead. That's why they rot sometimes, and the company is looking to minimize rot inside of harvested trees, hence Posey's function. What's that? Why is she wearing that ridiculous outfit? Well it's because there are bears and hydras in the woods, and that is where she, unlike Mason, will be going. Why is it not off and in the back? Because there are sulfur fumes in the back. Also it's cold. The soldier seems unpersuaded, and the conversation lasts what feels an eternity, though it was surely less than a minute. Finally, the soldier lets them pass. Posey can't tell if that final move of the hoof on Mason's part obscured a bribe.
Driving away from the checkpoint, the truck leaves the city and enters rural Equestria. For the next hour, Posey rides past an endless number of fields. Some are plowed, some are covered in grass, but many have the stumble and remains of last year's harvested crops. A few have small, growing stocks of clover or onion. These fields are almost universally ringed by barriers of trees, which themselves are mostly barren branched for winter. The land is overwhelmingly flat, although from the end of one line of vision to the other, sometimes portions of land extend above others, in very low hills. Once, the road curves north, and through a break in the trees Posey can see the endless blue expanse of the ocean past a rocky cliff. Twice, the road bends south and Posey can see the Delamare River, winding its way along. Mostly though, the road traverses that space between the river and the sea. The railroad follows the same general path as the road, a little north, mostly separated by a field. It's usually raised above the ground, and double tracked. Posey sees a large plume of smoke, that soon enough becomes a steam locomotive pulling dozens of black and grey tanker cars in the direction of Baltimare. At another point, a bright red and chrome smokeless engine pulling stainless steel passenger cars overtakes them, heading west. At other times, the road winds, or a forest passes, and Posey loses sight of the railroad altogether, just for it to return later after the hiatus.
Homesteads, though sparse, are still common, and Posey passes quite a number of these. Occasionally, a windmill, or a shed or a barn is visible. A few homes and barns are burned, damaged, or otherwise demolished. Mostly though, the countryside speaks of an Equestria that, while dormant for the winter, is very much alive, with a majority of the buildings being undecayed, if wanting a fresh coat of paint. Homes and buildings are sometimes very old in their construction, and sometimes new. Though most are humble, a few are grand. Villages and small towns are spaced apart, and signs point to their existence long before they are approached. The villages tend to have their clusters of houses, with a couple stores, a gas station, a larger building like a mill, and a schoolhouse. A church tends to sit on the closest thing resembling a hill, and in one instance, is by the road, with Posey sensing its evil aura as she rides past. Twice, the car goes through the center of a town with two story brick buildings, inns, diners, and small shops like clothing stores.
File (): 308228739E7860CDFD146E86FA167B03-6286198.png
(6.0 MB, 3300x2550, 1781079.png)
An hour after leaving Baltimare, the fields give way to great stretches of forest; barren limbed deciduous trees interspersed with conifers. Houses and signs of civilization generally become fewer, as the truck drives through the wilderness. A sign by the road marks another 40 miles to New Horseleans, or 70 to Hayseed Junction. A fork in the road appears shortly after this, and the truck turns left and south, inland towards Hayseed. This road is narrower, and the forest on either side becomes denser. Whereas the forest before was carefully curated and marked by splotches of seedlings that were clearly placed after logging, this new stretch of forest must surely resemble the primordial Equestria, dense with undergrowth and with towering ancient trees felled neither by hurricane winds nor lumbermare's axe. The Delemare has long since wound south, though creeks and ravines sometimes accompany the path of the road.
After less than 30 minutes, Mason announces their proximity to their destination at Painted Creek. A sign announces the presence of a gas station, an inn, a diner and an autoshop (Yes, we have tires) at Painted Creek in 10 miles. The truck drives over a wooden bridge and nears a sign to the left stating Painted Creek, this way. A left turn south, and the truck is on a small road. the much advertised Inn, tavern, gas station, and autoshop, are all within view. The autoshop is a simple structure adjacent to the pumps and store of the gas station, while the tavern and the inn are connected in one building, being two stories tall with a gambrel roof. The village itself, with houses and the usual accompaniments of a permanent pony settlement, must surely stretch along this road further south still, with a couple homes visible past trees, and a sign pointing to a paper mill still further down this road.
Posey is, if not quite at her final destination, certainly close enough that the next step is up to her.
After less than 30 minutes, Mason announces their proximity to their destination at Painted Creek. A sign announces the presence of a gas station, an inn, a diner and an autoshop (Yes, we have tires) at Painted Creek in 10 miles. The truck drives over a wooden bridge and nears a sign to the left stating Painted Creek, this way. A left turn south, and the truck is on a small road. the much advertised Inn, tavern, gas station, and autoshop, are all within view. The autoshop is a simple structure adjacent to the pumps and store of the gas station, while the tavern and the inn are connected in one building, being two stories tall with a gambrel roof. The village itself, with houses and the usual accompaniments of a permanent pony settlement, must surely stretch along this road further south still, with a couple homes visible past trees, and a sign pointing to a paper mill still further down this road.
Posey is, if not quite at her final destination, certainly close enough that the next step is up to her.
>>169510
>Oh, of course the trees are still alive, but you see, the internal sections are actually dead.
Lol'd here.
Mason burning the midnight oil with his stories.
>there are bears and hydras in the woods
This peaks Posey's interest. After the checkpoint is passed, she brings it up, with a bit of a giddy schoolfilly-,like expression.
"Hydras, you say? I've never seen a live one before. Their cadavers are so desirable back in Magehold (they make a lot of attacks as a zombie)."
Rolling Arcana, to see what Posey might know about the local Hydra population.
[1d20+9 = (2+9) = 11]
>Oh, of course the trees are still alive, but you see, the internal sections are actually dead.
Lol'd here.
Mason burning the midnight oil with his stories.
>there are bears and hydras in the woods
This peaks Posey's interest. After the checkpoint is passed, she brings it up, with a bit of a giddy schoolfilly-,like expression.
"Hydras, you say? I've never seen a live one before. Their cadavers are so desirable back in Magehold (they make a lot of attacks as a zombie)."
Rolling Arcana, to see what Posey might know about the local Hydra population.
[1d20+9 = (2+9) = 11]
>>169511
>Posey is, if not quite at her final destination, certainly close enough that the next step is up to her.
Posey thanks Mason for the ride and exits the vehicle, making sure that she's completely obscured with her cloak.
Does Posey have a hunch where she's going to intercept August?
>Posey is, if not quite at her final destination, certainly close enough that the next step is up to her.
Posey thanks Mason for the ride and exits the vehicle, making sure that she's completely obscured with her cloak.
Does Posey have a hunch where she's going to intercept August?
>>169513
Well, she would know that he's due to arrive in Painted Creek.
Posey looks for any clues as to where he would arrive.
Rolling to Gather Information
[1d20+4 = (19+4) = 23]
Well, she would know that he's due to arrive in Painted Creek.
Posey looks for any clues as to where he would arrive.
Rolling to Gather Information
[1d20+4 = (19+4) = 23]
>>169516
>>169514
Gonna follow this up with some other relevant checks, to speed things along.
Local knowledge, to recall any important details about this settlement
[1d20+3 = (19+3) = 22]
Disguise check, to look less-dead (minor details, pretending to breath, concealing her armor beneath her cloak)
[1d20+11 = (18+11) = 29]
A Hide check, to blend into the crowd, or stake-out the meeting place (whichever is necessary)
[1d20+9 = (11+9) = 20]
Another Hide check, to tail August, if he arrives
[1d20+9 = (9+9) = 18]
And a Bluff check, in case I fail check to tail him.
[1d20+12 = (6+12) = 18]
https://www.realmshelps.net/charbuild/skills/hide.shtml
If you don't like me rolling this all at once, feel free to discard these rolls:
>>169514
Gonna follow this up with some other relevant checks, to speed things along.
Local knowledge, to recall any important details about this settlement
[1d20+3 = (19+3) = 22]
Disguise check, to look less-dead (minor details, pretending to breath, concealing her armor beneath her cloak)
[1d20+11 = (18+11) = 29]
A Hide check, to blend into the crowd, or stake-out the meeting place (whichever is necessary)
[1d20+9 = (11+9) = 20]
Another Hide check, to tail August, if he arrives
[1d20+9 = (9+9) = 18]
And a Bluff check, in case I fail check to tail him.
[1d20+12 = (6+12) = 18]
https://www.realmshelps.net/charbuild/skills/hide.shtml
If you don't like me rolling this all at once, feel free to discard these rolls:
>>169512
>Hydras, you say? I've never seen a live one before
"Pray you never shall. They are not pleasant. They mostly keep to the swamps a little further south. They are not common as so many of them have been hunted or pushed out, but they are not extinct either."
>Does Posey have a hunch where she's going to intercept August?
He'd presumably enter through the town. From where they are coming from, they would certainly need to travel by vehicle.
>Gather Information
Posey soon discerns that the most likely first location, though not necessarily the final location of August, would be the restaurant-tavern below the inn. Posey sees that there are several small trucks, automobiles, and pulled carts between the several buildings at the end of the road. One medium sized truck kind of stands out as larger, and parked to the side a little behind the inn, as if to make it harder to see from the main road and every other angle, though it's hard to tell if this has any connection to August, or if it's just someone's truck.
>local knowledge
This settlement has the fortune of having two sources of economic activity, travellers along the road, and also a paper mill. The two are rather far apart, causing the town to be strung along a small road. Where the town is less fortunate is to have been the final stop of the vampire twenty years ago. Several townsponies and travelers died, and the event is still remembered. There is a creek that runs through, and the area is mostly forest. The lack of leaves mean visibility through the forest will be higher than normal.
>Disguise check, to look less-dead
This is important, as most creatures coming here will be alive, and the town still remembers the last time someone dead walked through. Out of towners are not at all uncommon where Posey is, so she has a decent chance of hiding in plain sight.
>every other check
A little premature.
>Hydras, you say? I've never seen a live one before
"Pray you never shall. They are not pleasant. They mostly keep to the swamps a little further south. They are not common as so many of them have been hunted or pushed out, but they are not extinct either."
>Does Posey have a hunch where she's going to intercept August?
He'd presumably enter through the town. From where they are coming from, they would certainly need to travel by vehicle.
>Gather Information
Posey soon discerns that the most likely first location, though not necessarily the final location of August, would be the restaurant-tavern below the inn. Posey sees that there are several small trucks, automobiles, and pulled carts between the several buildings at the end of the road. One medium sized truck kind of stands out as larger, and parked to the side a little behind the inn, as if to make it harder to see from the main road and every other angle, though it's hard to tell if this has any connection to August, or if it's just someone's truck.
>local knowledge
This settlement has the fortune of having two sources of economic activity, travellers along the road, and also a paper mill. The two are rather far apart, causing the town to be strung along a small road. Where the town is less fortunate is to have been the final stop of the vampire twenty years ago. Several townsponies and travelers died, and the event is still remembered. There is a creek that runs through, and the area is mostly forest. The lack of leaves mean visibility through the forest will be higher than normal.
>Disguise check, to look less-dead
This is important, as most creatures coming here will be alive, and the town still remembers the last time someone dead walked through. Out of towners are not at all uncommon where Posey is, so she has a decent chance of hiding in plain sight.
>every other check
A little premature.
>>169518
>the swamps a little further south
I'll remember that.
>He'd presumably enter through the town.
I guess Posey will have to wait and watch what vehicles enter through the town.
unless
>restaurant-tavern below the inn
Okay then.
Posey enters the tavern. She spends a silver on a glass of whatever and proceeds to watch over the place.
>There is a creek that runs through
A vampire wouldn't be able to just walk over the creek into town, unless he were carried in a coffin. Knowing this, Posey focuses her vigilance on the direction by the same side of the creek as the town.
Does Posey see anypony unusual in the tavern? Anypony carrying a weapon or acting cocky?
>the swamps a little further south
I'll remember that.
>He'd presumably enter through the town.
I guess Posey will have to wait and watch what vehicles enter through the town.
unless
>restaurant-tavern below the inn
Okay then.
Posey enters the tavern. She spends a silver on a glass of whatever and proceeds to watch over the place.
>There is a creek that runs through
A vampire wouldn't be able to just walk over the creek into town, unless he were carried in a coffin. Knowing this, Posey focuses her vigilance on the direction by the same side of the creek as the town.
Does Posey see anypony unusual in the tavern? Anypony carrying a weapon or acting cocky?
>>169519
>someone dead walked through
>small creek
Using this knowledge, Posey infers that the vampire could have only come from so many angles.
I will attempt a Wisdom check, to determine what side of town he would have come from, and by extension what direction his lair would be in.
[1d20+2 = (10+2) = 12]
>someone dead walked through
>small creek
Using this knowledge, Posey infers that the vampire could have only come from so many angles.
I will attempt a Wisdom check, to determine what side of town he would have come from, and by extension what direction his lair would be in.
[1d20+2 = (10+2) = 12]
>>169519
>creek
It's east of town, and runs through in a curve. If he came from the west he might not have passed it. But who can really say just how he came?
Posey enters the tavern, to find almost immediately that things are, well, a bit off.
There are a number of ponies in there. A couple at a table by the window, another one by the low wall that separates the main dining area from a hall that goes back to the kitchen... But what is more interesting is certainly three little groups. At the bar, a pair of young stallions converse with a pair of mares. One yellow pegasus, one white earth pony. Posey can see that these stallions don't do a very good job of concealing bolt action rifles under the counter. In the main dining area is a big table with a number of stallions at it. Earth ponies, unicorns, pegasi, the lot. Two wear sort of winter outdoor clothes, but four have jackets, mostly taken off and placed on the seats. One sits at the head of the table, a large grey unicorn stallion wearing a simple green shirt. Again, Posey can see poorly concealed, albeit better concealed, rifles on the floor and under the table, or behind it and along the wall. There is also some backpacks and luggage by the wall. There is a map on the table. The pony at the head seems to have a smaller, black firearm hidden under a tablecloth. And then near them, to the right and in the corner, is a lone pony at a small table looking forward. It's a yellow-green stallion, with a golden mane combed back. He wears a white robe, though through the gaps Posey can see chrome-colored banded armor in the style of Equestrian royal guards. He is leaning back, with forelegs crossed, and wearing steel tipped shoes on his hind legs. Under a jacket by the wall is a pair of long items that may be firearms or weapons, and next to his chair is a stainless-steel helmet, in the pattern of royal guards, minus the plume. If Posey's intent was to go unnoticed, this is already lost, as he notices Posey as she enters. He gives her a smile.
There is a waiter walking around, carrying drinks.
>>169520
As stated before, this would tend to indicate that the lair was likely to the west, and not too far south. If he was coming from up north, he would have approached from the west, or possibly from New Horseleans. There are multiple rivers he certainly would have had to find a way to traverse to get here from White Severyana, however.
>creek
It's east of town, and runs through in a curve. If he came from the west he might not have passed it. But who can really say just how he came?
Posey enters the tavern, to find almost immediately that things are, well, a bit off.
There are a number of ponies in there. A couple at a table by the window, another one by the low wall that separates the main dining area from a hall that goes back to the kitchen... But what is more interesting is certainly three little groups. At the bar, a pair of young stallions converse with a pair of mares. One yellow pegasus, one white earth pony. Posey can see that these stallions don't do a very good job of concealing bolt action rifles under the counter. In the main dining area is a big table with a number of stallions at it. Earth ponies, unicorns, pegasi, the lot. Two wear sort of winter outdoor clothes, but four have jackets, mostly taken off and placed on the seats. One sits at the head of the table, a large grey unicorn stallion wearing a simple green shirt. Again, Posey can see poorly concealed, albeit better concealed, rifles on the floor and under the table, or behind it and along the wall. There is also some backpacks and luggage by the wall. There is a map on the table. The pony at the head seems to have a smaller, black firearm hidden under a tablecloth. And then near them, to the right and in the corner, is a lone pony at a small table looking forward. It's a yellow-green stallion, with a golden mane combed back. He wears a white robe, though through the gaps Posey can see chrome-colored banded armor in the style of Equestrian royal guards. He is leaning back, with forelegs crossed, and wearing steel tipped shoes on his hind legs. Under a jacket by the wall is a pair of long items that may be firearms or weapons, and next to his chair is a stainless-steel helmet, in the pattern of royal guards, minus the plume. If Posey's intent was to go unnoticed, this is already lost, as he notices Posey as she enters. He gives her a smile.
There is a waiter walking around, carrying drinks.
>>169520
As stated before, this would tend to indicate that the lair was likely to the west, and not too far south. If he was coming from up north, he would have approached from the west, or possibly from New Horseleans. There are multiple rivers he certainly would have had to find a way to traverse to get here from White Severyana, however.
>>169521
I'm going to roll an intelligence check to see if Posey would have been smart enough to remember to ask Lament what August actually looks like
[1d20+3 = (18+3) = 21]
I'm going to roll an intelligence check to see if Posey would have been smart enough to remember to ask Lament what August actually looks like
[1d20+3 = (18+3) = 21]
>>169521
>He gives her a smile.
Posey gives a shy but polite smile, feigning nervousness as a lone mare wandering an unfamiliar place.
Bluff check, to appear inconspicuous
[1d20+12 = (8+12) = 20]
>He gives her a smile.
Posey gives a shy but polite smile, feigning nervousness as a lone mare wandering an unfamiliar place.
Bluff check, to appear inconspicuous
[1d20+12 = (8+12) = 20]
>>169523
If this succeeds, Posey takes a lone seat, preferably far enough to be inconspicuous, but near enough to eavesdrop on any of these groups.
Although she keeps an eye on the yellow-green golden one, suspecting that he may be her target by name.
Btw, as his white robes give Posey some suspicion that he might be a priest, Posey checks for any holy symbols, reliquaries or other potential undead-killing tools that might indicate his powers.
If this succeeds, Posey takes a lone seat, preferably far enough to be inconspicuous, but near enough to eavesdrop on any of these groups.
Although she keeps an eye on the yellow-green golden one, suspecting that he may be her target by name.
Btw, as his white robes give Posey some suspicion that he might be a priest, Posey checks for any holy symbols, reliquaries or other potential undead-killing tools that might indicate his powers.
>>169523
>>169522
Kek. He's presumably the yellow-green unicorn in the corner. He should not be alone, but with a group of ELF partisans coming with him from Fillydelphia. If that was not obvious.
>>169524
As Posey has the appearance of a young, attractive female, sitting alone, it will be very hard for her to be invisible to the small crowd of young stallions. She can try though, and take a seat in the dining area at a table.
It is very difficult to look at the green unicorn without being noticed. Nothing stands out as obviously a holy symbol, a reliquary, or a vampire-killing weapon. But he also appears to be one of the better stallions at hiding things.
>>169522
Kek. He's presumably the yellow-green unicorn in the corner. He should not be alone, but with a group of ELF partisans coming with him from Fillydelphia. If that was not obvious.
>>169524
As Posey has the appearance of a young, attractive female, sitting alone, it will be very hard for her to be invisible to the small crowd of young stallions. She can try though, and take a seat in the dining area at a table.
It is very difficult to look at the green unicorn without being noticed. Nothing stands out as obviously a holy symbol, a reliquary, or a vampire-killing weapon. But he also appears to be one of the better stallions at hiding things.
>>169525
>very hard for her to be invisible
Then she sits in the corner, pretending to be a shy, easily-impressed mare that would be very interested in overhearing the tales of glory or future plans of any strong, handsome adventurers.
She sits in silence, her ears attuned to the conversation.
>very hard for her to be invisible
Then she sits in the corner, pretending to be a shy, easily-impressed mare that would be very interested in overhearing the tales of glory or future plans of any strong, handsome adventurers.
She sits in silence, her ears attuned to the conversation.
>>169526
Posey is in luck. It appears that the two stallions at the bar are distracted by the locals (they do not talk about work), the stallions at the table are too busy with work, and August doesn't really seem to be interested in getting up from his seat, though he continues his watch.
Posey is in luck. It appears that the two stallions at the bar are distracted by the locals (they do not talk about work), the stallions at the table are too busy with work, and August doesn't really seem to be interested in getting up from his seat, though he continues his watch.
>>169528
Posey plays the waiting game, pretending to enjoy her drink and busying herself over some parchment with runes scribbled over it (it's just a spell component shopping list). She waits for the stallion to make a move, or talk with one of his compatriots.
Posey plays the waiting game, pretending to enjoy her drink and busying herself over some parchment with runes scribbled over it (it's just a spell component shopping list). She waits for the stallion to make a move, or talk with one of his compatriots.
>>169529
Posey can hear portions of the conversation at the table. The conversation is centered on what to do if the Military attacks. There is some disagreement. One pony, evidently a local, suggests that sentiment for the ELF is too high here for such a thing to be possible, but the leader replies that all it takes is a single tip. Then there is some disagreement as whether to fight or flee, but the consensus is to attempt to ambush any military attack, which surely must come from the main road, and then flee into the forest if necessary. Two ponies will stay in the inn tonight on vigil, while the remainder will stay in a local's house.
August actually seems to be approached by a different mare with a black mane, who seems to be familiar with who he is
Posey can hear portions of the conversation at the table. The conversation is centered on what to do if the Military attacks. There is some disagreement. One pony, evidently a local, suggests that sentiment for the ELF is too high here for such a thing to be possible, but the leader replies that all it takes is a single tip. Then there is some disagreement as whether to fight or flee, but the consensus is to attempt to ambush any military attack, which surely must come from the main road, and then flee into the forest if necessary. Two ponies will stay in the inn tonight on vigil, while the remainder will stay in a local's house.
August actually seems to be approached by a different mare with a black mane, who seems to be familiar with who he is
>>169531
Posey attempts to listen in on the conversation between August and the mare
Listen check
[1d20+4 = (9+4) = 13]
>if the Military attacks
Huh. Are the ponies of this region at odds with the regime?
History/Local check (same untrained mod)
[1d20+3 = (2+3) = 5]
Posey attempts to listen in on the conversation between August and the mare
Listen check
[1d20+4 = (9+4) = 13]
>if the Military attacks
Huh. Are the ponies of this region at odds with the regime?
History/Local check (same untrained mod)
[1d20+3 = (2+3) = 5]
>>169521
>As stated before, this would tend to indicate that the lair was likely to the west, and not too far south. If he was coming from up north, he would have approached from the west, or possibly from New Horseleans. There are multiple rivers he certainly would have had to find a way to traverse to get here from White Severyana, however.
Knowing this, could Posey trace a path to the lair by heading west and turning at the rivers?
>As stated before, this would tend to indicate that the lair was likely to the west, and not too far south. If he was coming from up north, he would have approached from the west, or possibly from New Horseleans. There are multiple rivers he certainly would have had to find a way to traverse to get here from White Severyana, however.
Knowing this, could Posey trace a path to the lair by heading west and turning at the rivers?
>>169536
I guess that would require a check.
I'm going to try to roll Survival, applying a +2 Circumstance bonus for knowing about the river crossing aversion.
[1d20+4 = (11+4) = 15]
I guess that would require a check.
I'm going to try to roll Survival, applying a +2 Circumstance bonus for knowing about the river crossing aversion.
[1d20+4 = (11+4) = 15]
File (): 2A7EE65343637DADBB5281FCA57583C2-254259.gif
(248.3 KB, 220x165, over9000-vegeta.gif)
Since Posey has an opportunity to look at August outside of combat, she decides to size up this supposed slayer. She knows that if August could kill a vampire, he can kill her, but the scale of his powers remains a mystery.
She makes a Sense Motive check, contested by August's Bluff check (I take it he'd know to passively hide his strength, if he was clever enough to kill a vampire)
[1d20+2 = (17+2) = 19]
She attempts to gauge August's CR (character level), relative to her own level (3), to see if he's Easy, A Fair Fight, A Tough Challenge or a Dire Threat, as described in the Complete Adventurer.
https://www.realmshelps.net/charbuild/skills/sense_motive.shtml
There's a chance that August may be passively assessing Posey's power level as well. Posey's challenge rating is complicated (bloodline levels), but it's no less than four, and no greater than 7 (,if you include bloodline as character levels, which considering her build, you probably might). It's 5-6 once you factor in the undead weaknesses I gave her voluntarily to make her more vampire-like, but this would make her at least as dangerous as a vampire spawn.
Posey is passively hides her powers wherever she goes, taking 10 when not in combat for a modified 22.
In the event that August has the ability to detect evil (I suspect he might be a Paladin), Posey's evil Aura is Moderate: this would alert any character capable of detecting evil, since only exceptionally powerful evil creatures, fairly dangerous undead, or low-ranking fiends and Clerics have that aura.
She makes a Sense Motive check, contested by August's Bluff check (I take it he'd know to passively hide his strength, if he was clever enough to kill a vampire)
[1d20+2 = (17+2) = 19]
She attempts to gauge August's CR (character level), relative to her own level (3), to see if he's Easy, A Fair Fight, A Tough Challenge or a Dire Threat, as described in the Complete Adventurer.
https://www.realmshelps.net/charbuild/skills/sense_motive.shtml
There's a chance that August may be passively assessing Posey's power level as well. Posey's challenge rating is complicated (bloodline levels), but it's no less than four, and no greater than 7 (,if you include bloodline as character levels, which considering her build, you probably might). It's 5-6 once you factor in the undead weaknesses I gave her voluntarily to make her more vampire-like, but this would make her at least as dangerous as a vampire spawn.
Posey is passively hides her powers wherever she goes, taking 10 when not in combat for a modified 22.
In the event that August has the ability to detect evil (I suspect he might be a Paladin), Posey's evil Aura is Moderate: this would alert any character capable of detecting evil, since only exceptionally powerful evil creatures, fairly dangerous undead, or low-ranking fiends and Clerics have that aura.
>>169540
>An opponent that is particularly vulnerable to your typical attack routine (for example, a vampire facing a high-level cleric of Pelor) registers as one category less challenging; one who is resistant to your typical attack routine (for example, a golem opposing a rogue who relies heavily on sneak attacks) registers as one category more challenging.
I'll mention that Posey's attack routine relies largely on Fear-based effects, attacks that have saving throws, and and necromancy spells, so a character like a Paladin or similar character would be a bigger threat to her.
She has basic undead immunities and some damage reduction, so she'd be a higher threat to a Rogue and maybe a warrior, but a lower threat to a Paladin or Cleric who is skilled at fighting undead.
>An opponent that is particularly vulnerable to your typical attack routine (for example, a vampire facing a high-level cleric of Pelor) registers as one category less challenging; one who is resistant to your typical attack routine (for example, a golem opposing a rogue who relies heavily on sneak attacks) registers as one category more challenging.
I'll mention that Posey's attack routine relies largely on Fear-based effects, attacks that have saving throws, and and necromancy spells, so a character like a Paladin or similar character would be a bigger threat to her.
She has basic undead immunities and some damage reduction, so she'd be a higher threat to a Rogue and maybe a warrior, but a lower threat to a Paladin or Cleric who is skilled at fighting undead.
>>169540
Alright, so I can clarify, is Posey looking primarily for *what* August is, or what he’s doing this moment, and what his intent seems to be?
Alright, so I can clarify, is Posey looking primarily for *what* August is, or what he’s doing this moment, and what his intent seems to be?
>>169542
Mostly, his attitude. Does he look like someone confident in his vampire-slaying abilities?
So to answer your question, what, in terms of his powers. Intent on terms of his confidence in using them.
Mostly, his attitude. Does he look like someone confident in his vampire-slaying abilities?
So to answer your question, what, in terms of his powers. Intent on terms of his confidence in using them.
>>169538
She is not. She is actually completely naked.
>>169534
Posey can hear portions of the conversation; enough, mostly, to understand what they are talking about, and some complete sentences, but not every word spoken. The mare recognizes the unicorn as the vampire slayer, and seems pretty excited to talk to him. The stallion only confirms his identity reluctantly, after the mare refuses to believe otherwise. The mare states that she was a small filly when the vampire came to her town, and though she did not understand what was happening, she saw how it affected her father and others in town. She remembers those days as especially dark, with fear pervading the town. At least two ponies known closely to the family went missing. She remembers the excitement and feeling of relief when the vampire was slain, in her family, and in the town generally.
August expresses joy at the eradication of these parasites, and then, the bragging starts. He talks about how he was called in after the vampire started making his way south, and was hot on his trail for a while. He claims that he spooked the vampire out of at least one, but probably two hiding locations, and he thinks the only reason that he could not kill the vampire earlier (and thus save pony lives) was that he was not placed fully on the case until after the vampire passed south of Buck Castle. The vampire's name as listed on the registry in Zakatnie was "Leto Panolovich," though locals of that region would call him by the nickname of "Nieciarplivy," meaning "impatient" or "rash," which Equestrians, not speaking the language, would shorten to simply "Plivy." August tells some details of how he tracked down, and eventually killed Plivy, though not many. Posey learns that August first looked for Plivy's likely prey - which is to say ponies who would at least be theoretically hard to notice are missing - to find locations where Plivy may be drawn, and then investigated. Painted Creek was thus considered because of its status as a traveler's stopping point, and dense surrounding forests. He tells some details of how the vampire was slain, stating it was done with a magical weapon in the water of the creek itself. He caught Plivy as he was moving away from his lair and lured him near the river.
August is evasive about what he is doing back in the town now, save that it concerns the liberation of Equestria. An aside statement from the mare stating that the Changeling invasion caused the same fear, and "disappearances" of stallions sent to the front, including her former lover, receives no direct reply. August taps the mare's thigh with a hoof, and when this is lightly pushed away, shortly thereafter terminates the conversation.
What he does next will likely depend on Posey.
>>169536
As these rivers are very far away, she can't narrow down such a path with any precision; Plivy moving north or south by even a few degrees, or taking any indirect route, would drastically change the area he traversed.
>>169534
>Are the ponies of this region at odds with the regime?
shrugs
>>169540
>>169541
>>169543
Posey can tell that he is a reasonably seasoned warrior who is built to combat creatures like her. He'd be a tough challenge. He seems a little weak though to kill a vampire, even a runt, all by himself.
There is a mix of paranoia about some hidden threat, and euphoria and revelry about being exalted as heroes pervading the room. August and all of his companions. August seems cautious and is deliberately hiding especially his equipment. He does not hide his physique or amor however, especially when the mare comes to talk to him. He is definitely concerned about the possibility of hidden danger in the room. he periodically breaks eye contact with the mare to survey his surroundings.
Okay, there's no way in Hell Posey is evaluating him without constantly glancing towards him. She is going to need to do a bluff to hide her intent, including a cover story on why she's looking that direction, or someway of hiding that she'd doing it in the first place.
She is not. She is actually completely naked.
>>169534
Posey can hear portions of the conversation; enough, mostly, to understand what they are talking about, and some complete sentences, but not every word spoken. The mare recognizes the unicorn as the vampire slayer, and seems pretty excited to talk to him. The stallion only confirms his identity reluctantly, after the mare refuses to believe otherwise. The mare states that she was a small filly when the vampire came to her town, and though she did not understand what was happening, she saw how it affected her father and others in town. She remembers those days as especially dark, with fear pervading the town. At least two ponies known closely to the family went missing. She remembers the excitement and feeling of relief when the vampire was slain, in her family, and in the town generally.
August expresses joy at the eradication of these parasites, and then, the bragging starts. He talks about how he was called in after the vampire started making his way south, and was hot on his trail for a while. He claims that he spooked the vampire out of at least one, but probably two hiding locations, and he thinks the only reason that he could not kill the vampire earlier (and thus save pony lives) was that he was not placed fully on the case until after the vampire passed south of Buck Castle. The vampire's name as listed on the registry in Zakatnie was "Leto Panolovich," though locals of that region would call him by the nickname of "Nieciarplivy," meaning "impatient" or "rash," which Equestrians, not speaking the language, would shorten to simply "Plivy." August tells some details of how he tracked down, and eventually killed Plivy, though not many. Posey learns that August first looked for Plivy's likely prey - which is to say ponies who would at least be theoretically hard to notice are missing - to find locations where Plivy may be drawn, and then investigated. Painted Creek was thus considered because of its status as a traveler's stopping point, and dense surrounding forests. He tells some details of how the vampire was slain, stating it was done with a magical weapon in the water of the creek itself. He caught Plivy as he was moving away from his lair and lured him near the river.
August is evasive about what he is doing back in the town now, save that it concerns the liberation of Equestria. An aside statement from the mare stating that the Changeling invasion caused the same fear, and "disappearances" of stallions sent to the front, including her former lover, receives no direct reply. August taps the mare's thigh with a hoof, and when this is lightly pushed away, shortly thereafter terminates the conversation.
What he does next will likely depend on Posey.
>>169536
As these rivers are very far away, she can't narrow down such a path with any precision; Plivy moving north or south by even a few degrees, or taking any indirect route, would drastically change the area he traversed.
>>169534
>Are the ponies of this region at odds with the regime?
shrugs
>>169540
>>169541
>>169543
Posey can tell that he is a reasonably seasoned warrior who is built to combat creatures like her. He'd be a tough challenge. He seems a little weak though to kill a vampire, even a runt, all by himself.
There is a mix of paranoia about some hidden threat, and euphoria and revelry about being exalted as heroes pervading the room. August and all of his companions. August seems cautious and is deliberately hiding especially his equipment. He does not hide his physique or amor however, especially when the mare comes to talk to him. He is definitely concerned about the possibility of hidden danger in the room. he periodically breaks eye contact with the mare to survey his surroundings.
Okay, there's no way in Hell Posey is evaluating him without constantly glancing towards him. She is going to need to do a bluff to hide her intent, including a cover story on why she's looking that direction, or someway of hiding that she'd doing it in the first place.
Sorry. I fell asleep. Been sick.
>>169544
>bluff to hide her intent, including a cover story on why she's looking that direction
She puts on a flattering demeanor, pretending to be impressed.
Posey puts on a sort of woozy, pouty, flirtatious expression: the kind that lonely young single mares passingly throw towards handsome stallions across a bar late at night. She shifts in her seat and flicks her tail in a frisky demeanor.
The she does this a couple times, as well as quickly (but not too quickly) looking away when his eyes fall on her, feigning shyness to his gaze.
Bluff check.
[1d20+12 = (18+12) = 30]
>>169544
>bluff to hide her intent, including a cover story on why she's looking that direction
She puts on a flattering demeanor, pretending to be impressed.
Posey puts on a sort of woozy, pouty, flirtatious expression: the kind that lonely young single mares passingly throw towards handsome stallions across a bar late at night. She shifts in her seat and flicks her tail in a frisky demeanor.
The she does this a couple times, as well as quickly (but not too quickly) looking away when his eyes fall on her, feigning shyness to his gaze.
Bluff check.
[1d20+12 = (18+12) = 30]
>>169544
>What he does next will likely depend on Posey
Seeing as how Posey has no way of locating the lair herself, her best option is to tail August, so she'll wait for now, to find out where he's headed.
>What he does next will likely depend on Posey
Seeing as how Posey has no way of locating the lair herself, her best option is to tail August, so she'll wait for now, to find out where he's headed.
>>169546
>Yet another 18
Why do you consistently have better luck than... frankly anyone? Anyways...
August looks over towards Posey, then back to the mare, and tells her it's been nice talking to her. He stands up, walks over to the leader, whispers something in his ear, and walks back to his table when the mare has left. August, still standing, walks slightly closer towards Posey and looks directly at her with an intense smile. He adjusts his robe to cover himself.
He speaks directly to Posey
"A shame to see such a lovely mare as yourself sitting alone. Why don't you come over here and join me? Let me buy you a drink."
His smile changes to show teeth
"I don't bite."
>Yet another 18
Why do you consistently have better luck than... frankly anyone? Anyways...
August looks over towards Posey, then back to the mare, and tells her it's been nice talking to her. He stands up, walks over to the leader, whispers something in his ear, and walks back to his table when the mare has left. August, still standing, walks slightly closer towards Posey and looks directly at her with an intense smile. He adjusts his robe to cover himself.
He speaks directly to Posey
"A shame to see such a lovely mare as yourself sitting alone. Why don't you come over here and join me? Let me buy you a drink."
His smile changes to show teeth
"I don't bite."
>>169548
>Bingo
Posey smirks, satisfied with herself
"Well, aren't you a gentlecolt." She replies, getting up, adjusting her own cloak around her barrel to cover her barding.
>"I don't bite."
Her own smile turns toothy and rather coy
"I might." she says, in a tone salacious tone so low it's barely a whisper as she passes him
"I take it you're from out of town? What's a handsome fellow like you doing this time of night?"
>Bingo
Posey smirks, satisfied with herself
"Well, aren't you a gentlecolt." She replies, getting up, adjusting her own cloak around her barrel to cover her barding.
>"I don't bite."
Her own smile turns toothy and rather coy
"I might." she says, in a tone salacious tone so low it's barely a whisper as she passes him
"I take it you're from out of town? What's a handsome fellow like you doing this time of night?"
>>169549
He moves the chair with a blue-green magical aura, and invites Posey to sit by him.
"Yes. I'm here for... Business." There is a pause, but he refuses to elaborate.
He raises an eyebrow. "You're not from here either, are you?"
He moves the chair with a blue-green magical aura, and invites Posey to sit by him.
"Yes. I'm here for... Business." There is a pause, but he refuses to elaborate.
He raises an eyebrow. "You're not from here either, are you?"
>>169550
"Oh, I'm new here. I'm a researcher for.. Advanced timber logging methodology."
"What sort of business are you up to?"
"Oh, I'm new here. I'm a researcher for.. Advanced timber logging methodology."
"What sort of business are you up to?"
>>169553
"Oooh, that sounds exciting." Posey replies, bobbing her head nonchalantly, as she gets up onto the chair
"I've been getting to know these woods quite well, as of late (a lie). Seems like entropic energy imbalances have been causing the trees to drop their leaves and rot from the inside out, especially towards the west. Something sinister is out there... I would be careful if I were you." She continues
"Oooh, that sounds exciting." Posey replies, bobbing her head nonchalantly, as she gets up onto the chair
"I've been getting to know these woods quite well, as of late (a lie). Seems like entropic energy imbalances have been causing the trees to drop their leaves and rot from the inside out, especially towards the west. Something sinister is out there... I would be careful if I were you." She continues
>>169554
His eyes go big, and an ear flops. Then he nods.
"Really? Do you know where, I mean, precisely?"
His eyes go big, and an ear flops. Then he nods.
"Really? Do you know where, I mean, precisely?"
>>169555
"Well, not precisely..." Posey says
"I haven't seen the focus of it, but I've been studying the effects of magical entropy in the region. I notice things that most ponies don't: the subtle things that signal Harmony's been disrupted. Trees dying in concentric patterns, crows swarming, erratic behavior among the local wolf population, accelerated carrion decomposition... There's definitely something fishy nestled in these parts." She continues
"I'm only here to research the effects on the trees, and I have a strong feeling that whatever causes it is centered somewhere west of this village. I'd take a closer look myself, but... I'm just blue collar uninsured magewright, and mill didn't feel like funding escorts to deal with rabid wolves. Cheapskates..." she finishes with a click of her tongue
"Well, not precisely..." Posey says
"I haven't seen the focus of it, but I've been studying the effects of magical entropy in the region. I notice things that most ponies don't: the subtle things that signal Harmony's been disrupted. Trees dying in concentric patterns, crows swarming, erratic behavior among the local wolf population, accelerated carrion decomposition... There's definitely something fishy nestled in these parts." She continues
"I'm only here to research the effects on the trees, and I have a strong feeling that whatever causes it is centered somewhere west of this village. I'd take a closer look myself, but... I'm just blue collar uninsured magewright, and mill didn't feel like funding escorts to deal with rabid wolves. Cheapskates..." she finishes with a click of her tongue
>>169556
August's jovial mood began to change with Posey's previous response. Now, however, the change is complete, and August pauses for a moment, considering Posey's words carefully. He breaths in, and his smile is gone. He looks down towards the table, and then back up.
"Tell me, Ms. Magewright, what do you know about what causes such areas of accelerated magical entropy?"
He surely waits for Posey to answer this question, but once she is done, he asks another
"What do you know about the history of this town?"
August's jovial mood began to change with Posey's previous response. Now, however, the change is complete, and August pauses for a moment, considering Posey's words carefully. He breaths in, and his smile is gone. He looks down towards the table, and then back up.
"Tell me, Ms. Magewright, what do you know about what causes such areas of accelerated magical entropy?"
He surely waits for Posey to answer this question, but once she is done, he asks another
"What do you know about the history of this town?"
I have always forgot about doing this but I have intended to do this a few times in the past. I felt like I wanted to apologize, tho, at this point it is so far in the past, I don't even know if I have already done it beofer at some point.
Well, I'm sorry to the gm for two things: When I made the sorceress I kinda criticized the setting stubbornly because I disagreed with the idea the Celestia would support some sort of multiculture world or something, idk, I tbf I think I still am not onboard of the setting completely from what I remember but I think I remember myself being kina obnxious, so I apologise.
I also feel bad that made characters and then scrapped themand created new ones and never comitted to one, though that was more expected since that's kinda just how I am.
Well, I'm sorry to the gm for two things: When I made the sorceress I kinda criticized the setting stubbornly because I disagreed with the idea the Celestia would support some sort of multiculture world or something, idk, I tbf I think I still am not onboard of the setting completely from what I remember but I think I remember myself being kina obnxious, so I apologise.
I also feel bad that made characters and then scrapped themand created new ones and never comitted to one, though that was more expected since that's kinda just how I am.
>>169558
>what do you know about what causes such areas of accelerated magical entropy?
"It's hard to say, there are so many things that could lead to it, especially in these trying times. The balance of Harmony is so fragile; Equestria is only so beautiful because the ponies care for it with all their hearts. The most common cause of it would probably be, what did the princess call it...? 'Hopelessness Magic's? It causes the color to disappear from the land, and eventually living things to shrivel away. The second biggest cause would be chaos magic: it's usually triggered by hatred, violence and disharmony between ponies that feed the windigos. You see it quite a bit these days, with the war and whatnot. Battlefields turns into tainted mana wastes, with restless dead an supernatural storms, forests shrivel and even the animals of the land become cruel and savage... It would explain the wolves " she pauses at his second question
>"What do you know about the history of this town?"
"Nothing much. I'm new here, and I've spent more time looking at the inside of rotten logs than speaking with ponies. I came into the village to see if there was any hopelessness or hatred among the local ponies that would lead to nature turning on them, without me having to trot into the dark of the woods by myself... but the locals here seem pretty lively and peaceful, and we're pretty far from the front of the war, so it can't be that..." She pauses again
"There are other causes for entropy imbalance. It could be ponies abusing forbidden magic; the kind that drains life from all living things and causes widespread illness and decay. It could be a curse, a ghastly one, rooted deep within the land. It could be the influence of monsters lairing; ghouls, wraiths bogarts, wights..." She puts on a bit of a worried expression
"Trees rotten from the inside out, thick gray mists, shadows seeming gaunt and animate, wolves gathering in numbers and turning savage... If I didn't know better, I'd say a vampire placed his favorite coffin not far from here.... Somewhere to the west."
She gives a long pause, and a bit of a worried expression, turning her head to the west, as if sensing a dark presence.
Since these clues are all lies, and Posey isn't actually here to examine logs, I will make a bluff check.
[1d20+12 = (17+12) = 29]
>what do you know about what causes such areas of accelerated magical entropy?
"It's hard to say, there are so many things that could lead to it, especially in these trying times. The balance of Harmony is so fragile; Equestria is only so beautiful because the ponies care for it with all their hearts. The most common cause of it would probably be, what did the princess call it...? 'Hopelessness Magic's? It causes the color to disappear from the land, and eventually living things to shrivel away. The second biggest cause would be chaos magic: it's usually triggered by hatred, violence and disharmony between ponies that feed the windigos. You see it quite a bit these days, with the war and whatnot. Battlefields turns into tainted mana wastes, with restless dead an supernatural storms, forests shrivel and even the animals of the land become cruel and savage... It would explain the wolves " she pauses at his second question
>"What do you know about the history of this town?"
"Nothing much. I'm new here, and I've spent more time looking at the inside of rotten logs than speaking with ponies. I came into the village to see if there was any hopelessness or hatred among the local ponies that would lead to nature turning on them, without me having to trot into the dark of the woods by myself... but the locals here seem pretty lively and peaceful, and we're pretty far from the front of the war, so it can't be that..." She pauses again
"There are other causes for entropy imbalance. It could be ponies abusing forbidden magic; the kind that drains life from all living things and causes widespread illness and decay. It could be a curse, a ghastly one, rooted deep within the land. It could be the influence of monsters lairing; ghouls, wraiths bogarts, wights..." She puts on a bit of a worried expression
"Trees rotten from the inside out, thick gray mists, shadows seeming gaunt and animate, wolves gathering in numbers and turning savage... If I didn't know better, I'd say a vampire placed his favorite coffin not far from here.... Somewhere to the west."
She gives a long pause, and a bit of a worried expression, turning her head to the west, as if sensing a dark presence.
Since these clues are all lies, and Posey isn't actually here to examine logs, I will make a bluff check.
[1d20+12 = (17+12) = 29]
>>169561
August, too, takes a long pause, as if unsure of how to respond.
He tries to get a sense of Posey. And I don't mean trying to evaluate whether he'd win in a duel against her or not. He doesn't seem to want to duel her at all right now. He's looking for her emotional disposition, her attitude towards things, and how she may respond to things.
[Hidden sense motive]
August, too, takes a long pause, as if unsure of how to respond.
He tries to get a sense of Posey. And I don't mean trying to evaluate whether he'd win in a duel against her or not. He doesn't seem to want to duel her at all right now. He's looking for her emotional disposition, her attitude towards things, and how she may respond to things.
[Hidden sense motive]
>>169562
Posey is trying to project an attitude of curiosity (which is genuine), wistfulness, and a touch of helplessness, like that of a lonely necro-botanist frustrated that her higher ups wouldn't fund an escort into the woods to exercise her skills and get to the root of the tree problem.
Posey is trying to project an attitude of curiosity (which is genuine), wistfulness, and a touch of helplessness, like that of a lonely necro-botanist frustrated that her higher ups wouldn't fund an escort into the woods to exercise her skills and get to the root of the tree problem.
File (): 82D7EE245E5C9153D8792A3BDDAF2429-225168.mp4
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>>169564
"What can I say? I'm book-smart, not pony-smart, and this is my first time in town."
Bluff
[1d20+12 = (7+12) = 19]
"What can I say? I'm book-smart, not pony-smart, and this is my first time in town."
Bluff
[1d20+12 = (7+12) = 19]
>>169566
Posey gives a shrug
"Well, since you're the first one I've talked to here, why don't you tell me the story of this little village? What is it that makes the trees cry?"
Posey gives a shrug
"Well, since you're the first one I've talked to here, why don't you tell me the story of this little village? What is it that makes the trees cry?"
>>169567
He is displeased by this evasive non-answer, but continues all the same.
"Heh heh" he moves back in his seat. "The history of vampires in Equestria is forgotten? I have done my job too well. I want you to stop and think about the implications of that. Vampires are no longer a peace of living history, but on the same level as myth and fictional creations. No one would ever dare think of Changelings that way. Not now. Not after the last 11 years, though the two magical beings are so similar. But not vampires. Just as well. Let those parasites meet the oblivion that is the fate of all weak and deviant pretenders to magical glory. And if that means that the heroes of the past are likewise forgotten, to forever rest in that same dustbin of history, so be it. Better to live on through a far-reaching legacy of glorious deeds, than to be dismissed as fabricated legend.
I can say much about this town and many others. But you would not believe me, as the facts are so fantastic as to strain credulity. And better to remain silent to the truth, than to tell the truth and be rejected as a liar. Because that's how far-removed life in Equestria today is from the world of vampires, hags, owlbears, werewolves, and other fantastical creatures, that all of these exist not even in common memory.
This is a good thing. Only the fittest survive in the struggle for life. The aberrant have failed. Now it's a question as to who shall have Equestria. The Changelings? The Duke and his Fascists? Or shall a princess again sit upon Her throne?
Yes, there was a vampire once, west of town. This I know and much more. But you needn't be concerned much about that. If there is a dying ember, it shall be stamped out. Just as forest fires leave ashen remains, and just as fungal blights leave dead trees, so too does the magical aberrant. But the fungus, which has proven stronger in the struggle for life than the aberrant, still exists to terrorize our paper and lumber industries. The aberrant does not."
He is displeased by this evasive non-answer, but continues all the same.
"Heh heh" he moves back in his seat. "The history of vampires in Equestria is forgotten? I have done my job too well. I want you to stop and think about the implications of that. Vampires are no longer a peace of living history, but on the same level as myth and fictional creations. No one would ever dare think of Changelings that way. Not now. Not after the last 11 years, though the two magical beings are so similar. But not vampires. Just as well. Let those parasites meet the oblivion that is the fate of all weak and deviant pretenders to magical glory. And if that means that the heroes of the past are likewise forgotten, to forever rest in that same dustbin of history, so be it. Better to live on through a far-reaching legacy of glorious deeds, than to be dismissed as fabricated legend.
I can say much about this town and many others. But you would not believe me, as the facts are so fantastic as to strain credulity. And better to remain silent to the truth, than to tell the truth and be rejected as a liar. Because that's how far-removed life in Equestria today is from the world of vampires, hags, owlbears, werewolves, and other fantastical creatures, that all of these exist not even in common memory.
This is a good thing. Only the fittest survive in the struggle for life. The aberrant have failed. Now it's a question as to who shall have Equestria. The Changelings? The Duke and his Fascists? Or shall a princess again sit upon Her throne?
Yes, there was a vampire once, west of town. This I know and much more. But you needn't be concerned much about that. If there is a dying ember, it shall be stamped out. Just as forest fires leave ashen remains, and just as fungal blights leave dead trees, so too does the magical aberrant. But the fungus, which has proven stronger in the struggle for life than the aberrant, still exists to terrorize our paper and lumber industries. The aberrant does not."
>>169568
Posey's eyes widen
"So it's true... That's fascinating.. all the signs were there." she says, her voice communication incredulous impression, amazement, and curiosity
>If there is a dying ember, it shall be stamped out.
"Well, good luck with the stampeding; I'm sure the trees will appreciate the favor. As for me, I have a report to write."
Posey finishes her drink and gets up, slowly walking towards the door with a swing to her hips and a swish of her tail.
However, as she goes, she glances back at him, with an enchanting gaze.
Posey attempts to use her supernatural charm ability. He needs to roll a Will save, with the same DC as before (17).
Posey's eyes widen
"So it's true... That's fascinating.. all the signs were there." she says, her voice communication incredulous impression, amazement, and curiosity
>If there is a dying ember, it shall be stamped out.
"Well, good luck with the stampeding; I'm sure the trees will appreciate the favor. As for me, I have a report to write."
Posey finishes her drink and gets up, slowly walking towards the door with a swing to her hips and a swish of her tail.
However, as she goes, she glances back at him, with an enchanting gaze.
Posey attempts to use her supernatural charm ability. He needs to roll a Will save, with the same DC as before (17).
>>169569
"Need you write it now? Or do you care for a drink?" He asks, standing up as she starts to leave.
"Need you write it now? Or do you care for a drink?" He asks, standing up as she starts to leave.
>>169570
I kind of thought they would have already had drinks, but sure.
"Oh, I guess I could stay a while." Posey replies, as she walks back to the bar.
I kind of thought they would have already had drinks, but sure.
"Oh, I guess I could stay a while." Posey replies, as she walks back to the bar.
>>169571
Perhaps they have, perhaps they haven't. All the same a slightly older mare with a red mane up in a bun and a kind of grey coat comes over when summoned by August. August himself declines a drink, stating that he has work later. August's air of guarded and vigilant comfort and confidence has been replaced with an obvious unease. Assuming Posey is okay with it, he sits back in his same chair right there in the exact corner of the room. He circles back with small talk.
"Do you travel often?"
Perhaps they have, perhaps they haven't. All the same a slightly older mare with a red mane up in a bun and a kind of grey coat comes over when summoned by August. August himself declines a drink, stating that he has work later. August's air of guarded and vigilant comfort and confidence has been replaced with an obvious unease. Assuming Posey is okay with it, he sits back in his same chair right there in the exact corner of the room. He circles back with small talk.
"Do you travel often?"
>>169572
>"Do you travel often?"
"Until lately, no. But now I've found myself traveling quite a bit, for work related reasons."
>"Do you travel often?"
"Until lately, no. But now I've found myself traveling quite a bit, for work related reasons."
>>169576
"I try to. I've read about more than I've been to though. It's related to my research." Posey replies
"I try to. I've read about more than I've been to though. It's related to my research." Posey replies
>>169578
"Decay. I'm a freelancing magewright (NPC classed professional magician), specializing in the macabre. There's always work for a Necrologist where there's war... for better or for worse..."
"Decay. I'm a freelancing magewright (NPC classed professional magician), specializing in the macabre. There's always work for a Necrologist where there's war... for better or for worse..."
>>169580
"Study, mostly. The advancement of decay, long-term effects of magical warfare, environmental impact assessments, monster habits. A bit of everything."
"Study, mostly. The advancement of decay, long-term effects of magical warfare, environmental impact assessments, monster habits. A bit of everything."
>>169582
*"Well, it's certainly made me busy, the war and it's aftermath. I've been travelling quite a bit, place to place, still.seeiny the echos of the past war."
*"Well, it's certainly made me busy, the war and it's aftermath. I've been travelling quite a bit, place to place, still.seeiny the echos of the past war."
>>169583
He blinks.
“No loved ones lost? No outrage at the invasions? No sadness at the Princess’s abdication speech? No hasty relocation from your home? No concern your stipends will have to come from a different source?”
He blinks.
“No loved ones lost? No outrage at the invasions? No sadness at the Princess’s abdication speech? No hasty relocation from your home? No concern your stipends will have to come from a different source?”
>>169584
Posey looks up in the air for a few moments, as if lost in thought.
"I didn't really have very loved ones to begin with, and I've been wandering for some time now, following the carnage and it's aftermaths... The term 'vulture' gets thrown around a lot in my profession. Can't say I blame them, but you'd think hardworking hedgemages would be more respected these days, with the Princess's academies shut down." She takes a sip of her drink and grimaces
"I try not to let the politics get to me. Tragedy is all too common in my life of work, and there's only so much I can do by myself with my practice... Sometimes I like to think that my magical thesis might change the world some day, but that's just a dream..."
Posey looks up in the air for a few moments, as if lost in thought.
"I didn't really have very loved ones to begin with, and I've been wandering for some time now, following the carnage and it's aftermaths... The term 'vulture' gets thrown around a lot in my profession. Can't say I blame them, but you'd think hardworking hedgemages would be more respected these days, with the Princess's academies shut down." She takes a sip of her drink and grimaces
"I try not to let the politics get to me. Tragedy is all too common in my life of work, and there's only so much I can do by myself with my practice... Sometimes I like to think that my magical thesis might change the world some day, but that's just a dream..."
>>169585
“Magical thesis?!?”
This clearly has him intrigued. But he answers
“How can you retreat from the politics? Many do, but I never understand it. Equestria’s cry calls her children to action. But I’ve always been a bit more active. My line of work historically has been aligned, or at least, related to yours, but quite a bit more practical in nature. You study the effects of aberrations? I find them and eliminate them. You study disharmony and chaos? I restore order.”
“Magical thesis?!?”
This clearly has him intrigued. But he answers
“How can you retreat from the politics? Many do, but I never understand it. Equestria’s cry calls her children to action. But I’ve always been a bit more active. My line of work historically has been aligned, or at least, related to yours, but quite a bit more practical in nature. You study the effects of aberrations? I find them and eliminate them. You study disharmony and chaos? I restore order.”
>>169587
Posey gives another shrug
"What can I really do? I'm only one mare, posing as a minor mage. I can't even go into the woods to finish my logging report without the mill approving an escort..." She says, her head looking to the west
She gives a whistful sigh, a bit exaggerated as she isn't quite used it it.
Posey gives another shrug
"What can I really do? I'm only one mare, posing as a minor mage. I can't even go into the woods to finish my logging report without the mill approving an escort..." She says, her head looking to the west
She gives a whistful sigh, a bit exaggerated as she isn't quite used it it.
>>169588
August moves closer to Posey. “This report must be very important to you.” August leans in, and places a hoof on an intimate area of Posey. Her flank or upper thigh if it’s exposed, or that’s covered by her robes and barding, her lower neck around her chest and shoulder. “Would you like to get closer to those afflicted areas?”
August moves closer to Posey. “This report must be very important to you.” August leans in, and places a hoof on an intimate area of Posey. Her flank or upper thigh if it’s exposed, or that’s covered by her robes and barding, her lower neck around her chest and shoulder. “Would you like to get closer to those afflicted areas?”
>>169589
>Ahahaha, sucker!
Posey leans into it slightly, her horn magically hiking up her cloak subtly to allow easier access to her exposed flank.
She pouts
"I reeeeeeally would..! But how would defenseless mare like me do such a thing?"
>Ahahaha, sucker!
Posey leans into it slightly, her horn magically hiking up her cloak subtly to allow easier access to her exposed flank.
She pouts
"I reeeeeeally would..! But how would defenseless mare like me do such a thing?"
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