Now, on Occupied Equestria: Silver is storming the Ministry building to find a changeling bomb. Posey is making her get away from unknown hostiles after an adventure in the city. Amber is trying desperately to flee the country. All of that, and more
/vx/ - Videogames and Paranormal
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>>169214
Also, just for fun:
While I was exploring churches in Riga I came across this rather small and inconspicuous one (Saint Jacobs). Looking the chapel at the end of the left isle, I saw right in the corner, with no plate, no plaque signifying anything, and no explanation, a view port into an ossuary. It was just there. I've never seen anything quite like that before.
Also, just for fun:
While I was exploring churches in Riga I came across this rather small and inconspicuous one (Saint Jacobs). Looking the chapel at the end of the left isle, I saw right in the corner, with no plate, no plaque signifying anything, and no explanation, a view port into an ossuary. It was just there. I've never seen anything quite like that before.
>>169216
Posey wants to fight. She's been released from her chains and is eager to test the limits of her strength and expand her powers. She wants to see what these ponies are made of and what it will take to conquer them. Her entropic nature makes her crave the feeling of snuffing out the light of living. She wants to eliminate any notable enemies of the Dread League and revel in their slaughter, any any other obstacles to her mission.
Posey wants to learn, to become a master in her art. As an Apprentice, she's still bound to her master, but once she's grown her powers to a sufficient point (lvl 5-8) she'll be truly free to operate as she wishes. She was excited to come to Equestria to study its rich tradition of magic so that she may expand her own knowledge. She wants to practice her hexes, study ancient ruins, slay monsters, sacrifice prisoners, collect cadavers, unravel ancient riddles and otherwise contribute to her art.
Posey wants to work, or plunder, to fulfill her mission, and also to launder funds for her magic (which isn't free), as well as to tithe to her master. She came up with a legitimate working title because she figured there's always work for a Necromancer where there's war, as restless dead are a constant menace in high-magic settings full of bloodshed. She's tasked with establishing hold on Equestria, so she's going to need to seek out lairs in which to base her operations. She's also gained an acute interest in upgrading her wardrobe and wants some fashionable jewelry (gold, Silver is bad for her skin) to accentuate her charms.
Posey wants to explore. This country is vast and diverse. She's interested in what magic and monsters it might have. She wants to see what these ponies have to The mention of Voodoo practitioners in the swamp would be a topic of interest, in addition to any other undead activity.
Posey wants to dote on her so-called son, Gloomy. Gloomy is an aspiring Soulbinder, and has a tendency to be influenced and enraptured by a variety of spirits. She wants to comfort him, shower him with gifts, and oversee the development of his powers. Gloomy would make for a decent apprentice when Posey surpasses her master, and if not, well, he'd make an excellent Slaymate.
But most of all, Posey wants to conquer. As a representative of the League, she sees herself ruling over this region when the Dread League brings the world to its knees. She wants to forge political connections and recruit allies of the league and find thralls who support her out of respect or fear. She wants infiltrate leadership to exploit the weaknesses of the regime. She wants to amass military might, especially in the form of buried bodies waiting for their trigger to emerge for war.
But for me, I just want to go on an adventure, really any semi-standard adventure. If it involves undead and/or can contribute to any of Posey's goals, that's a plus, but I'm not picky so long as it's an adventure.
Maybe something a bit more fantastic than knocking on the doors of and talking to Arab-coded hyenas though. No offense, but that one was rather uneventful considering it took more than a week to get through it. I'm still all for urban/modern adventure though.
Posey wants to fight. She's been released from her chains and is eager to test the limits of her strength and expand her powers. She wants to see what these ponies are made of and what it will take to conquer them. Her entropic nature makes her crave the feeling of snuffing out the light of living. She wants to eliminate any notable enemies of the Dread League and revel in their slaughter, any any other obstacles to her mission.
Posey wants to learn, to become a master in her art. As an Apprentice, she's still bound to her master, but once she's grown her powers to a sufficient point (lvl 5-8) she'll be truly free to operate as she wishes. She was excited to come to Equestria to study its rich tradition of magic so that she may expand her own knowledge. She wants to practice her hexes, study ancient ruins, slay monsters, sacrifice prisoners, collect cadavers, unravel ancient riddles and otherwise contribute to her art.
Posey wants to work, or plunder, to fulfill her mission, and also to launder funds for her magic (which isn't free), as well as to tithe to her master. She came up with a legitimate working title because she figured there's always work for a Necromancer where there's war, as restless dead are a constant menace in high-magic settings full of bloodshed. She's tasked with establishing hold on Equestria, so she's going to need to seek out lairs in which to base her operations. She's also gained an acute interest in upgrading her wardrobe and wants some fashionable jewelry (gold, Silver is bad for her skin) to accentuate her charms.
Posey wants to explore. This country is vast and diverse. She's interested in what magic and monsters it might have. She wants to see what these ponies have to The mention of Voodoo practitioners in the swamp would be a topic of interest, in addition to any other undead activity.
Posey wants to dote on her so-called son, Gloomy. Gloomy is an aspiring Soulbinder, and has a tendency to be influenced and enraptured by a variety of spirits. She wants to comfort him, shower him with gifts, and oversee the development of his powers. Gloomy would make for a decent apprentice when Posey surpasses her master, and if not, well, he'd make an excellent Slaymate.
But most of all, Posey wants to conquer. As a representative of the League, she sees herself ruling over this region when the Dread League brings the world to its knees. She wants to forge political connections and recruit allies of the league and find thralls who support her out of respect or fear. She wants infiltrate leadership to exploit the weaknesses of the regime. She wants to amass military might, especially in the form of buried bodies waiting for their trigger to emerge for war.
But for me, I just want to go on an adventure, really any semi-standard adventure. If it involves undead and/or can contribute to any of Posey's goals, that's a plus, but I'm not picky so long as it's an adventure.
Maybe something a bit more fantastic than knocking on the doors of and talking to Arab-coded hyenas though. No offense, but that one was rather uneventful considering it took more than a week to get through it. I'm still all for urban/modern adventure though.
>>169217
That's really cool. It would make for an excellent dungeon, exactly the kind that Posey would like to explore.
That's really cool. It would make for an excellent dungeon, exactly the kind that Posey would like to explore.
>>169221
Anyone specific? Rival mage circles? Vampire-hunters? Arcturian Paladins? Mafia rings? Smugglers who didn't pay their cut?
Could also go out into the swamp and see what the Voodoo Zebras are doing.
Or go to the local adventure bulletin (if there is such a thing) and see if there's any ghoul-clearances or ghostbusting to be done for hire.
Anyone specific? Rival mage circles? Vampire-hunters? Arcturian Paladins? Mafia rings? Smugglers who didn't pay their cut?
Could also go out into the swamp and see what the Voodoo Zebras are doing.
Or go to the local adventure bulletin (if there is such a thing) and see if there's any ghoul-clearances or ghostbusting to be done for hire.
I could go out into the front lines of the war or no-man's land and wreak havok on whoever gets in my way of stealing corpses.
>>169220
Doable.
>>169222
Every one of those is a possibility
>>169223
The war has moved on from Baltimare, although basically everywhere used to be a frontline, and there were more wars in the past. Going to the actual front line is possible but
would require travel.
>>169218
scrunch
It was intended to be more eventful than that, it just didn't spark
Doable.
>>169222
Every one of those is a possibility
>>169223
The war has moved on from Baltimare, although basically everywhere used to be a frontline, and there were more wars in the past. Going to the actual front line is possible but
would require travel.
>>169218
scrunch
It was intended to be more eventful than that, it just didn't spark
>>169225
But seriously, the hyena quest was supposed to include more locations and far, far, far more fighting. The triggers just didn't occur.
But seriously, the hyena quest was supposed to include more locations and far, far, far more fighting. The triggers just didn't occur.
Can Posey try to activate or identify the Mask or the Totem?
>>169226
Yeah, I figured, but I didn't really know what I was supposed to do there. I thought that since they were potential allies, I had no reason to attack them directly without cause.
I guess I could always revisit it if the plot hook arises
>>169226
Yeah, I figured, but I didn't really know what I was supposed to do there. I thought that since they were potential allies, I had no reason to attack them directly without cause.
I guess I could always revisit it if the plot hook arises
>>169227
May as well start with the obvious dialogue
Lament speaks:
"Mason tells me you encountered several unfriendly fellows in the underground?"
May as well start with the obvious dialogue
Lament speaks:
"Mason tells me you encountered several unfriendly fellows in the underground?"
>>169230
Posey halts and turns
"Oh, we did indeed. They didn't put up very much of a fight though. Just a couple taps to the nose and they were helpless."
She shakes her head a bit
"I would have liked to interrogate one, but we were in a hurry to leave."
Posey halts and turns
"Oh, we did indeed. They didn't put up very much of a fight though. Just a couple taps to the nose and they were helpless."
She shakes her head a bit
"I would have liked to interrogate one, but we were in a hurry to leave."
>>169231
"I don't think they were expecting such a fight. They must have mistook Mason for an underling of, well, an associate of mine. A competitor in business, if you will. They certainly would not have known who you were."
"I don't think they were expecting such a fight. They must have mistook Mason for an underling of, well, an associate of mine. A competitor in business, if you will. They certainly would not have known who you were."
>>169233
"Within their respective line of work. Mind you, this associate is not an esotericism, nor are they. It's all non-magical. Mostly. You see, my associate, and they, would offer services that were not necessarily strictly legal, and would try to monopolize those services. It's business competition."
"Within their respective line of work. Mind you, this associate is not an esotericism, nor are they. It's all non-magical. Mostly. You see, my associate, and they, would offer services that were not necessarily strictly legal, and would try to monopolize those services. It's business competition."
>>169234
Posey gives a bit of a knowing nod
"Hmmm, smugglers, information peddlers, kidnappers, thieves. Every true artist needs a reliable supplier. Without supplies for our works, where would we be?"
She tosses her mane
"After all, artwork like this has quite the upkeep."
By her tone, it is unclear if she's referring to herself, or to her magic, or if there's a difference between the two.
>monopolize
>competition
"Daring are they? I can admire their will to conquer, but those two silly grunts their forces, they'll need to do better much better than that."
Posey gives a bit of a knowing nod
"Hmmm, smugglers, information peddlers, kidnappers, thieves. Every true artist needs a reliable supplier. Without supplies for our works, where would we be?"
She tosses her mane
"After all, artwork like this has quite the upkeep."
By her tone, it is unclear if she's referring to herself, or to her magic, or if there's a difference between the two.
>monopolize
>competition
"Daring are they? I can admire their will to conquer, but those two silly grunts their forces, they'll need to do better much better than that."
>>169235
Lament seems to take the mildest of offense to the first part of Posey's statement
"Yes, I suppose..."
And after a pause, he replies to the last.
"Mason tells me you took out their leader before he had time to get to his gun. They were not expecting a fight. If they were, they would not likely have let you gain the first move."
Lament seems to take the mildest of offense to the first part of Posey's statement
"Yes, I suppose..."
And after a pause, he replies to the last.
"Mason tells me you took out their leader before he had time to get to his gun. They were not expecting a fight. If they were, they would not likely have let you gain the first move."
>>169236
"Yes, yes I did. A tap to the snoot was all it took. He never knew what hit him." Posey replies with a giggle
She pantomimes the gesture reaching out her hoof to brutally boop an invisible foe
"The element of surprise is important. Back on the front of the Arcturian lines, the first strike often decides the battle, so the element of surprise is key." She reminisces.
"Yes, yes I did. A tap to the snoot was all it took. He never knew what hit him." Posey replies with a giggle
She pantomimes the gesture reaching out her hoof to brutally boop an invisible foe
"The element of surprise is important. Back on the front of the Arcturian lines, the first strike often decides the battle, so the element of surprise is key." She reminisces.
She continues
"I would have liked to take him back with me, or at least a piece of him, but time was of the essence." she shrugs
"I would have liked to take him back with me, or at least a piece of him, but time was of the essence." she shrugs
>>169237
"Yes, as it is everywhere. The police tend to hope you comply, and if you don't, that their weaponry will be enough. The military is much the same, except that they always wait to position themselves such that their force will be overwhelming before they attack. Everyone else - rebels, simple criminals, and these business ponies you've encountered, whom the newspapers and the mayor refer to as the "waterfront gang," - they will attack by first strike. So always be aware of your surroundings."
>>169238
"That was the safer choice, likely. But now they know that Mason will sometimes walk with a powerful sorceress - a white mare with a bright red mane."
"Yes, as it is everywhere. The police tend to hope you comply, and if you don't, that their weaponry will be enough. The military is much the same, except that they always wait to position themselves such that their force will be overwhelming before they attack. Everyone else - rebels, simple criminals, and these business ponies you've encountered, whom the newspapers and the mayor refer to as the "waterfront gang," - they will attack by first strike. So always be aware of your surroundings."
>>169238
"That was the safer choice, likely. But now they know that Mason will sometimes walk with a powerful sorceress - a white mare with a bright red mane."
>>169239
"Thus is the nature of war."
>now they know
Posey gives a shrug, then tilts her head downward shaking it in slight regret
"I guess it can't be helped now. I'm sure they're recounting tales of nasal trauma now. Perhaps they'll think twice before they get too close next time."
"Thus is the nature of war."
>now they know
Posey gives a shrug, then tilts her head downward shaking it in slight regret
"I guess it can't be helped now. I'm sure they're recounting tales of nasal trauma now. Perhaps they'll think twice before they get too close next time."
>>169240
Lament nods his head
“Perhaps they will. My associate seems to have been swept up in the customs raid. Their monopoly is secured. They won’t have much reason to harass you or Mason again. At least, until you give them reason.”
Lament nods his head
“Perhaps they will. My associate seems to have been swept up in the customs raid. Their monopoly is secured. They won’t have much reason to harass you or Mason again. At least, until you give them reason.”
>>169242
“In the days of the Princesses, it was the police who conducted the raids. But really, this has always been a danger to our kind, causing great damage, or sometimes, just a little damage, every now and then. It’s a large part of why our art is not to be known by the general public.”
“In the days of the Princesses, it was the police who conducted the raids. But really, this has always been a danger to our kind, causing great damage, or sometimes, just a little damage, every now and then. It’s a large part of why our art is not to be known by the general public.”
>>169243
"Yes, yes, I'm quite aware of the dangers of this line of work and the need for secrecy. I'm under covert operations, and I didn't come all this way just to get thrown on some cremation pyre."
"Yes, yes, I'm quite aware of the dangers of this line of work and the need for secrecy. I'm under covert operations, and I didn't come all this way just to get thrown on some cremation pyre."
>>169244
The Totem is designed to be a kind of connector between the spiritual realm and the material realm. It is intended to at best, summon, and at least, allow communication. It is activated by verbal invitation.
The mask is more mysterious. For certain, it is divination, though what insights it may show is a bit hard to guess. It is activated by a material component, burned and breathed through the nostrils of the mask.
The Totem is designed to be a kind of connector between the spiritual realm and the material realm. It is intended to at best, summon, and at least, allow communication. It is activated by verbal invitation.
The mask is more mysterious. For certain, it is divination, though what insights it may show is a bit hard to guess. It is activated by a material component, burned and breathed through the nostrils of the mask.
>>169246
Welcome back to America.
>activated by verbal invitation
Is the command word visible on the item?
Welcome back to America.
>activated by verbal invitation
Is the command word visible on the item?
>>169250
I'm going to go ahead and make my first roll now.
Posey levitates the totem and mutters some gibberish, squinting at the device
"Yankee hotel foxtrot"
[1d20+7 = (11+7) = 18]
I hope it's not consumable, because if so this might be a bad idea.
I'm going to go ahead and make my first roll now.
Posey levitates the totem and mutters some gibberish, squinting at the device
"Yankee hotel foxtrot"
[1d20+7 = (11+7) = 18]
I hope it's not consumable, because if so this might be a bad idea.
>>169253
Well, I'll either have to find the grave of its maker and use Speak With Dead to answer questions, or just keep rolling to activate blindly.
I'll make a few more rolls. If I roll a I need to roll 18 (modified 25) or higher to succeed. If I roll an 8 or lower, I suffer a mishap. If I roll a 1, I can't try again for 24 hours.
A mishap could waste the item... but it might conjure something interesting, like a Shoosuva, so that might be fun.
Posey repeats her word salad in rapid succession.
[10d20 = 82]
Well, I'll either have to find the grave of its maker and use Speak With Dead to answer questions, or just keep rolling to activate blindly.
I'll make a few more rolls. If I roll a I need to roll 18 (modified 25) or higher to succeed. If I roll an 8 or lower, I suffer a mishap. If I roll a 1, I can't try again for 24 hours.
A mishap could waste the item... but it might conjure something interesting, like a Shoosuva, so that might be fun.
Posey repeats her word salad in rapid succession.
[10d20 = 82]
>>169254
Darn it
[1d20+7 = (8+7) = 15]
[1d20+7 = (17+7) = 24]
[1d20+7 = (8+7) = 15]
[1d20+7 = (11+7) = 18]
[1d20+7 = (20+7) = 27]
[1d20+7 = (12+7) = 19]
[1d20+7 = (6+7) = 13]
[1d20+7 = (20+7) = 27]
[1d20+7 = (4+7) = 11]
[1d20+7 = (10+7) = 17]
[1d20+7 = (6+7) = 13]
[1d20+7 = (9+7) = 16]
Darn it
[1d20+7 = (8+7) = 15]
[1d20+7 = (17+7) = 24]
[1d20+7 = (8+7) = 15]
[1d20+7 = (11+7) = 18]
[1d20+7 = (20+7) = 27]
[1d20+7 = (12+7) = 19]
[1d20+7 = (6+7) = 13]
[1d20+7 = (20+7) = 27]
[1d20+7 = (4+7) = 11]
[1d20+7 = (10+7) = 17]
[1d20+7 = (6+7) = 13]
[1d20+7 = (9+7) = 16]
>>169255
>mishap on the first roll
"Oh, fu-!"
Well, I guess I'll roll damage for it, on top of whatever consequences it may have.
[2d6 = 5]
>mishap on the first roll
"Oh, fu-!"
Well, I guess I'll roll damage for it, on top of whatever consequences it may have.
[2d6 = 5]
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Necrobump
>>169276
Posey needs to use a spell versatility gimmick to create a lvl 3 slot, so she'll need to rest before she can try that.
Wounded, Posey heals her damage with Charnel Touch before going on to check on Gloomy.
Posey needs to use a spell versatility gimmick to create a lvl 3 slot, so she'll need to rest before she can try that.
Wounded, Posey heals her damage with Charnel Touch before going on to check on Gloomy.
>>169277
>level 3 slot
what
Posey's injuries are light, and thus not hard to heal.
Unless Gloomy found something to do inside the cottage, he is either asleep, or playing outside.
>level 3 slot
what
Posey's injuries are light, and thus not hard to heal.
Unless Gloomy found something to do inside the cottage, he is either asleep, or playing outside.
>>169279
>what
A gimmick that I'm not even sure if Posey can do. I need to check the books, but I'll probably just have to wait until Posey levels sufficiently.
Gloomy would be in bed, since he's had a long day/week, and he'd be drained. He has frequent nightmares, but he still knows better than to go out at night when his mother isn't present (because where he's from, literal vampires, zombies, ghouls and witches are always waiting to snatch up unattended foals who leave the room without mommy). Posey would be going to check on him and make sure he's adjusting well to the new environment, and see to it that he hasn't been possessed or whatnot.
Speaking of, I should make a statblock for him soon.
By the way, while Posey is still walking about the mansion, she may as well check and see what Low Rain does at this time of night, if she's awake.
>what
A gimmick that I'm not even sure if Posey can do. I need to check the books, but I'll probably just have to wait until Posey levels sufficiently.
Gloomy would be in bed, since he's had a long day/week, and he'd be drained. He has frequent nightmares, but he still knows better than to go out at night when his mother isn't present (because where he's from, literal vampires, zombies, ghouls and witches are always waiting to snatch up unattended foals who leave the room without mommy). Posey would be going to check on him and make sure he's adjusting well to the new environment, and see to it that he hasn't been possessed or whatnot.
Speaking of, I should make a statblock for him soon.
By the way, while Posey is still walking about the mansion, she may as well check and see what Low Rain does at this time of night, if she's awake.
>>169280
>Gloomy will not go outside, for fear he will be eaten
Good foal. He's been educated well.
Looking around the manor, Posey does not see Day Low Rain anywhere. Mason, too, does not seem to be present. Posey locates Lament, who has of course moved by this point, speaking to a unicorn mare in a long room that occupies the southeast corner of the house (right, and away from the entrance). This room is a combination study/library, with many book shelves, windows, a globe, a desk at the end by the corner, and two parlor sofas. Lament is sitting with the mare at a sofa. They seem to be talking. Whether the book that is open on the table next to them is related to the conversation is unknown. The mare is a young unicorn with a flaxen yellow coat, and a light pink, almost peach colored mane tied up in a pair of balls behind her head. She is wearing a golden chain around her neck, and a rather long dress that is white with blue patterns that imitate, but do not precisely represent, the shape of flowers. Lament actually does not have his wine, nor a cigarillo with him in this room.
>Gloomy will not go outside, for fear he will be eaten
Good foal. He's been educated well.
Looking around the manor, Posey does not see Day Low Rain anywhere. Mason, too, does not seem to be present. Posey locates Lament, who has of course moved by this point, speaking to a unicorn mare in a long room that occupies the southeast corner of the house (right, and away from the entrance). This room is a combination study/library, with many book shelves, windows, a globe, a desk at the end by the corner, and two parlor sofas. Lament is sitting with the mare at a sofa. They seem to be talking. Whether the book that is open on the table next to them is related to the conversation is unknown. The mare is a young unicorn with a flaxen yellow coat, and a light pink, almost peach colored mane tied up in a pair of balls behind her head. She is wearing a golden chain around her neck, and a rather long dress that is white with blue patterns that imitate, but do not precisely represent, the shape of flowers. Lament actually does not have his wine, nor a cigarillo with him in this room.
>>169283
How long has it exactly been since Posey stopped speaking with them? Posey thought nopony was visiting tonight.
Well, time to eavesdrop
Sneaking check
[1d20+9 = (9+9) = 18]
And Listen check
[1d20+5 = (17+5) = 22]
How long has it exactly been since Posey stopped speaking with them? Posey thought nopony was visiting tonight.
Well, time to eavesdrop
Sneaking check
[1d20+9 = (9+9) = 18]
And Listen check
[1d20+5 = (17+5) = 22]
>>169284
Posey crouches like a wolf and slightly listens in, neither breath nor heartbeat coming from her as she lurks in the shadows.
Her ears swivel keenly, like those of a bat.
Posey crouches like a wolf and slightly listens in, neither breath nor heartbeat coming from her as she lurks in the shadows.
Her ears swivel keenly, like those of a bat.
>>169284
Well, Posey went to try to brute force the fetish and perhaps went to Gloomy, so there is some time at least.
Posey can't get too close, lest she alert them. The two speak at a relatively low volume, with the mare especially bordering on a whisper. Posey can't hear every single individual word. All the same, she can hear enough to understand what is being said and what the conversation is about.
Lament seems to be attempting a romantic relationship with her, with the broader context concerning open dating between the two or potentially a marriage proposal. This is, however, only the wider context. The content of the conversation centers on the mare's father. The mare's father is evidently the owner of a set of factories in Baltimare, who was important new money some years ago, but had fallen on bad times, with the serious danger of bankruptcy recently. Evidently with contracts with the military and some new shift of power against organized labor, the father is able to make money again and avoid serious financial difficulties... But at a price. Her family is now not invited into some social circles, and there was an incident of a head of cabbage being thrown by a worker at her mother's car. This social isolation has put stress on the family as a whole, and her mother is depressed, which of course concerns the mare greatly. There is a bit of talk about other families, and the wider interrelationships among the Baltimare elite. Other families that were more successful seem to have moved to canterlot.
This loops back into the situation between the two in that the father does not seem to like Lament much, and prefers her daughter take a different, specific suitor. The daughter seems to have some ability to ignore her father's wishes, but really doesn't want to, given how stressed the family already is. Adding to all of this is the general uncertainty of the future of Baltimare. The mare seems to be contemplating asking the family to sell and move away inland, while Lament says that the father simply needs to keep doing what he's been doing. When the family has money again, the father will not be stressed, her mother will recover, and she and Lament could have a life together.
The tone of the conversation is rather solemn, with the mare especially taking a sadder tone, with Lament more reassuring. Lament does attempt a joke and laughter at about two points, however.
Well, Posey went to try to brute force the fetish and perhaps went to Gloomy, so there is some time at least.
Posey can't get too close, lest she alert them. The two speak at a relatively low volume, with the mare especially bordering on a whisper. Posey can't hear every single individual word. All the same, she can hear enough to understand what is being said and what the conversation is about.
Lament seems to be attempting a romantic relationship with her, with the broader context concerning open dating between the two or potentially a marriage proposal. This is, however, only the wider context. The content of the conversation centers on the mare's father. The mare's father is evidently the owner of a set of factories in Baltimare, who was important new money some years ago, but had fallen on bad times, with the serious danger of bankruptcy recently. Evidently with contracts with the military and some new shift of power against organized labor, the father is able to make money again and avoid serious financial difficulties... But at a price. Her family is now not invited into some social circles, and there was an incident of a head of cabbage being thrown by a worker at her mother's car. This social isolation has put stress on the family as a whole, and her mother is depressed, which of course concerns the mare greatly. There is a bit of talk about other families, and the wider interrelationships among the Baltimare elite. Other families that were more successful seem to have moved to canterlot.
This loops back into the situation between the two in that the father does not seem to like Lament much, and prefers her daughter take a different, specific suitor. The daughter seems to have some ability to ignore her father's wishes, but really doesn't want to, given how stressed the family already is. Adding to all of this is the general uncertainty of the future of Baltimare. The mare seems to be contemplating asking the family to sell and move away inland, while Lament says that the father simply needs to keep doing what he's been doing. When the family has money again, the father will not be stressed, her mother will recover, and she and Lament could have a life together.
The tone of the conversation is rather solemn, with the mare especially taking a sadder tone, with Lament more reassuring. Lament does attempt a joke and laughter at about two points, however.
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