Ambergriff wonders her way through the bog at night, looking for safety. Silver leads a heroic assault on the infiltrators before they can destroy the city. Both will have to wake soon...
Hopefully Spark's line will continue soon as well.
/vx/ - Videogames and Paranormal
File (): 3EF37B65F303CF0449BB56FACBA9F8BA-3875254.png (3.7 MB, 2362x1229, 6554165.png)
847 replies and 81 files omitted.
>>168787
>slave labor and potential mercenaries
True, it's part of what Posey came to appraise.
Plus with blood magic and sacrifice, any life is a potential profit.
>the Equestrians let them there in the first place
Does not seem like a very stable source of mobilization, imo, especially not for a group that calls themselves nationalists. I guess that's their call though. They'll all join the horde eventually.
>evidently on the corner
Posey moves towards the apartment number in question.
>slave labor and potential mercenaries
True, it's part of what Posey came to appraise.
Plus with blood magic and sacrifice, any life is a potential profit.
>the Equestrians let them there in the first place
Does not seem like a very stable source of mobilization, imo, especially not for a group that calls themselves nationalists. I guess that's their call though. They'll all join the horde eventually.
>evidently on the corner
Posey moves towards the apartment number in question.
>>168788
>especially not for a group that calls themselves nationalists
The nationalists weren't in charge when they were brought in. That honor belongs to the Celestia and Twilight regimes. The nationalists appear to want them physically removed, so to speak.
>it's part of what Posey came to appraise
They are nocturnal, which makes them great for nightshift labor. They are (very slightly) larger and stronger than ponies, and certainly more intimidating. It's not clear that they are trustworthy though, which makes them undesirable for the job they'd be best at - nighttime guard duty.
The apartment is before her, number 24. Posey is staring at...
A Door...
>especially not for a group that calls themselves nationalists
The nationalists weren't in charge when they were brought in. That honor belongs to the Celestia and Twilight regimes. The nationalists appear to want them physically removed, so to speak.
>it's part of what Posey came to appraise
They are nocturnal, which makes them great for nightshift labor. They are (very slightly) larger and stronger than ponies, and certainly more intimidating. It's not clear that they are trustworthy though, which makes them undesirable for the job they'd be best at - nighttime guard duty.
The apartment is before her, number 24. Posey is staring at...
A Door...
>>168789
>It's not clear that they are trustworthy though, which makes them undesirable
Wights don't need to be trustworthy, lol.
>A Door
.... It doesn't count when I'm already inside the apartment building, right?
Posey thinks to herself as her hoof reaches out to knock on the door.
>It's not clear that they are trustworthy though, which makes them undesirable
Wights don't need to be trustworthy, lol.
>A Door
.... It doesn't count when I'm already inside the apartment building, right?
Posey thinks to herself as her hoof reaches out to knock on the door.
>>168790
Does it? To be sure, she's inside of the insulated portion of the building... But this apartment is a residence
Tapping on the door results in it moving back slightly
Does it? To be sure, she's inside of the insulated portion of the building... But this apartment is a residence
Tapping on the door results in it moving back slightly
>>168791
Posey puffs her cheeks and pushes herself into the apartment, seeing as the door is unlocked.
Posey puffs her cheeks and pushes herself into the apartment, seeing as the door is unlocked.
>>168792
And... the door simply opens. Posey can see from the splinters of wood that the door was forced open at some point, as the locks are physically broken off, and the hinges show signs of damage. Posey looks inside to see a tiny foyer with beige walls and short on decorations. There is a hallway that goes to an opening on the far side, one door on the left, two on the right
And... the door simply opens. Posey can see from the splinters of wood that the door was forced open at some point, as the locks are physically broken off, and the hinges show signs of damage. Posey looks inside to see a tiny foyer with beige walls and short on decorations. There is a hallway that goes to an opening on the far side, one door on the left, two on the right
>>168793
Posey makes haste to search the room for anything of value or interest as she enters.
[1d20+4 = (12+4) = 16]
She also casts her first spell of the game: Detect Magic!
Posey makes haste to search the room for anything of value or interest as she enters.
[1d20+4 = (12+4) = 16]
She also casts her first spell of the game: Detect Magic!
>>168793
>locks are physically broken off, and the hinges show signs of damage
"Signs of a break in.. Contraband is going to be slim here. Hopefully the pigs didn't sniff out everything.." Posey mutters, her expectations low as she searches about the apartment
>locks are physically broken off, and the hinges show signs of damage
"Signs of a break in.. Contraband is going to be slim here. Hopefully the pigs didn't sniff out everything.." Posey mutters, her expectations low as she searches about the apartment
>>168793
Going to roll Listen, to detect any creatures that may be lurking here.
[1d20+4 = (11+4) = 15]
Going to roll Listen, to detect any creatures that may be lurking here.
[1d20+4 = (11+4) = 15]
>>168795
First room on the right is a bathroom, with a sink near the door on the right, a toilet past that, and a bathtub past that, with curtains and a small window. The toilet looks both clogged and old. There is a mirror that opens to a medicine cabinet - it is clearly opened. There are items (what appear to be bandages - not used) that have fallen out and are on the floor. The sink has brown stains. The doors beneath the sink are open, and Posey has found... Bleach. Also toilet paper. No magic.
The second room appears to be a bedroom. On the far side is a window that is large enough that posey can see the school on the other side. In front of it is a bed, to the left is a night stand, and to the right is a dresser. There are clothes strewn across the floor (like a purple cloak and rubber boots). The matress is not on the bed, but leaned up next to it, and very clearly cut open. The airvents above the bed are opened. Several of the drawers from the dressers have been removed and turned upside down on the floor. A small wooden totem on the ground pings as magical.
The only room on the left is a kitchen. The doors in the kitchen are open, as are the cabinet doors. Posey can see that there is an actually rather impressive rack of herbs with more varieties than Posey has quite frankly seen in any location. There is an empty space in the wall with an electrical outlet that presumably is intended to house a refrigerator. There are a couple pots and pans, though really not many. There is tea, but worryingly, no tea pot. There is an herb grinder, and a large amount of salt. There is one bit of food which remains on the counter, which appears to be the largely smoked remains of the lower leg of an ungulate creature, complete with a hoof. Hopefully that's from a calf, or maybe a pig. Calves have only one toe, right? Right? No magic detected.
The last room, which connects to the kitchen, is evidently a living room. There is a book shelf with a large number of books, several of which have made it to the ground. There is a stand that would presumably hold a phonograph or radio. It's empty. There is a table next to the kitchen with a pair of chairs, though the chair has been moved across the room and is under an opened vent. There is a couch, though all of the cushions have been removed, and cut open. There are three windows, two look out onto the street, and another towards the school. There is a mask which resembles a crocuta. It pings as magical. There is a potted plant by the right, street-side window that seems to be... well it's hard to say what kind of plant that is, but it's not doing well. https://www.youtube.com/watch?v=VxwrAhBpfyA&pp=ygUPaXp6eSBwbGFudHMgZGll . The pot pings as magical.
>>168797
Posey can hear a rat scurrying, movement in the apartment to the left of this one, and what sounds like copulation occurring somewhere above her and to the right. Nothing inside the apartment, save the rat.
First room on the right is a bathroom, with a sink near the door on the right, a toilet past that, and a bathtub past that, with curtains and a small window. The toilet looks both clogged and old. There is a mirror that opens to a medicine cabinet - it is clearly opened. There are items (what appear to be bandages - not used) that have fallen out and are on the floor. The sink has brown stains. The doors beneath the sink are open, and Posey has found... Bleach. Also toilet paper. No magic.
The second room appears to be a bedroom. On the far side is a window that is large enough that posey can see the school on the other side. In front of it is a bed, to the left is a night stand, and to the right is a dresser. There are clothes strewn across the floor (like a purple cloak and rubber boots). The matress is not on the bed, but leaned up next to it, and very clearly cut open. The airvents above the bed are opened. Several of the drawers from the dressers have been removed and turned upside down on the floor. A small wooden totem on the ground pings as magical.
The only room on the left is a kitchen. The doors in the kitchen are open, as are the cabinet doors. Posey can see that there is an actually rather impressive rack of herbs with more varieties than Posey has quite frankly seen in any location. There is an empty space in the wall with an electrical outlet that presumably is intended to house a refrigerator. There are a couple pots and pans, though really not many. There is tea, but worryingly, no tea pot. There is an herb grinder, and a large amount of salt. There is one bit of food which remains on the counter, which appears to be the largely smoked remains of the lower leg of an ungulate creature, complete with a hoof. Hopefully that's from a calf, or maybe a pig. Calves have only one toe, right? Right? No magic detected.
The last room, which connects to the kitchen, is evidently a living room. There is a book shelf with a large number of books, several of which have made it to the ground. There is a stand that would presumably hold a phonograph or radio. It's empty. There is a table next to the kitchen with a pair of chairs, though the chair has been moved across the room and is under an opened vent. There is a couch, though all of the cushions have been removed, and cut open. There are three windows, two look out onto the street, and another towards the school. There is a mask which resembles a crocuta. It pings as magical. There is a potted plant by the right, street-side window that seems to be... well it's hard to say what kind of plant that is, but it's not doing well. https://www.youtube.com/watch?v=VxwrAhBpfyA&pp=ygUPaXp6eSBwbGFudHMgZGll . The pot pings as magical.
>>168797
Posey can hear a rat scurrying, movement in the apartment to the left of this one, and what sounds like copulation occurring somewhere above her and to the right. Nothing inside the apartment, save the rat.
>>168798
>A small wooden totem on the ground pings as magical.
>The pot pings as magical
Up to two items here. Could be a decent haul.
Rolling Spellcraft to determine their schools
[1d20+14 = (10+14) = 24]
Posey cautiously picks up the totem with her aura as she examines its aura.
>A small wooden totem on the ground pings as magical.
>The pot pings as magical
Up to two items here. Could be a decent haul.
Rolling Spellcraft to determine their schools
[1d20+14 = (10+14) = 24]
Posey cautiously picks up the totem with her aura as she examines its aura.
>>168798
>rather impressive rack of herbs with more varieties than Posey has quite frankly seen in any location.
Arcane botanica and herbalism are not Posey's field of expertise (zero ranks), but she appraises them for their value as spell components.
"Looks like she was quite the herbalist. Shame she's gone, we could've used a good balm-monger..."
[1d20+3 = (8+3) = 11]
>drawing power from a link to spiritual forces.
"Huh, looks like a little summoning talisman. A rare find." Posey says, as she picks up the totem and places it in her satchel.
>it's made of ceramic
Magic is magic. Posey takes it.
>rather impressive rack of herbs with more varieties than Posey has quite frankly seen in any location.
Arcane botanica and herbalism are not Posey's field of expertise (zero ranks), but she appraises them for their value as spell components.
"Looks like she was quite the herbalist. Shame she's gone, we could've used a good balm-monger..."
[1d20+3 = (8+3) = 11]
>drawing power from a link to spiritual forces.
"Huh, looks like a little summoning talisman. A rare find." Posey says, as she picks up the totem and places it in her satchel.
>it's made of ceramic
Magic is magic. Posey takes it.
>>168802
>Posey takes it
Like, the dead plant and dirt, or just the pot?
The herbs are decently rare that some of them would not be found in an average grocery store, but neither are they worth their weight in silver. Like... what? 30 bits or so? Perhaps more. Hard to say.
The totem is small and thus easy to take
>Posey takes it
Like, the dead plant and dirt, or just the pot?
The herbs are decently rare that some of them would not be found in an average grocery store, but neither are they worth their weight in silver. Like... what? 30 bits or so? Perhaps more. Hard to say.
The totem is small and thus easy to take
>>168803
If the pot is sufficiently large and cumbersome, Posey will leave it be. I thought it was small.
Posey pockets the totem.
If the pot is sufficiently large and cumbersome, Posey will leave it be. I thought it was small.
Posey pockets the totem.
File (): A1AB3C8349E48E0108318D6BE53C0644-13158.jpg (12.8 KB, 474x474, This more or less.jpg)
>>168805
In an act of mercy, Posey touches her hood to the potted plant and let's her charnel touch wither it to dust.
The plants troubles are over now, try not to be jealous.
She dumps out the soil and places the pot in her satchel.
In an act of mercy, Posey touches her hood to the potted plant and let's her charnel touch wither it to dust.
The plants troubles are over now, try not to be jealous.
She dumps out the soil and places the pot in her satchel.
>>168806
The plant is finally relived of its suffering. The dirt and a buried bracelet or poured out, and Rosie Ring is now the proud owner of an 8-inch terracotta pot.
The plant is finally relived of its suffering. The dirt and a buried bracelet or poured out, and Rosie Ring is now the proud owner of an 8-inch terracotta pot.
File (): B0E9CA1F01CCF5C7624F187EDD2B9E62-66545.jpg (65.0 KB, 500x499, 48sl64.jpg)
>>168808
Posey picks up the bracelet out of the soil and places it in her satchel for later examination.
But she keeps the pot, because why not?
"Well, this was rather easy. Better report back to lord Lament." Posey says to herself, as she makes her way towards the door, having quenched her curiosity, it not her bloodthirst, for the night.
Posey picks up the bracelet out of the soil and places it in her satchel for later examination.
But she keeps the pot, because why not?
"Well, this was rather easy. Better report back to lord Lament." Posey says to herself, as she makes her way towards the door, having quenched her curiosity, it not her bloodthirst, for the night.
>>168808
>>168810
Satisfied, Posey leaves the apartment, and the building.
She makes her way back to where she was supposed to meet her driver.
>Posey seems to have completed her goals
Except for the picking fights with random creatures goal, although that might've been a bad idea.
It's pretty late where I am. I think it's about time I go to bed. Maybe we could continue this tomorrow?
>>168810
Satisfied, Posey leaves the apartment, and the building.
She makes her way back to where she was supposed to meet her driver.
>Posey seems to have completed her goals
Except for the picking fights with random creatures goal, although that might've been a bad idea.
It's pretty late where I am. I think it's about time I go to bed. Maybe we could continue this tomorrow?
>>168822
Now I feel silly. What were you anticipating? I wouldn't mind a pointer to get things back on track.
Now I feel silly. What were you anticipating? I wouldn't mind a pointer to get things back on track.
>>168823
>>168824
Basically, in each respective place, Posey would first go to the home, and from that location, go to a location that was important to the decedent, and get in conflict with those inhabiting those locations. The problems with this is that the locals, even though it's a very high crime area, are still unlikely to attack Posey without provocation or misunderstanding, which can be avoided. Further, information can be hard to come by if you don't know what you're looking for or where to look. Posey could definitely just take what she found and go home, but then what? It can be difficult to set up environments where combat could happen en masse without upsetting the status quo of the world too much. So I don't know.
>>168824
Basically, in each respective place, Posey would first go to the home, and from that location, go to a location that was important to the decedent, and get in conflict with those inhabiting those locations. The problems with this is that the locals, even though it's a very high crime area, are still unlikely to attack Posey without provocation or misunderstanding, which can be avoided. Further, information can be hard to come by if you don't know what you're looking for or where to look. Posey could definitely just take what she found and go home, but then what? It can be difficult to set up environments where combat could happen en masse without upsetting the status quo of the world too much. So I don't know.
>>168825
That's sort of what I expected, although I really didn't have it in me to murder the kaftar widow over a silver statue.
I'm willing to go with whatever you have planned. Just maybe make it a bit clearer.
>It can be difficult to set up environments where combat could happen en masse without upsetting the status quo of the world too much
I get it. I sort of expected Licorice Lament to just give me quests, maybe if just to kill people that he found inconvenient. I'm not picky when it comes to encounters.
Maybe give the cityscape urban encounter tables a look:
https://www.realmshelps.net/adventuring/urban.shtml
Near the bottom of the page.
That's sort of what I expected, although I really didn't have it in me to murder the kaftar widow over a silver statue.
I'm willing to go with whatever you have planned. Just maybe make it a bit clearer.
>It can be difficult to set up environments where combat could happen en masse without upsetting the status quo of the world too much
I get it. I sort of expected Licorice Lament to just give me quests, maybe if just to kill people that he found inconvenient. I'm not picky when it comes to encounters.
Maybe give the cityscape urban encounter tables a look:
https://www.realmshelps.net/adventuring/urban.shtml
Near the bottom of the page.
>>168826
I mean, she can definitely just go home. After all, the decedents here were allies. But I only had one, maybe two other combat intensive ideas already in mind unless she returns
I mean, she can definitely just go home. After all, the decedents here were allies. But I only had one, maybe two other combat intensive ideas already in mind unless she returns
>>168827
Shoot me the ideas, it just do the setup and we'll see where it leads.
Posey is really just sightseeing in this new country, and hoping to pick a fight with a worthy opponent.
Shoot me the ideas, it just do the setup and we'll see where it leads.
Posey is really just sightseeing in this new country, and hoping to pick a fight with a worthy opponent.
>>168828
The other ideas do not take place within the city proper. If all Posey wants to do is explore at the moment, there is much more diversity
The other ideas do not take place within the city proper. If all Posey wants to do is explore at the moment, there is much more diversity
>>168830
Posey will probably head home then. She came out here because she heard that there were mage lairs she could plunder. She'll go back and help Licorice with whatever she's summoned for.
Unless you have a better idea, that is.
I get up early for work, so I can't stay up late for this tonight. For now I guess Posey will head back, to make sure she's there before Gloomy wakes up (he's prone to night terrors).
Posey will probably head home then. She came out here because she heard that there were mage lairs she could plunder. She'll go back and help Licorice with whatever she's summoned for.
Unless you have a better idea, that is.
I get up early for work, so I can't stay up late for this tonight. For now I guess Posey will head back, to make sure she's there before Gloomy wakes up (he's prone to night terrors).
File (): D6A8910CD59FCD1D4BE6A948B8AB26BA-133855.jpg (130.7 KB, 1100x1200, 610451.jpeg)
Gonna roll my own luck dice to assist the DM in describing any potential obstacles in Posey's Odyssey back to the mansion.
"Wow, this alleyway sure is dark, I hope I don't get mugged by a gang of ziggers." Posey says sarcastically as she trots along
[1d20 = 17]
Not serious. Just bored. Feel free to ignore this post and focus on Silver.
"Wow, this alleyway sure is dark, I hope I don't get mugged by a gang of ziggers." Posey says sarcastically as she trots along
[1d20 = 17]
Not serious. Just bored. Feel free to ignore this post and focus on Silver.
>>168835
Silver finds... a layout on a wall. It looks permanent, painted on. The building has a set off offices on each side, a courtyard with a covered walkway down the center on each side of the central third, and then the central third has a hall open to the public that itself cuts that portion in half. The sections of the transit ministry appear dedicated to different roles. The portion silver is in now seems to be the offices of a publicly owned railway company. Other portions are for Maritime Shipping, Waterways, Roads, Internal Trade, Customs, and Air Travel.
The map includes other details as inquired.
>>168836
Posey is not gang raped by zebras. But seriously if she wants to attempt to find Mason or a way out she can
Silver finds... a layout on a wall. It looks permanent, painted on. The building has a set off offices on each side, a courtyard with a covered walkway down the center on each side of the central third, and then the central third has a hall open to the public that itself cuts that portion in half. The sections of the transit ministry appear dedicated to different roles. The portion silver is in now seems to be the offices of a publicly owned railway company. Other portions are for Maritime Shipping, Waterways, Roads, Internal Trade, Customs, and Air Travel.
The map includes other details as inquired.
>>168836
Posey is not gang raped by zebras. But seriously if she wants to attempt to find Mason or a way out she can
>>168837
"Oh no..."
This...is not what Silver imagined at all. With the size of the building and no clue where the changelings or their bomb would be located, and he has no idea how long they have until they decide to detonate.
Does the layout show a path to reach the position of the changelings who were shooting at them, when they were across the street?
"Oh no..."
This...is not what Silver imagined at all. With the size of the building and no clue where the changelings or their bomb would be located, and he has no idea how long they have until they decide to detonate.
Does the layout show a path to reach the position of the changelings who were shooting at them, when they were across the street?
Night is cut short for personal reasons...
>>168833
Oh dear, conducting, conducting….
One thing she knows for sure is that it must not be late. Her pocketwatch is in sync with the clock, right? She supposes that passengers need some time to board, maybe ten minutes, so if that much time is remaining she blows her whistle and shouts, "All aboard!"
Oh dear, conducting, conducting….
One thing she knows for sure is that it must not be late. Her pocketwatch is in sync with the clock, right? She supposes that passengers need some time to board, maybe ten minutes, so if that much time is remaining she blows her whistle and shouts, "All aboard!"
>>168844
Amber's pocket watch is... like a minute and 38 seconds off from the clock that's visible on the train station platform.
All aboard it is
Amber's pocket watch is... like a minute and 38 seconds off from the clock that's visible on the train station platform.
All aboard it is
File (): AF82F3F1750E21D057FC47E08683113B-388081.png (379.0 KB, 525x590, 1507177722032.png)
>>168849
Posey's intelligence is higher, so I'll try to get out of this shithole using force of intellect
[1d20+3 = (17+3) = 20]
Posey's intelligence is higher, so I'll try to get out of this shithole using force of intellect
[1d20+3 = (17+3) = 20]
File (): 006484456BA2A871B3758833009C1293-281808.png (275.2 KB, 668x616, 1496187300870.png)
>>168850
Let's see... Posey came out at La Fete and 35th, after travelling underground for a block and a half... Posey thinks she can get back to where she last saw him
Let's see... Posey came out at La Fete and 35th, after travelling underground for a block and a half... Posey thinks she can get back to where she last saw him
>>168851
Possibly gallops in that direction, as fast as her hooves can carry her
[s(]Which is quite fast, due to her increased speed and the fact that she can run for unlimited rounds)
Possibly gallops in that direction, as fast as her hooves can carry her
[s(]Which is quite fast, due to her increased speed and the fact that she can run for unlimited rounds)
>>168852
Posey's movements attract the attention of the locals, who stare at her as she moves. But if she's being pursued, she must have evaded them. Posey finds the entrance to the underground, and goes past the open shops, to the corner where she left Mason
Posey's movements attract the attention of the locals, who stare at her as she moves. But if she's being pursued, she must have evaded them. Posey finds the entrance to the underground, and goes past the open shops, to the corner where she left Mason
>>168855
Posey searches for Mason
I guess urban tracking is a Gather Information check
[1d20+4 = (6+4) = 10]
Posey searches for Mason
I guess urban tracking is a Gather Information check
[1d20+4 = (6+4) = 10]
>>168845
Well that's not good. As she watches the passengers start to embark, she frantically tries to adjust the watch's time.
Well that's not good. As she watches the passengers start to embark, she frantically tries to adjust the watch's time.
>>168860
Posey clippity-clops up to him, but stays distant enough not to interrupt their moment, although close enough that he would eventually see her.
Posey clippity-clops up to him, but stays distant enough not to interrupt their moment, although close enough that he would eventually see her.
>>168861
And.... 30 seconds until departure
>>168862
He either is intentionally ignoring Posey, or genuinely does not see that he is there. He seems fairly consumed by whatever this living-creature social ritual is. Note that the club is fairly loud. They don't have a live band, but they are playing radio or a phonograph loudly, and there is loud talking. A diamond dog starts to walk up to Mason as well
And.... 30 seconds until departure
>>168862
He either is intentionally ignoring Posey, or genuinely does not see that he is there. He seems fairly consumed by whatever this living-creature social ritual is. Note that the club is fairly loud. They don't have a live band, but they are playing radio or a phonograph loudly, and there is loud talking. A diamond dog starts to walk up to Mason as well
>>168863
That's closer than she would have liked. She makes one last check any passengers rushing to board.
That's closer than she would have liked. She makes one last check any passengers rushing to board.
>>168864
There's an old lady trying to get in. The hold up is she is having difficulty placing her bag inside of the car. It's super annoying
There's an old lady trying to get in. The hold up is she is having difficulty placing her bag inside of the car. It's super annoying
>>168863
Posey, in no hurry, waits a while, although after a considerable amount of time passes at some point she clears her throat and gives him an icy glare that's impossible to ignore.
Rolling Intimidate
[1d20+11 = (8+11) = 19]
The temperature drops around her, as if there's some dark force of hellish entropy sucking the energy out of the room.
Posey, in no hurry, waits a while, although after a considerable amount of time passes at some point she clears her throat and gives him an icy glare that's impossible to ignore.
Rolling Intimidate
[1d20+11 = (8+11) = 19]
The temperature drops around her, as if there's some dark force of hellish entropy sucking the energy out of the room.
>>168865
Amber sighs, but isn't going to let an old griffon go without help. She helps with the luggage.
Amber sighs, but isn't going to let an old griffon go without help. She helps with the luggage.
File (): 227CC157F4FAE7E84F5090CA2D47D313-264964.png (258.8 KB, 991x806, twilight_is_shut_up_by_dasprid_d8onbcl-pre.png)
>>168869
Mason breaks with the mare, looks to Posey, and then stands up near Posey. The mare looks kind of offended, and starts to slink away, looking at Posey. Another pony walks up, but keeps a slight distance.
Mason breaks with the mare, looks to Posey, and then stands up near Posey. The mare looks kind of offended, and starts to slink away, looking at Posey. Another pony walks up, but keeps a slight distance.
>>168870
"Oh, pardon, was I interrupting something?" Posey says, with a flat tone, tossing her mane a bit as she walks by
Posey, despite having zero reason to, makes very brief aggressive eye contact with the other mare as she slinks away.
"Oh, pardon, was I interrupting something?" Posey says, with a flat tone, tossing her mane a bit as she walks by
Posey, despite having zero reason to, makes very brief aggressive eye contact with the other mare as she slinks away.
>>168871
The mare understands the message and moves away.
"N-no?" He answers, evidently sincerely afraid of Posey at this moment
The mare understands the message and moves away.
"N-no?" He answers, evidently sincerely afraid of Posey at this moment
>>168872
>afraid
Good. Fear my power.
"Well, it appears you at least still had some fun tonight. Shall we be going?" Posey says, her golden eyes trained on him
>afraid
Good. Fear my power.
"Well, it appears you at least still had some fun tonight. Shall we be going?" Posey says, her golden eyes trained on him
>>168874
"Then let us go" she says, whirling her cape and gesturing for him to follow her towards the logical direction of the car.
"Then let us go" she says, whirling her cape and gesturing for him to follow her towards the logical direction of the car.
>>168874
Well that's annoying, real conductor or not! Best to not tarry any longer. Amber quickly makes her way to the engine, tells the engineer to get going, and hops into the lead coach.
Well that's annoying, real conductor or not! Best to not tarry any longer. Amber quickly makes her way to the engine, tells the engineer to get going, and hops into the lead coach.
>>168876
Posey glances towards the other two, and whispers to Mason
"Who are they?"
Rolling bluff, for innuendo
[1d20+12 = (19+12) = 31]
Posey glances towards the other two, and whispers to Mason
"Who are they?"
Rolling bluff, for innuendo
[1d20+12 = (19+12) = 31]
>>168877
Amber finds a grey griffin in the locomotive whom she suspects may not be a natural grey, but covered in coal dust. He gives a firm nod, and starts the train on its way, with a chugging sound of the pistons.
Amber is in the front coach, perhaps 30% full, and beginning her journey.
>>168878
Without looking to her
"I'm not certain, but no one good."
Innuendo?
Amber finds a grey griffin in the locomotive whom she suspects may not be a natural grey, but covered in coal dust. He gives a firm nod, and starts the train on its way, with a chugging sound of the pistons.
Amber is in the front coach, perhaps 30% full, and beginning her journey.
>>168878
Without looking to her
"I'm not certain, but no one good."
Innuendo?
>>168879
>Innuendo?
A hidden message. To communicate with him discreetly, without alerting the others.
It was rolled into bluff when the 3.0 innuendo skill was removed in 3.5e
>but no one good
Posey takes this news in a calm, almost cheery manner, showing no signs of distress at being followed
Say, are there any dark alleys nearby?
>Innuendo?
A hidden message. To communicate with him discreetly, without alerting the others.
It was rolled into bluff when the 3.0 innuendo skill was removed in 3.5e
>but no one good
Posey takes this news in a calm, almost cheery manner, showing no signs of distress at being followed
Say, are there any dark alleys nearby?
>>168880
Not per se. Posey and Mason are still underground, which is a series of walls and occasional storefronts.
Posey and Mason are still trailed, but the distance increases.
Not per se. Posey and Mason are still underground, which is a series of walls and occasional storefronts.
Posey and Mason are still trailed, but the distance increases.
>>168881
Posey walks slower, pretending to be interested in the various shops trying to bait the followers closer.
Are there any other tunnels or discreet locations she hope to lead them to?
Posey walks slower, pretending to be interested in the various shops trying to bait the followers closer.
Are there any other tunnels or discreet locations she hope to lead them to?
>>168882
Hope? Probably, though Posey does not know of them. As it is, Posey and Mason remain in a fairly trafficked area.
The followers come closer, evidently now intending to close the distance.
Hope? Probably, though Posey does not know of them. As it is, Posey and Mason remain in a fairly trafficked area.
The followers come closer, evidently now intending to close the distance.
>>168879
It's the home stretch to freedom. She can only pray it will all go well.
Oh, and tickets. She needs to use that puncher and check every griffon's tickets.
It's the home stretch to freedom. She can only pray it will all go well.
Oh, and tickets. She needs to use that puncher and check every griffon's tickets.
>>168883
*could hope to
Posey thinks fast and looks for any areas with thinner traffic
Rolling Search
[1d20+3 = (9+3) = 12]
*could hope to
Posey thinks fast and looks for any areas with thinner traffic
Rolling Search
[1d20+3 = (9+3) = 12]
>>168886
That's... maybe a small section beyond a bend which appears to have formerly been a storefront? Hard to tell
That's... maybe a small section beyond a bend which appears to have formerly been a storefront? Hard to tell
>>168891
"Funny." Helder is in a porter's uniform. He whispers,
"So what is your plan? Remain like this until we get to Hellquill? Or ditch at the border?"
"Funny." Helder is in a porter's uniform. He whispers,
"So what is your plan? Remain like this until we get to Hellquill? Or ditch at the border?"
>>168890
Hmmmmm, I want to get closer to the bend
"Umm, no, no, no, new to country." Posey says, her hood pulled over her head and her features obscured, layering a thick accent (vaguely Romanian) over her speech
Rolling Bluff
[1d20+12 = (3+12) = 15]
Hmmmmm, I want to get closer to the bend
"Umm, no, no, no, new to country." Posey says, her hood pulled over her head and her features obscured, layering a thick accent (vaguely Romanian) over her speech
Rolling Bluff
[1d20+12 = (3+12) = 15]
>>168892
"Best to keep everything looking normal," Amber whispers back. "When we get to Hellquill Station we can quietly disperse."
"Best to keep everything looking normal," Amber whispers back. "When we get to Hellquill Station we can quietly disperse."
>>168895
Posey gestures for Mason to move closer beyond the bend, and she cautiously moves back
How close are they?
Posey gestures for Mason to move closer beyond the bend, and she cautiously moves back
How close are they?
>>168893
>>168895
The stallion, a light red creature, evidently a pegasus wearing a vest and a fedora, addresses Mason, and only looks over towards Posey out of response to movement or noise, but not not in sincere interest. The diamond dog is a little further back
>>168896
They are right by it, it's a movement of at most 20 feet to the left, if even that far, though actually getting out of line of sight might require moving past an orphaned wall that used to be a part of a storefront, but now is closed down and the doors are sealed off
>>168897
Is that guy trying to avoid getting his ticket punched? Because it seriously seems like he doesn't have a ticket, the way he moves out of his seat, and tries to go to the bathroom
>>168895
The stallion, a light red creature, evidently a pegasus wearing a vest and a fedora, addresses Mason, and only looks over towards Posey out of response to movement or noise, but not not in sincere interest. The diamond dog is a little further back
>>168896
They are right by it, it's a movement of at most 20 feet to the left, if even that far, though actually getting out of line of sight might require moving past an orphaned wall that used to be a part of a storefront, but now is closed down and the doors are sealed off
>>168897
Is that guy trying to avoid getting his ticket punched? Because it seriously seems like he doesn't have a ticket, the way he moves out of his seat, and tries to go to the bathroom
>>168901
Not exactly, but she could jump forward and boop him.
They don't move closer to them immediately, though Mason takes a step back. They are kind of close to the brick wall.
"Or was your whole crew killed? Who are you working for now, huh?" Again, said more so with the intent to intimidate.
>>168900
He sounds offended,
"You've already seen my ticket!"
Not exactly, but she could jump forward and boop him.
They don't move closer to them immediately, though Mason takes a step back. They are kind of close to the brick wall.
"Or was your whole crew killed? Who are you working for now, huh?" Again, said more so with the intent to intimidate.
>>168900
He sounds offended,
"You've already seen my ticket!"
>>168905
"Up there. Further up front." He says, just pointing vaguely towards the front part of this coach car (car 3).
"Up there. Further up front." He says, just pointing vaguely towards the front part of this coach car (car 3).
File (): 15772B09629A70CC02BF427560731A06-45917.jpg (44.8 KB, 710x539, 2nyice.jpg)
>>168902
Fuck it. Who needs sleep.
Posey jumps forward with supernatural speed.
She draws an arrow from her quiver and
"Boop."
She teaches out and boops the Pegasus on the nose, invoking her Charnel Touch attack with Inflict Light Wounds
[1d20+5 = (20+5) = 25]
And since he's currently flat-footed, rolling for laijutsu focus
[1d20+4 = (12+4) = 16]
Fuck it. Who needs sleep.
Posey jumps forward with supernatural speed.
She draws an arrow from her quiver and
"Boop."
She teaches out and boops the Pegasus on the nose, invoking her Charnel Touch attack with Inflict Light Wounds
[1d20+5 = (20+5) = 25]
And since he's currently flat-footed, rolling for laijutsu focus
[1d20+4 = (12+4) = 16]
>>168906
"It'll be some time to the next station. Let's go find it," she says, looking at him suspiciously.
"It'll be some time to the next station. Let's go find it," she says, looking at him suspiciously.
>>168907
Nat fucking 20
Rolling damage for inflict Light Wounds (doubled)
[1d8+5 = (2+5) = 7]
And charnel touch
[1d8+1 = (7+1) = 8]
And laijutsu focus
[2d6 = 6]
As a free action as part of her attack, the bones on her armor rattle and she immediately rolls intimidate to Demoralize
[1d20+11 = (8+11) = 19]
Nat fucking 20
Rolling damage for inflict Light Wounds (doubled)
[1d8+5 = (2+5) = 7]
And charnel touch
[1d8+1 = (7+1) = 8]
And laijutsu focus
[2d6 = 6]
As a free action as part of her attack, the bones on her armor rattle and she immediately rolls intimidate to Demoralize
[1d20+11 = (8+11) = 19]
>>168909
28 damage on the first hit, and a 19 to demoralize
I guess that's Posey's surprise round. Rolling for Initiative
[1d20+13 = (10+13) = 23]
>>168910
A skill that samurai use to deal more damage on the first strike in combat.
Posey drew an arrow from her quiver, which counts as a melee weapon since it's treated as a dagger
https://dnd.arkalseif.info/skills/iaijutsu-focus/index.html
Dread Necromancer relies on melee attacks a lot, and has low damage. Posey uses Laijutsu to take advantage of her high charisma to eliminate opponents quickly.
28 damage on the first hit, and a 19 to demoralize
I guess that's Posey's surprise round. Rolling for Initiative
[1d20+13 = (10+13) = 23]
>>168910
A skill that samurai use to deal more damage on the first strike in combat.
Posey drew an arrow from her quiver, which counts as a melee weapon since it's treated as a dagger
https://dnd.arkalseif.info/skills/iaijutsu-focus/index.html
Dread Necromancer relies on melee attacks a lot, and has low damage. Posey uses Laijutsu to take advantage of her high charisma to eliminate opponents quickly.
>>168911
"If you cannot produce your ticket, you will be transferred to the authorities at the next stop," Amber says sternly.
"If you cannot produce your ticket, you will be transferred to the authorities at the next stop," Amber says sternly.
>>168909
>>168910
>>168912
It's a bit simpler than that.
The diamond dog grabs the stallion by his shoulder, and tries to drag him away from the master booper
>>168913
He stares at Amber... with that stare becoming much less confident as the other griffins come behind her
"Okay, okay. I don't have a ticket. Can I buy one?"
>>168910
>>168912
It's a bit simpler than that.
The diamond dog grabs the stallion by his shoulder, and tries to drag him away from the master booper
>>168913
He stares at Amber... with that stare becoming much less confident as the other griffins come behind her
"Okay, okay. I don't have a ticket. Can I buy one?"
>>168914
"It's too late now," Amber says simply. "At the next stop you will have to pay a fine for being a stowaway, and then you might be able to buy a ticket."
"It's too late now," Amber says simply. "At the next stop you will have to pay a fine for being a stowaway, and then you might be able to buy a ticket."
>>168916
Since it's the next round, I would like to boop the stallion diamond dog as well as he attempts to move away.
That depends if he beats me in initiative though. Do I move before he does?
Since it's the next round, I would like to boop the stallion diamond dog as well as he attempts to move away.
That depends if he beats me in initiative though. Do I move before he does?
File (): 640DE57223AFB3A24CF83846B9C3B8AF-836506.png (816.9 KB, 1920x1080, 1882778.png)
>>168919
Then I make an attack of opportunity.
Charnel touch, this time without a spell
[1d20+5 = (18+5) = 23]
And a demoralizing check
[1d20+11 = (13+11) = 24]
Then I make an attack of opportunity.
Charnel touch, this time without a spell
[1d20+5 = (18+5) = 23]
And a demoralizing check
[1d20+11 = (13+11) = 24]
>>168920
Idk what kind of armor he's wearing, but no way he has 24 touch AC if he's trying to escape
[1d8+1 = (3+1) = 4]
Idk what kind of armor he's wearing, but no way he has 24 touch AC if he's trying to escape
[1d8+1 = (3+1) = 4]
>>168920
Opposed,
[1d20+3 = (11+3) = 14]
Please note that while Posey's initial boop was inconspicuous, this battle against the diamond dog is back in the main walkway as he's moved.
Opposed,
[1d20+3 = (11+3) = 14]
Please note that while Posey's initial boop was inconspicuous, this battle against the diamond dog is back in the main walkway as he's moved.
>>168922
Well, charnel touch has no verbal or somatic component, so this only looks like a seemingly-innocent boop.
He should be shaken now.
It's Posey's turn now, but she's used Charnel Touch already, so she's going to make a in melee Slam attack, booping him again, this time not so gently.
[1d20+5 = (19+5) = 24]
And Demoralize as the bones on her armor rattle (gotta love that grotesque Barding)
[1d20+11 = (14+11) = 25]
[1d20+5 = (14+5) = 19]
Well, charnel touch has no verbal or somatic component, so this only looks like a seemingly-innocent boop.
He should be shaken now.
It's Posey's turn now, but she's used Charnel Touch already, so she's going to make a in melee Slam attack, booping him again, this time not so gently.
[1d20+5 = (19+5) = 24]
And Demoralize as the bones on her armor rattle (gotta love that grotesque Barding)
[1d20+11 = (14+11) = 25]
[1d20+5 = (14+5) = 19]
>>168919
Amber groans. This is not what they needed. She looks to her friends to follow, and calmly follows the stowaway. There's no need to run given that it's a dead end.
Amber groans. This is not what they needed. She looks to her friends to follow, and calmly follows the stowaway. There's no need to run given that it's a dead end.
>>168923
Don't know where the second melee roll came from, but I think that hits, so I'll roll the damage
Bludgeoning
[1d6+5 = (6+5) = 11]
And Cold
[1d6 = 6]
Don't know where the second melee roll came from, but I think that hits, so I'll roll the damage
Bludgeoning
[1d6+5 = (6+5) = 11]
And Cold
[1d6 = 6]
>>168924
Well, he's left the car.. then the next car...
Federklied whispers
"So are we getting off at the next station?"
>>168925
>16 damage without use of a spell
I'm starting to get skeptical
The diamond dog draws a knife from presumably an internal pocket on his jacket, and stabs at Posey with it
[1d20+4 = (5+4) = 9]
Well, he's left the car.. then the next car...
Federklied whispers
"So are we getting off at the next station?"
>>168925
>16 damage without use of a spell
I'm starting to get skeptical
The diamond dog draws a knife from presumably an internal pocket on his jacket, and stabs at Posey with it
[1d20+4 = (5+4) = 9]
>>168926
"I think if we do, it would raise too many questions," Amber replies in a low voice. "If we want to avoid suspicion, we should continue on to Hellquill itself."
"I think if we do, it would raise too many questions," Amber replies in a low voice. "If we want to avoid suspicion, we should continue on to Hellquill itself."
>>168927
"True" She says
As the door to the locomotive is locked, and there is no baggage car, there is but one location left for this rapscallion:
The front bathroom.
"True" She says
As the door to the locomotive is locked, and there is no baggage car, there is but one location left for this rapscallion:
The front bathroom.
>>168926
Well, I did start at lvl 3 instead of 5 for this dhampir-strength, so may as well buck some thugs while it's mechanically relevant.
Posey rears up and attacks him with both hooves
She uses her Charnel touch as a primary manufactured weapon (a touch is considered a weapon), and her Slam as a secondary natural attack
[1d20+5 = (15+5) = 20]
[1d20 = 17]
And a demoralize check; this should increase him to panicked
[1d20+11 = (20+11) = 31]
Well, I did start at lvl 3 instead of 5 for this dhampir-strength, so may as well buck some thugs while it's mechanically relevant.
Posey rears up and attacks him with both hooves
She uses her Charnel touch as a primary manufactured weapon (a touch is considered a weapon), and her Slam as a secondary natural attack
[1d20+5 = (15+5) = 20]
[1d20 = 17]
And a demoralize check; this should increase him to panicked
[1d20+11 = (20+11) = 31]
>>168932
"~Oh!" Posey gasps as the dog stabs her in the place where her heart used to be
And then smiles
"~Oh!" Posey gasps as the dog stabs her in the place where her heart used to be
And then smiles
>>168935
Are you going to roll damage?
Posey has DR/2 Magic and Bludgeoning from her Lich Body feature, and immunity to extra damage for crits, being undead
Posey glances down at the knife in her chest, then back to the dog.
"Run." she says coldly
https://m.youtube.com/watch?v=Q7KSZicb6Mc
Rolling intimidate. This time just to coerce, not demoralize.
[1d20+11 = (15+11) = 26]
Are you going to roll damage?
Posey has DR/2 Magic and Bludgeoning from her Lich Body feature, and immunity to extra damage for crits, being undead
Posey glances down at the knife in her chest, then back to the dog.
"Run." she says coldly
https://m.youtube.com/watch?v=Q7KSZicb6Mc
Rolling intimidate. This time just to coerce, not demoralize.
[1d20+11 = (15+11) = 26]
>>168938
I'm definitely not persuaded this is balanced. It's bad enough that Posey has +5 points of luck on every other player
Posey did not know that diamond dogs could run that fast, as he colides with a griffin, stands up, and starts running again.
Mason says to Posey
"We've got to get out ourselves"
>>168939
"Because to buy a ticket, I'd have to present identification." He says
I'm definitely not persuaded this is balanced. It's bad enough that Posey has +5 points of luck on every other player
Posey did not know that diamond dogs could run that fast, as he colides with a griffin, stands up, and starts running again.
Mason says to Posey
"We've got to get out ourselves"
>>168939
"Because to buy a ticket, I'd have to present identification." He says
>>168941
"I may have police looking for me in Griffinhiem..."
He has a large, toothy smile, and his head is low in front of his shoulders.
"I may have police looking for me in Griffinhiem..."
He has a large, toothy smile, and his head is low in front of his shoulders.
>>168940
Posey looks quite pleased with herself, finally getting her fix of violence for the night.
She looks down at the unconscious pegasus, a fine body and a decent sacrifice, but per Mason's heed she realizes he would be too much of a burden to drag with them without standing out, so she follows Mason, abandoning the pegasus to his fate.
And with that, I bid you good night
https://m.youtube.com/watch?v=ZMmvrM9wmkc
A fair assessment, but also consider that a lvl 5 Wizard would have fought that battle using 2nd and 3rd level spells like Glitterdust, Fireball, in or Sleet Storm, or a lvl Fighter with a Greatsword would've done far more melee damage, let alone a Warblade or Crusader. I understand your concerns though. I will revise her sheet per your advice.
Posey looks quite pleased with herself, finally getting her fix of violence for the night.
She looks down at the unconscious pegasus, a fine body and a decent sacrifice, but per Mason's heed she realizes he would be too much of a burden to drag with them without standing out, so she follows Mason, abandoning the pegasus to his fate.
And with that, I bid you good night
https://m.youtube.com/watch?v=ZMmvrM9wmkc
A fair assessment, but also consider that a lvl 5 Wizard would have fought that battle using 2nd and 3rd level spells like Glitterdust, Fireball, in or Sleet Storm, or a lvl Fighter with a Greatsword would've done far more melee damage, let alone a Warblade or Crusader. I understand your concerns though. I will revise her sheet per your advice.
>>168943
no u
"Well, they claim it involved stealing items out of a store as it was shutting down for the low season, but really I think the manager just hated me. Anyways, I'm trying to leave all that behind me."
no u
"Well, they claim it involved stealing items out of a store as it was shutting down for the low season, but really I think the manager just hated me. Anyways, I'm trying to leave all that behind me."
>>168945
Amber sighs once again. He really is just a low-life criminal, but at least he hasn't killed somegriff. Also, with how bureaucratic this land is, she can't risk that turning him in would also expose her and her friends' identities. But she also can't let him know that they're fugitives as well….
Amber replies sternly, "You're beneath our interest, but don't cause any more trouble on this train."
Amber sighs once again. He really is just a low-life criminal, but at least he hasn't killed somegriff. Also, with how bureaucratic this land is, she can't risk that turning him in would also expose her and her friends' identities. But she also can't let him know that they're fugitives as well….
Amber replies sternly, "You're beneath our interest, but don't cause any more trouble on this train."
>>168947
Amber huffs. "Good thing it was still there," she says, loudly enough to be heard by a few passengers. "If you didn't have a ticket, there would have been serious consequences." She leaves the lavatory and resumes her duties.
Amber huffs. "Good thing it was still there," she says, loudly enough to be heard by a few passengers. "If you didn't have a ticket, there would have been serious consequences." She leaves the lavatory and resumes her duties.
>>168949
Well that's not too bad. Hopefully this failed state isn't rife with stowaways and miscreants.
Well that's not too bad. Hopefully this failed state isn't rife with stowaways and miscreants.
File (): 9C0ACC7D8F098E59D525619D11C82DE6-68732.jpg (67.1 KB, 934x499, 408llp.jpg)
>>168950
Hopefully....
Another car, another problem, with a griffin allegedly sleeping. Now has this griffin actually fallen asleep, or do we have another rapscallion on our claws?
Hopefully....
Another car, another problem, with a griffin allegedly sleeping. Now has this griffin actually fallen asleep, or do we have another rapscallion on our claws?
>>168955
She's starting to see what a thankless job this is…
Amber continues to pester the "sleeping" passenger.
She's starting to see what a thankless job this is…
Amber continues to pester the "sleeping" passenger.
>>168958
"Yeah yeah..." He pokes through his jacket pocket, then other jacket pocket, then pants pocket... then other pants pocket...
Nothing.
"Yeah yeah..." He pokes through his jacket pocket, then other jacket pocket, then pants pocket... then other pants pocket...
Nothing.
>>168944
Oh wait, I have Tenser's Floating Disk from spellstitching. I could drag this guy along. He might come in handy later, alive or dead.
>>168940
Posey turns to Mason as she readies to leave.
"Were they friends of yours?" she asks
She put a quizzical amount of emphasis on the word 'friend', as though it's a sort of eldritch art that she hasn't fully wrapped her mind around
Oh wait, I have Tenser's Floating Disk from spellstitching. I could drag this guy along. He might come in handy later, alive or dead.
>>168940
Posey turns to Mason as she readies to leave.
"Were they friends of yours?" she asks
She put a quizzical amount of emphasis on the word 'friend', as though it's a sort of eldritch art that she hasn't fully wrapped her mind around
>>168962
"No." He answers, shaking his head. He's obviously ready to bolt out of there. There are at least three creatures looking her direction, though it's hard to say when they started - it may not have been until after the Diamond Dog fled.
"No." He answers, shaking his head. He's obviously ready to bolt out of there. There are at least three creatures looking her direction, though it's hard to say when they started - it may not have been until after the Diamond Dog fled.
>>168963
"Then let us be off." Posey says, plucking the knife out of her chest, the wound oozing with corrupt black icor... but a trickle of red blood as well? She places the blade in her satchel (removing evidence).
Btw, is the pegasus still alive?
"Then let us be off." Posey says, plucking the knife out of her chest, the wound oozing with corrupt black icor... but a trickle of red blood as well? She places the blade in her satchel (removing evidence).
Btw, is the pegasus still alive?
>>168965
Posey's best guess is yes, but without checking the body it is hard to tell.
Mason is happy to go off with Posey's confirmation.
Posey's best guess is yes, but without checking the body it is hard to tell.
Mason is happy to go off with Posey's confirmation.
>>168960
"Yes, I have it. It's just..."
He's feeling all around. Then in his seat. Then he doesn't seem to have it.
"I have my ticket." He says, coming a little closer to panic. This griffin is heavier, heavier built, and older than the young rapscallion encountered earlier.
"Yes, I have it. It's just..."
He's feeling all around. Then in his seat. Then he doesn't seem to have it.
"I have my ticket." He says, coming a little closer to panic. This griffin is heavier, heavier built, and older than the young rapscallion encountered earlier.
>>168973
The conductor blinks, and is decidedly not in the mood for another train chase. "I'll come back later, please have your ticket by then."
The conductor blinks, and is decidedly not in the mood for another train chase. "I'll come back later, please have your ticket by then."
>>168975
As long as he's not faking it….
Amber is not moving fast regardless, as she checks and punches the tickets of all the other passengers.
As long as he's not faking it….
Amber is not moving fast regardless, as she checks and punches the tickets of all the other passengers.
>>168976
The remainder of this task is thankless, somewhat tedious, but all in all, uneventful, and frankly not worse than most of what she has to do on a daily basis. At least she gets to punch holes through things.
Then Amber feels the train slowing down. She didn't give them permission to slow down. She doesn't feel a turn, and it's too soon for them to be approaching Soldau.
The remainder of this task is thankless, somewhat tedious, but all in all, uneventful, and frankly not worse than most of what she has to do on a daily basis. At least she gets to punch holes through things.
Then Amber feels the train slowing down. She didn't give them permission to slow down. She doesn't feel a turn, and it's too soon for them to be approaching Soldau.
>>168972
Then I'll take him. I won't get many more opportunities like this anytime soon.
"One moment, please."
Posey takes a moment to drag the stallion into the hidden alcove. There, she casts Floating Disk, and telekinetically flops the stallion onto it, before throwing her Cloak over the disk to obscure him.
And with that, she gallops off with Mason, towing her prize with her at full speed.
Then I'll take him. I won't get many more opportunities like this anytime soon.
"One moment, please."
Posey takes a moment to drag the stallion into the hidden alcove. There, she casts Floating Disk, and telekinetically flops the stallion onto it, before throwing her Cloak over the disk to obscure him.
And with that, she gallops off with Mason, towing her prize with her at full speed.
>>168977
For a moment Amber feels sheer panic as she thinks they're approaching the next station, before she had been able to finish or resolve all the problems. When it becomes apparent that's not possible though, she looks out the window and moves up to the engine, where she (hopefully) can unlock the door and ask what is happening.
For a moment Amber feels sheer panic as she thinks they're approaching the next station, before she had been able to finish or resolve all the problems. When it becomes apparent that's not possible though, she looks out the window and moves up to the engine, where she (hopefully) can unlock the door and ask what is happening.
File (): 4C9CAC7C6E5AF52625263D6C47EB8553-8664.jpg (8.5 KB, 474x315, OIP (4).jpg)
>>168982
Having a body under a sheet floated through the air for at least a city block down a road, then up public stairs, then placed in a car that's parked in a public area? What do you think?
>>168981
Amber walks the approximately six car lengths, during which time the train comes almost to a complete stop. Amber finds the Engineer, the old grey griffin, in a somewhat excited state.
"The police called in and have ordered us to stop. I did not have time to wait for your command. They demanded we stop before we crossed the border." He tells Amber
Having a body under a sheet floated through the air for at least a city block down a road, then up public stairs, then placed in a car that's parked in a public area? What do you think?
>>168981
Amber walks the approximately six car lengths, during which time the train comes almost to a complete stop. Amber finds the Engineer, the old grey griffin, in a somewhat excited state.
"The police called in and have ordered us to stop. I did not have time to wait for your command. They demanded we stop before we crossed the border." He tells Amber
>>168984
>>168986
Mason seems content with this choice. Posey doesn't actually know how to get back up, but Mason seems to. He seems a little confused at one point, stopping and looking at doors, before saying "this way" and moving further down, finding a set of stairs, and then coming onto the roadway. He looks around, then to the left. It's less than a block back to the car, still parked there. Mason looks around to make sure he isn't pursued or facing other danger, fumbles with his car keys before unlocking the automobile, and getting in.
>>168986
Mason seems content with this choice. Posey doesn't actually know how to get back up, but Mason seems to. He seems a little confused at one point, stopping and looking at doors, before saying "this way" and moving further down, finding a set of stairs, and then coming onto the roadway. He looks around, then to the left. It's less than a block back to the car, still parked there. Mason looks around to make sure he isn't pursued or facing other danger, fumbles with his car keys before unlocking the automobile, and getting in.
>>168985
He looks back to her, clearly concerned, but less so than Amber. "Is this your first time on the Hellquill line? Our locomotives are fitted with radios. They called in over the radio, telling us to stop immediately."
>>168988
He starts to drive immediately, going straight. The road turns to the left and takes them out of the rows of mixed-use buildings, and into factories and warehouses, sometimes traversed overhead with walkways, pipes, or conveyer belts.
He looks back to her, clearly concerned, but less so than Amber. "Is this your first time on the Hellquill line? Our locomotives are fitted with radios. They called in over the radio, telling us to stop immediately."
>>168988
He starts to drive immediately, going straight. The road turns to the left and takes them out of the rows of mixed-use buildings, and into factories and warehouses, sometimes traversed overhead with walkways, pipes, or conveyer belts.
>>168989
Amber looks down briefly, then back up to stare at him. "Did they give you the identification code?"
Amber looks down briefly, then back up to stare at him. "Did they give you the identification code?"
>>168989
Posey doesn't bother him with smalltalk for a while, instead scanning the area for unexpected obstacles or cars that may be following them. She continues like this until they've gone some distance.
Posey doesn't bother him with smalltalk for a while, instead scanning the area for unexpected obstacles or cars that may be following them. She continues like this until they've gone some distance.
>>168990
He looks to her, raisng an eyebrow
"No..? They've done it before and did not use an identification code. It's from a frequency generally used by the government though."
>>168991
Posey sees no sign that they are followed. There are obstacles like trucks, though these move quickly enough to suggest they are not traps. The only issue Posey may have noticed is they are going the wrong direction.
He looks to her, raisng an eyebrow
"No..? They've done it before and did not use an identification code. It's from a frequency generally used by the government though."
>>168991
Posey sees no sign that they are followed. There are obstacles like trucks, though these move quickly enough to suggest they are not traps. The only issue Posey may have noticed is they are going the wrong direction.
>>168992
>wrong direction
"Um.. the lair is that way...?" Posey says inquisitively, not having mastered the art of automotive magic
>wrong direction
"Um.. the lair is that way...?" Posey says inquisitively, not having mastered the art of automotive magic
>>168992
"Frequencies can be imitated. Bandits have become more bold and clever, learning from Blackrock. A few trains have been ordered to stop and then robbed by bandits pretending to be the authorities. This is why codes have been recently introduced."
Rolling diplomacy: [1d20+4 = (11+4) = 15]
"Frequencies can be imitated. Bandits have become more bold and clever, learning from Blackrock. A few trains have been ordered to stop and then robbed by bandits pretending to be the authorities. This is why codes have been recently introduced."
Rolling diplomacy: [1d20+4 = (11+4) = 15]
>>168993
"Yeah, yeah. I just want to be clear of there. If we go north, we'll probably have one more check point, but we should be fine." He answers, still driving, though if Posey thought they had any likelihood of being ambushed, she'd be uncomfortable with these streets that are more cramped than the ones she left.
>>168994
Bluff. It's called Bluff.
He looks anxious and uncertain. He picks up a receiver, and calls into it.
"This is HB 211. Can you give me the confirmation code. Over."
Response, a few seconds later,
"Confirmation code? This is Germar Grismonde of the Imperial Inquisition. You are to stop the train immediately. There may be fugitives aboard."
"Yeah, yeah. I just want to be clear of there. If we go north, we'll probably have one more check point, but we should be fine." He answers, still driving, though if Posey thought they had any likelihood of being ambushed, she'd be uncomfortable with these streets that are more cramped than the ones she left.
>>168994
Bluff. It's called Bluff.
He looks anxious and uncertain. He picks up a receiver, and calls into it.
"This is HB 211. Can you give me the confirmation code. Over."
Response, a few seconds later,
"Confirmation code? This is Germar Grismonde of the Imperial Inquisition. You are to stop the train immediately. There may be fugitives aboard."
>>168995
"Hmmm, fair point. I'll leave it to you, Mason." Posey says
She takes a moment to recline, counting the spoils of her adventure
"Hmmm, fair point. I'll leave it to you, Mason." Posey says
She takes a moment to recline, counting the spoils of her adventure
>>168995
Amber puts on as serious a demeanor as she can manage while feeling so jittery.
"Look, if he was telling the truth, he won't keep his job long because the blame for not stopping will fall on him. But if we stop and it is indeed bandits–because this is exactly the sort of thing they would try–every single passenger will be robbed or worse. Do you want that weighing on your conscience?"
Amber puts on as serious a demeanor as she can manage while feeling so jittery.
"Look, if he was telling the truth, he won't keep his job long because the blame for not stopping will fall on him. But if we stop and it is indeed bandits–because this is exactly the sort of thing they would try–every single passenger will be robbed or worse. Do you want that weighing on your conscience?"
>>168997
"Are you sure they will always have a confirmation code?" He asks Amber.
But they barely have to wonder. Just ahead, looking out the window (of course through the side, the boiler is in the way directly ahead), they can see the alleged officers. Or at least, the engineer can. The train is almost stopped, though not quite.
"Oh look. They look like they have police uniforms to me." He says
"Are you sure they will always have a confirmation code?" He asks Amber.
But they barely have to wonder. Just ahead, looking out the window (of course through the side, the boiler is in the way directly ahead), they can see the alleged officers. Or at least, the engineer can. The train is almost stopped, though not quite.
"Oh look. They look like they have police uniforms to me." He says
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