Now, on Occupied Equestria: Silver is storming the Ministry building to find a changeling bomb. Posey is making her get away from unknown hostiles after an adventure in the city. Amber is trying desperately to flee the country. All of that, and more
/vx/ - Videogames and Paranormal
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1045 replies and 67 files omitted.
>>169124
Amber can see that this is a yellow feathered, spectacled griffin in a blue uniform. He attacks over clawed.
[1d20+1 = (19+1) = 20]
Amber can see that this is a yellow feathered, spectacled griffin in a blue uniform. He attacks over clawed.
[1d20+1 = (19+1) = 20]
>>169129
He exhaled heavily, clearly hurt. Nevertheless, he hurls his crowbar against her once more.
[1d20+1 = (12+1) = 13]
He exhaled heavily, clearly hurt. Nevertheless, he hurls his crowbar against her once more.
[1d20+1 = (12+1) = 13]
>>169132
Nope.
https://youtu.be/kdMKfxINvYY?feature=shared
Amber can see that this griffin is not alone. Another, restricted by the confined spaces, is looking to enter.
And he attacks again.
[1d20+1 = (19+1) = 20]
Nope.
https://youtu.be/kdMKfxINvYY?feature=shared
Amber can see that this griffin is not alone. Another, restricted by the confined spaces, is looking to enter.
And he attacks again.
[1d20+1 = (19+1) = 20]
>>169133
This is not turning out well. Amber is starting to wish she was a great griffon warrior instead of a decrepit violinist. But there's no choice but to fight.
[1d20+2 = (15+2) = 17]
This is not turning out well. Amber is starting to wish she was a great griffon warrior instead of a decrepit violinist. But there's no choice but to fight.
[1d20+2 = (15+2) = 17]
>>169137
Amber has her first major breakthrough as the griffin in the blue and black uniform of the imperial police is hit upside the jaw, stumbles back, then moves even further back as if he is going to fall off of the train entirely, is then pushed forth back into the carriage by unseen forces, and collapses onto his stomach right there in the entryway, slightly to the left.
But then Amber sees the other griffin in a beige coat start to make a move inside. But first,
BANG
Amber hears the sound of what is presumably a warning shot, fired by the same, beige coated griffin, just outside of the carriage.
Amber has her first major breakthrough as the griffin in the blue and black uniform of the imperial police is hit upside the jaw, stumbles back, then moves even further back as if he is going to fall off of the train entirely, is then pushed forth back into the carriage by unseen forces, and collapses onto his stomach right there in the entryway, slightly to the left.
But then Amber sees the other griffin in a beige coat start to make a move inside. But first,
BANG
Amber hears the sound of what is presumably a warning shot, fired by the same, beige coated griffin, just outside of the carriage.
>>169138
Well this isn't good. Clearly this first bandit was just a hapless "lackey" and the ones behind are much bigger threats, actually armed. Her first thought is to run to the next carriage to get away from them, but the obvious problem is that it's a long, straight corridor where she would certainly be shot in the back. Amber's only option is to cower where she is and desperately fight to the end.
Well this isn't good. Clearly this first bandit was just a hapless "lackey" and the ones behind are much bigger threats, actually armed. Her first thought is to run to the next carriage to get away from them, but the obvious problem is that it's a long, straight corridor where she would certainly be shot in the back. Amber's only option is to cower where she is and desperately fight to the end.
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>>169141
The griffin tries to move through, pointing the gun slightly ahead. But Amber swings her wrench, and knocks the gun clear out of the griffin’s claws.
The griffin tries to move through, pointing the gun slightly ahead. But Amber swings her wrench, and knocks the gun clear out of the griffin’s claws.
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>>169106
>>169107
Posey returns a few minutes later.
She's stowed her satchel, cloak and armor, but instead of a regular tasteful nude, she's donned a simple but elegant inky black dress, with some red trimming. It clovers most of her body. It's not too fancy, but not too plain either. Evidently one of the few articles of clothing she brought with her on her voyage.
"Mageholders do have their sense of fashion too, but despite our looks the coven prefer function over fashion. The Magelords of The Society love their bone imagery, as its a testament to their power, even if it does little functionally. The vampire lords of The Coven always look well-dressed, but they're far more simple minded than you think."
She gives a twirl
"To the Lords of the Coven, every aspect of life, fashion included, revolves around the thirst for blood. Dressing well helps them close distance with valuable noble thralls. You might have noticed that they have a preference for black suits and inky dresses, like this one; the reason for that is because it doesn't stain easily, and makes it all the easier to go unnoticed when splattered in blood, as it's easy to lose control with so much young blood at a party." she gives a chuckle
"It's almost funny how they go about it. Some of the lowbloods might go wearing the same raggedy torn suits for half a century, withered carnations and all, so desperate for blood that they're practically animals. Highbloods sometimes wear white, to make a statement of how clean they are and how easily they can feed without spilling their food. Of course, for those with pale coats like myself, it hardly makes a difference." she puffs out her chest a bit, and gives a bit of a coy smirk
>>169108
What class is Amber anyway? I haven't seen her use any special abilities or feats.
>>169107
Posey returns a few minutes later.
She's stowed her satchel, cloak and armor, but instead of a regular tasteful nude, she's donned a simple but elegant inky black dress, with some red trimming. It clovers most of her body. It's not too fancy, but not too plain either. Evidently one of the few articles of clothing she brought with her on her voyage.
"Mageholders do have their sense of fashion too, but despite our looks the coven prefer function over fashion. The Magelords of The Society love their bone imagery, as its a testament to their power, even if it does little functionally. The vampire lords of The Coven always look well-dressed, but they're far more simple minded than you think."
She gives a twirl
"To the Lords of the Coven, every aspect of life, fashion included, revolves around the thirst for blood. Dressing well helps them close distance with valuable noble thralls. You might have noticed that they have a preference for black suits and inky dresses, like this one; the reason for that is because it doesn't stain easily, and makes it all the easier to go unnoticed when splattered in blood, as it's easy to lose control with so much young blood at a party." she gives a chuckle
"It's almost funny how they go about it. Some of the lowbloods might go wearing the same raggedy torn suits for half a century, withered carnations and all, so desperate for blood that they're practically animals. Highbloods sometimes wear white, to make a statement of how clean they are and how easily they can feed without spilling their food. Of course, for those with pale coats like myself, it hardly makes a difference." she puffs out her chest a bit, and gives a bit of a coy smirk
>>169108
What class is Amber anyway? I haven't seen her use any special abilities or feats.
>>169148
>she's not a particularly good one
She should be lvl 5-6 as a Bard, right? Bards are powerful. Solid tier 3 class, like Dread Necromancer.
What spells does she know?
Considering her name, she could make for a good Heartfire Fanner: decent prestige class for Bards.
>she's not a particularly good one
She should be lvl 5-6 as a Bard, right? Bards are powerful. Solid tier 3 class, like Dread Necromancer.
What spells does she know?
Considering her name, she could make for a good Heartfire Fanner: decent prestige class for Bards.
>>169147
By the time Posey returns, Lament is now standing, closer to the foyer, in formal attire. He’s composed, and apparently has been talking to Mason. His expression is a little more serious than his standard. When Posey comes in, he gives her his full attention, staring at her with a guarded expression, evidently examining her dress and general appearance.
“I see…” is his only response.
Mason looks at her in complete silence, and a mistral expression that hooks slightly down in a frown. He is wearing his fedora indoors.
>>169148
The griffin gets its claws almost over Amber’s, but by the time she’s got it, he backs off, moving slightly away. He looks Amber in the eyes with an intense expression. His eyes are a steel color between grey and blue. He has a brown trilby hat similar in color to his beige coat. His plumage is a fuller yellow, around about the color of brass.
He moves back. Then a step back. Then another, and through the door, he extends his wings, and jumps off, thrusting his wings down a few times before catching the passing air and gliding away.
By the time Posey returns, Lament is now standing, closer to the foyer, in formal attire. He’s composed, and apparently has been talking to Mason. His expression is a little more serious than his standard. When Posey comes in, he gives her his full attention, staring at her with a guarded expression, evidently examining her dress and general appearance.
“I see…” is his only response.
Mason looks at her in complete silence, and a mistral expression that hooks slightly down in a frown. He is wearing his fedora indoors.
>>169148
The griffin gets its claws almost over Amber’s, but by the time she’s got it, he backs off, moving slightly away. He looks Amber in the eyes with an intense expression. His eyes are a steel color between grey and blue. He has a brown trilby hat similar in color to his beige coat. His plumage is a fuller yellow, around about the color of brass.
He moves back. Then a step back. Then another, and through the door, he extends his wings, and jumps off, thrusting his wings down a few times before catching the passing air and gliding away.
>>169150
Posey notices this change in behavior.
I would like to roll Sense Motive, to read the room
[1d20+2 = (7+2) = 9]
Posey notices this change in behavior.
I would like to roll Sense Motive, to read the room
[1d20+2 = (7+2) = 9]
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Character sheet
Name: Avi-ant Goldenrothbergkramerstein
Race: Griffin.
Class: Merchant
Skills: Shilling, Money laundrying, Renting, Unionization, Building casinos and brothels, and deception.
Level: 6million goy!
Backstory: Avi-ant is just another poor poor refuge comming to Baltimare for a new chance of life. All he wants to do is settle somewhere and live in peace but sadly he's prosecuted by racist ponies everywhere. :'c
Nice to see that this thread is still chugging along. ^^
Name: Avi-ant Goldenrothbergkramerstein
Race: Griffin.
Class: Merchant
Skills: Shilling, Money laundrying, Renting, Unionization, Building casinos and brothels, and deception.
Level: 6million goy!
Backstory: Avi-ant is just another poor poor refuge comming to Baltimare for a new chance of life. All he wants to do is settle somewhere and live in peace but sadly he's prosecuted by racist ponies everywhere. :'c
Nice to see that this thread is still chugging along. ^^
>>169150
Amber does not stop the griffon or shoot after him, perhaps due to not seeing him as a threat, perhaps wanting to not waste ammunition, or perhaps out of a reluctance to take another's life. When the intruder is gone, she makes sure there isn't anyone else at the end of the car, then looks for a way to restrain the unconscious foe. If there isn't any rope she will just have to stuff him in the vestibule. She'll then need to bar this rear entry to prevent any more ambushes.
>>169149
Level 0: Mending, lullaby, resistance, detect magic, know direction, read magic,
Level 1: Charm person, expeditious retreat, lesser confusion, remove fear
Level 2: Rage, calm emotions, suggestion
I haven't actually had an opportunity to really use these spells, both because of a lack of need and also because Amber doesn't really know her capabilities. Bards are good all-rounders though with a nice variety of skills.
Amber does not stop the griffon or shoot after him, perhaps due to not seeing him as a threat, perhaps wanting to not waste ammunition, or perhaps out of a reluctance to take another's life. When the intruder is gone, she makes sure there isn't anyone else at the end of the car, then looks for a way to restrain the unconscious foe. If there isn't any rope she will just have to stuff him in the vestibule. She'll then need to bar this rear entry to prevent any more ambushes.
>>169149
Level 0: Mending, lullaby, resistance, detect magic, know direction, read magic,
Level 1: Charm person, expeditious retreat, lesser confusion, remove fear
Level 2: Rage, calm emotions, suggestion
I haven't actually had an opportunity to really use these spells, both because of a lack of need and also because Amber doesn't really know her capabilities. Bards are good all-rounders though with a nice variety of skills.
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>>169156
Hi!
>>169155
It's Mason's turn to take a drink out of a flask, this one taken from an internal pocket in his vest
>>169157
Amber really has a triple problem here. One, tying up the (hopefully still) unconscious officer. Second, securing the rear door, which has been severely damaged, and also is vulnerable to future intruders. And finally, calming the passengers, who have just seen Amber beat unconscious a griffin dressed in what everyone in the car can recognize as an Imperial police officer's uniform.
It's less than a minute until Federkleid and Erich enter, followed closely behind by Helder
Federkleid has her pistol out.
"What is going on here?"
Hi!
>>169155
It's Mason's turn to take a drink out of a flask, this one taken from an internal pocket in his vest
>>169157
Amber really has a triple problem here. One, tying up the (hopefully still) unconscious officer. Second, securing the rear door, which has been severely damaged, and also is vulnerable to future intruders. And finally, calming the passengers, who have just seen Amber beat unconscious a griffin dressed in what everyone in the car can recognize as an Imperial police officer's uniform.
It's less than a minute until Federkleid and Erich enter, followed closely behind by Helder
Federkleid has her pistol out.
"What is going on here?"
>>169157
Kind of odd to get to lvl 5 ("Hero Of The Realm" tier) without knowing your capabilities, but whatever floats your boat.
Would be fun to do an adventure together sometime.
Kind of odd to get to lvl 5 ("Hero Of The Realm" tier) without knowing your capabilities, but whatever floats your boat.
Would be fun to do an adventure together sometime.
>>169158
Cute!
"The Inq–er, bandits tried to break through here," Amber exclaims, still looking disheveled and breathing heavily from the confrontation. "I conked one out, and grabbed the other's gun–he flew away. We just need to secure this ruffian, then make sure no griffon can get in here again. I'll calm down the passengers; it shouldn't be too long to Hellquill now anyway."
>>169160
This is my first DnD campaign, so I'm none-too-familiar with all the spells. We also start out at level 5 by default, and I haven't had an opportunity to use the spells much anyway.
Cute!
"The Inq–er, bandits tried to break through here," Amber exclaims, still looking disheveled and breathing heavily from the confrontation. "I conked one out, and grabbed the other's gun–he flew away. We just need to secure this ruffian, then make sure no griffon can get in here again. I'll calm down the passengers; it shouldn't be too long to Hellquill now anyway."
>>169160
This is my first DnD campaign, so I'm none-too-familiar with all the spells. We also start out at level 5 by default, and I haven't had an opportunity to use the spells much anyway.
>>169161
The passengers are staring at the two, clearly concerned. Helder and Erich are immediately behind Federkleid, and only the narrow passage down the coach prevents them from overtaking her.
Federkleid moves up towards the end of the railcar, to the downed policegriff and the jammed open door. She tries to close the door, while Helder moves to the officer.
"It's not going to close" she says after a failed attempt. "I hope they stop at the border. We need to go."
>>169155
>>169159
>>169162
"Alright alright" Lament says
"It looks decent."
The passengers are staring at the two, clearly concerned. Helder and Erich are immediately behind Federkleid, and only the narrow passage down the coach prevents them from overtaking her.
Federkleid moves up towards the end of the railcar, to the downed policegriff and the jammed open door. She tries to close the door, while Helder moves to the officer.
"It's not going to close" she says after a failed attempt. "I hope they stop at the border. We need to go."
>>169155
>>169159
>>169162
"Alright alright" Lament says
"It looks decent."
>>169202
"I tried closing it. See about barring it with something."
Amber turns to the passengers. "This is merely a precaution to ensure your safety. We'll arrive at the station likely with no further incident."
"I tried closing it. See about barring it with something."
Amber turns to the passengers. "This is merely a precaution to ensure your safety. We'll arrive at the station likely with no further incident."
>>169202
I feel a bit confused. Are Lament and Mason waiting for something, or will they just stand around all night, not talking?
Posey did agree to "relax a little", but this is a little awkward.
I feel a bit confused. Are Lament and Mason waiting for something, or will they just stand around all night, not talking?
Posey did agree to "relax a little", but this is a little awkward.
>>169204
https://www.youtube.com/watch?v=zXpFznXb_vI
Erich moves in, picks up the crowbar, and then tries jamming it into the door.
https://www.youtube.com/watch?v=zXpFznXb_vI
Erich moves in, picks up the crowbar, and then tries jamming it into the door.
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>>169208
Oh, so that's how it is.
Well, I think I'll make things interesting and decide to make some use of Posey's Charming Gaze, taking a page out of Glimglam's friendship textbook. Since it's a supernatural ability, Posey can attempt it inconspicuously; a little perk of having vampire lineage.
Usually Posey would prefer to use Intimidation and fear spells to lower the wills of her victims before attempting to charm them, but considering the circumstances, she'll just look them in the eye, one after another.
The Will DC to resist being charmed is 17.
Should one be charmed but not the other, and the Sense Motive DC to notice that they're charmed is 25.
Oh, so that's how it is.
Well, I think I'll make things interesting and decide to make some use of Posey's Charming Gaze, taking a page out of Glimglam's friendship textbook. Since it's a supernatural ability, Posey can attempt it inconspicuously; a little perk of having vampire lineage.
Usually Posey would prefer to use Intimidation and fear spells to lower the wills of her victims before attempting to charm them, but considering the circumstances, she'll just look them in the eye, one after another.
The Will DC to resist being charmed is 17.
Should one be charmed but not the other, and the Sense Motive DC to notice that they're charmed is 25.
>>169209
There is a clacking sound as the train moves over a stone bridge that traverses a small rivulet. Through the windows, the thinned-out forests of pine and deciduous trees that have typified the Imperial District are replaced by great, thick masses of amber leaves that stretch across the low hills parallel to track. On the top of one of these hills are a few stones and the remains of a large set of burned-out logs that must surely have once belonged to a structure.
Helder stares out the window.
"We've crossed the border..." He says at a low volume, and likely shedding a tear.
But near Amber, she can see the captive stir and moan.
There is a clacking sound as the train moves over a stone bridge that traverses a small rivulet. Through the windows, the thinned-out forests of pine and deciduous trees that have typified the Imperial District are replaced by great, thick masses of amber leaves that stretch across the low hills parallel to track. On the top of one of these hills are a few stones and the remains of a large set of burned-out logs that must surely have once belonged to a structure.
Helder stares out the window.
"We've crossed the border..." He says at a low volume, and likely shedding a tear.
But near Amber, she can see the captive stir and moan.
>>169213
Well, that was worth a shot.
Posey blinks finally; her own nose scrunches slightly.
"....WELL... If there's no business left to discuss tonight, I think I will retire to my chambers to tend to my.. son. Tantabus likes to visit Gloomy in the night, and he might have some troubles adjusting to the new environment." Posey says, turning on her hooves
"So if you'll excuse me, I'll be on my way."
She slowly trots out of the room
Well, that was worth a shot.
Posey blinks finally; her own nose scrunches slightly.
"....WELL... If there's no business left to discuss tonight, I think I will retire to my chambers to tend to my.. son. Tantabus likes to visit Gloomy in the night, and he might have some troubles adjusting to the new environment." Posey says, turning on her hooves
"So if you'll excuse me, I'll be on my way."
She slowly trots out of the room
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>>169214
Also, just for fun:
While I was exploring churches in Riga I came across this rather small and inconspicuous one (Saint Jacobs). Looking the chapel at the end of the left isle, I saw right in the corner, with no plate, no plaque signifying anything, and no explanation, a view port into an ossuary. It was just there. I've never seen anything quite like that before.
Also, just for fun:
While I was exploring churches in Riga I came across this rather small and inconspicuous one (Saint Jacobs). Looking the chapel at the end of the left isle, I saw right in the corner, with no plate, no plaque signifying anything, and no explanation, a view port into an ossuary. It was just there. I've never seen anything quite like that before.
>>169216
Posey wants to fight. She's been released from her chains and is eager to test the limits of her strength and expand her powers. She wants to see what these ponies are made of and what it will take to conquer them. Her entropic nature makes her crave the feeling of snuffing out the light of living. She wants to eliminate any notable enemies of the Dread League and revel in their slaughter, any any other obstacles to her mission.
Posey wants to learn, to become a master in her art. As an Apprentice, she's still bound to her master, but once she's grown her powers to a sufficient point (lvl 5-8) she'll be truly free to operate as she wishes. She was excited to come to Equestria to study its rich tradition of magic so that she may expand her own knowledge. She wants to practice her hexes, study ancient ruins, slay monsters, sacrifice prisoners, collect cadavers, unravel ancient riddles and otherwise contribute to her art.
Posey wants to work, or plunder, to fulfill her mission, and also to launder funds for her magic (which isn't free), as well as to tithe to her master. She came up with a legitimate working title because she figured there's always work for a Necromancer where there's war, as restless dead are a constant menace in high-magic settings full of bloodshed. She's tasked with establishing hold on Equestria, so she's going to need to seek out lairs in which to base her operations. She's also gained an acute interest in upgrading her wardrobe and wants some fashionable jewelry (gold, Silver is bad for her skin) to accentuate her charms.
Posey wants to explore. This country is vast and diverse. She's interested in what magic and monsters it might have. She wants to see what these ponies have to The mention of Voodoo practitioners in the swamp would be a topic of interest, in addition to any other undead activity.
Posey wants to dote on her so-called son, Gloomy. Gloomy is an aspiring Soulbinder, and has a tendency to be influenced and enraptured by a variety of spirits. She wants to comfort him, shower him with gifts, and oversee the development of his powers. Gloomy would make for a decent apprentice when Posey surpasses her master, and if not, well, he'd make an excellent Slaymate.
But most of all, Posey wants to conquer. As a representative of the League, she sees herself ruling over this region when the Dread League brings the world to its knees. She wants to forge political connections and recruit allies of the league and find thralls who support her out of respect or fear. She wants infiltrate leadership to exploit the weaknesses of the regime. She wants to amass military might, especially in the form of buried bodies waiting for their trigger to emerge for war.
But for me, I just want to go on an adventure, really any semi-standard adventure. If it involves undead and/or can contribute to any of Posey's goals, that's a plus, but I'm not picky so long as it's an adventure.
Maybe something a bit more fantastic than knocking on the doors of and talking to Arab-coded hyenas though. No offense, but that one was rather uneventful considering it took more than a week to get through it. I'm still all for urban/modern adventure though.
Posey wants to fight. She's been released from her chains and is eager to test the limits of her strength and expand her powers. She wants to see what these ponies are made of and what it will take to conquer them. Her entropic nature makes her crave the feeling of snuffing out the light of living. She wants to eliminate any notable enemies of the Dread League and revel in their slaughter, any any other obstacles to her mission.
Posey wants to learn, to become a master in her art. As an Apprentice, she's still bound to her master, but once she's grown her powers to a sufficient point (lvl 5-8) she'll be truly free to operate as she wishes. She was excited to come to Equestria to study its rich tradition of magic so that she may expand her own knowledge. She wants to practice her hexes, study ancient ruins, slay monsters, sacrifice prisoners, collect cadavers, unravel ancient riddles and otherwise contribute to her art.
Posey wants to work, or plunder, to fulfill her mission, and also to launder funds for her magic (which isn't free), as well as to tithe to her master. She came up with a legitimate working title because she figured there's always work for a Necromancer where there's war, as restless dead are a constant menace in high-magic settings full of bloodshed. She's tasked with establishing hold on Equestria, so she's going to need to seek out lairs in which to base her operations. She's also gained an acute interest in upgrading her wardrobe and wants some fashionable jewelry (gold, Silver is bad for her skin) to accentuate her charms.
Posey wants to explore. This country is vast and diverse. She's interested in what magic and monsters it might have. She wants to see what these ponies have to The mention of Voodoo practitioners in the swamp would be a topic of interest, in addition to any other undead activity.
Posey wants to dote on her so-called son, Gloomy. Gloomy is an aspiring Soulbinder, and has a tendency to be influenced and enraptured by a variety of spirits. She wants to comfort him, shower him with gifts, and oversee the development of his powers. Gloomy would make for a decent apprentice when Posey surpasses her master, and if not, well, he'd make an excellent Slaymate.
But most of all, Posey wants to conquer. As a representative of the League, she sees herself ruling over this region when the Dread League brings the world to its knees. She wants to forge political connections and recruit allies of the league and find thralls who support her out of respect or fear. She wants infiltrate leadership to exploit the weaknesses of the regime. She wants to amass military might, especially in the form of buried bodies waiting for their trigger to emerge for war.
But for me, I just want to go on an adventure, really any semi-standard adventure. If it involves undead and/or can contribute to any of Posey's goals, that's a plus, but I'm not picky so long as it's an adventure.
Maybe something a bit more fantastic than knocking on the doors of and talking to Arab-coded hyenas though. No offense, but that one was rather uneventful considering it took more than a week to get through it. I'm still all for urban/modern adventure though.
>>169217
That's really cool. It would make for an excellent dungeon, exactly the kind that Posey would like to explore.
That's really cool. It would make for an excellent dungeon, exactly the kind that Posey would like to explore.
>>169221
Anyone specific? Rival mage circles? Vampire-hunters? Arcturian Paladins? Mafia rings? Smugglers who didn't pay their cut?
Could also go out into the swamp and see what the Voodoo Zebras are doing.
Or go to the local adventure bulletin (if there is such a thing) and see if there's any ghoul-clearances or ghostbusting to be done for hire.
Anyone specific? Rival mage circles? Vampire-hunters? Arcturian Paladins? Mafia rings? Smugglers who didn't pay their cut?
Could also go out into the swamp and see what the Voodoo Zebras are doing.
Or go to the local adventure bulletin (if there is such a thing) and see if there's any ghoul-clearances or ghostbusting to be done for hire.
I could go out into the front lines of the war or no-man's land and wreak havok on whoever gets in my way of stealing corpses.
>>169220
Doable.
>>169222
Every one of those is a possibility
>>169223
The war has moved on from Baltimare, although basically everywhere used to be a frontline, and there were more wars in the past. Going to the actual front line is possible but
would require travel.
>>169218
scrunch
It was intended to be more eventful than that, it just didn't spark
Doable.
>>169222
Every one of those is a possibility
>>169223
The war has moved on from Baltimare, although basically everywhere used to be a frontline, and there were more wars in the past. Going to the actual front line is possible but
would require travel.
>>169218
scrunch
It was intended to be more eventful than that, it just didn't spark
>>169225
But seriously, the hyena quest was supposed to include more locations and far, far, far more fighting. The triggers just didn't occur.
But seriously, the hyena quest was supposed to include more locations and far, far, far more fighting. The triggers just didn't occur.
Can Posey try to activate or identify the Mask or the Totem?
>>169226
Yeah, I figured, but I didn't really know what I was supposed to do there. I thought that since they were potential allies, I had no reason to attack them directly without cause.
I guess I could always revisit it if the plot hook arises
>>169226
Yeah, I figured, but I didn't really know what I was supposed to do there. I thought that since they were potential allies, I had no reason to attack them directly without cause.
I guess I could always revisit it if the plot hook arises
>>169227
May as well start with the obvious dialogue
Lament speaks:
"Mason tells me you encountered several unfriendly fellows in the underground?"
May as well start with the obvious dialogue
Lament speaks:
"Mason tells me you encountered several unfriendly fellows in the underground?"
>>169230
Posey halts and turns
"Oh, we did indeed. They didn't put up very much of a fight though. Just a couple taps to the nose and they were helpless."
She shakes her head a bit
"I would have liked to interrogate one, but we were in a hurry to leave."
Posey halts and turns
"Oh, we did indeed. They didn't put up very much of a fight though. Just a couple taps to the nose and they were helpless."
She shakes her head a bit
"I would have liked to interrogate one, but we were in a hurry to leave."
>>169231
"I don't think they were expecting such a fight. They must have mistook Mason for an underling of, well, an associate of mine. A competitor in business, if you will. They certainly would not have known who you were."
"I don't think they were expecting such a fight. They must have mistook Mason for an underling of, well, an associate of mine. A competitor in business, if you will. They certainly would not have known who you were."
>>169233
"Within their respective line of work. Mind you, this associate is not an esotericism, nor are they. It's all non-magical. Mostly. You see, my associate, and they, would offer services that were not necessarily strictly legal, and would try to monopolize those services. It's business competition."
"Within their respective line of work. Mind you, this associate is not an esotericism, nor are they. It's all non-magical. Mostly. You see, my associate, and they, would offer services that were not necessarily strictly legal, and would try to monopolize those services. It's business competition."
>>169234
Posey gives a bit of a knowing nod
"Hmmm, smugglers, information peddlers, kidnappers, thieves. Every true artist needs a reliable supplier. Without supplies for our works, where would we be?"
She tosses her mane
"After all, artwork like this has quite the upkeep."
By her tone, it is unclear if she's referring to herself, or to her magic, or if there's a difference between the two.
>monopolize
>competition
"Daring are they? I can admire their will to conquer, but those two silly grunts their forces, they'll need to do better much better than that."
Posey gives a bit of a knowing nod
"Hmmm, smugglers, information peddlers, kidnappers, thieves. Every true artist needs a reliable supplier. Without supplies for our works, where would we be?"
She tosses her mane
"After all, artwork like this has quite the upkeep."
By her tone, it is unclear if she's referring to herself, or to her magic, or if there's a difference between the two.
>monopolize
>competition
"Daring are they? I can admire their will to conquer, but those two silly grunts their forces, they'll need to do better much better than that."
>>169235
Lament seems to take the mildest of offense to the first part of Posey's statement
"Yes, I suppose..."
And after a pause, he replies to the last.
"Mason tells me you took out their leader before he had time to get to his gun. They were not expecting a fight. If they were, they would not likely have let you gain the first move."
Lament seems to take the mildest of offense to the first part of Posey's statement
"Yes, I suppose..."
And after a pause, he replies to the last.
"Mason tells me you took out their leader before he had time to get to his gun. They were not expecting a fight. If they were, they would not likely have let you gain the first move."
>>169236
"Yes, yes I did. A tap to the snoot was all it took. He never knew what hit him." Posey replies with a giggle
She pantomimes the gesture reaching out her hoof to brutally boop an invisible foe
"The element of surprise is important. Back on the front of the Arcturian lines, the first strike often decides the battle, so the element of surprise is key." She reminisces.
"Yes, yes I did. A tap to the snoot was all it took. He never knew what hit him." Posey replies with a giggle
She pantomimes the gesture reaching out her hoof to brutally boop an invisible foe
"The element of surprise is important. Back on the front of the Arcturian lines, the first strike often decides the battle, so the element of surprise is key." She reminisces.
She continues
"I would have liked to take him back with me, or at least a piece of him, but time was of the essence." she shrugs
"I would have liked to take him back with me, or at least a piece of him, but time was of the essence." she shrugs
>>169237
"Yes, as it is everywhere. The police tend to hope you comply, and if you don't, that their weaponry will be enough. The military is much the same, except that they always wait to position themselves such that their force will be overwhelming before they attack. Everyone else - rebels, simple criminals, and these business ponies you've encountered, whom the newspapers and the mayor refer to as the "waterfront gang," - they will attack by first strike. So always be aware of your surroundings."
>>169238
"That was the safer choice, likely. But now they know that Mason will sometimes walk with a powerful sorceress - a white mare with a bright red mane."
"Yes, as it is everywhere. The police tend to hope you comply, and if you don't, that their weaponry will be enough. The military is much the same, except that they always wait to position themselves such that their force will be overwhelming before they attack. Everyone else - rebels, simple criminals, and these business ponies you've encountered, whom the newspapers and the mayor refer to as the "waterfront gang," - they will attack by first strike. So always be aware of your surroundings."
>>169238
"That was the safer choice, likely. But now they know that Mason will sometimes walk with a powerful sorceress - a white mare with a bright red mane."
>>169239
"Thus is the nature of war."
>now they know
Posey gives a shrug, then tilts her head downward shaking it in slight regret
"I guess it can't be helped now. I'm sure they're recounting tales of nasal trauma now. Perhaps they'll think twice before they get too close next time."
"Thus is the nature of war."
>now they know
Posey gives a shrug, then tilts her head downward shaking it in slight regret
"I guess it can't be helped now. I'm sure they're recounting tales of nasal trauma now. Perhaps they'll think twice before they get too close next time."
>>169240
Lament nods his head
“Perhaps they will. My associate seems to have been swept up in the customs raid. Their monopoly is secured. They won’t have much reason to harass you or Mason again. At least, until you give them reason.”
Lament nods his head
“Perhaps they will. My associate seems to have been swept up in the customs raid. Their monopoly is secured. They won’t have much reason to harass you or Mason again. At least, until you give them reason.”
>>169242
“In the days of the Princesses, it was the police who conducted the raids. But really, this has always been a danger to our kind, causing great damage, or sometimes, just a little damage, every now and then. It’s a large part of why our art is not to be known by the general public.”
“In the days of the Princesses, it was the police who conducted the raids. But really, this has always been a danger to our kind, causing great damage, or sometimes, just a little damage, every now and then. It’s a large part of why our art is not to be known by the general public.”
>>169243
"Yes, yes, I'm quite aware of the dangers of this line of work and the need for secrecy. I'm under covert operations, and I didn't come all this way just to get thrown on some cremation pyre."
"Yes, yes, I'm quite aware of the dangers of this line of work and the need for secrecy. I'm under covert operations, and I didn't come all this way just to get thrown on some cremation pyre."
>>169244
The Totem is designed to be a kind of connector between the spiritual realm and the material realm. It is intended to at best, summon, and at least, allow communication. It is activated by verbal invitation.
The mask is more mysterious. For certain, it is divination, though what insights it may show is a bit hard to guess. It is activated by a material component, burned and breathed through the nostrils of the mask.
The Totem is designed to be a kind of connector between the spiritual realm and the material realm. It is intended to at best, summon, and at least, allow communication. It is activated by verbal invitation.
The mask is more mysterious. For certain, it is divination, though what insights it may show is a bit hard to guess. It is activated by a material component, burned and breathed through the nostrils of the mask.
>>169246
Welcome back to America.
>activated by verbal invitation
Is the command word visible on the item?
Welcome back to America.
>activated by verbal invitation
Is the command word visible on the item?
>>169250
I'm going to go ahead and make my first roll now.
Posey levitates the totem and mutters some gibberish, squinting at the device
"Yankee hotel foxtrot"
[1d20+7 = (11+7) = 18]
I hope it's not consumable, because if so this might be a bad idea.
I'm going to go ahead and make my first roll now.
Posey levitates the totem and mutters some gibberish, squinting at the device
"Yankee hotel foxtrot"
[1d20+7 = (11+7) = 18]
I hope it's not consumable, because if so this might be a bad idea.
>>169253
Well, I'll either have to find the grave of its maker and use Speak With Dead to answer questions, or just keep rolling to activate blindly.
I'll make a few more rolls. If I roll a I need to roll 18 (modified 25) or higher to succeed. If I roll an 8 or lower, I suffer a mishap. If I roll a 1, I can't try again for 24 hours.
A mishap could waste the item... but it might conjure something interesting, like a Shoosuva, so that might be fun.
Posey repeats her word salad in rapid succession.
[10d20 = 82]
Well, I'll either have to find the grave of its maker and use Speak With Dead to answer questions, or just keep rolling to activate blindly.
I'll make a few more rolls. If I roll a I need to roll 18 (modified 25) or higher to succeed. If I roll an 8 or lower, I suffer a mishap. If I roll a 1, I can't try again for 24 hours.
A mishap could waste the item... but it might conjure something interesting, like a Shoosuva, so that might be fun.
Posey repeats her word salad in rapid succession.
[10d20 = 82]
>>169254
Darn it
[1d20+7 = (8+7) = 15]
[1d20+7 = (17+7) = 24]
[1d20+7 = (8+7) = 15]
[1d20+7 = (11+7) = 18]
[1d20+7 = (20+7) = 27]
[1d20+7 = (12+7) = 19]
[1d20+7 = (6+7) = 13]
[1d20+7 = (20+7) = 27]
[1d20+7 = (4+7) = 11]
[1d20+7 = (10+7) = 17]
[1d20+7 = (6+7) = 13]
[1d20+7 = (9+7) = 16]
Darn it
[1d20+7 = (8+7) = 15]
[1d20+7 = (17+7) = 24]
[1d20+7 = (8+7) = 15]
[1d20+7 = (11+7) = 18]
[1d20+7 = (20+7) = 27]
[1d20+7 = (12+7) = 19]
[1d20+7 = (6+7) = 13]
[1d20+7 = (20+7) = 27]
[1d20+7 = (4+7) = 11]
[1d20+7 = (10+7) = 17]
[1d20+7 = (6+7) = 13]
[1d20+7 = (9+7) = 16]
>>169255
>mishap on the first roll
"Oh, fu-!"
Well, I guess I'll roll damage for it, on top of whatever consequences it may have.
[2d6 = 5]
>mishap on the first roll
"Oh, fu-!"
Well, I guess I'll roll damage for it, on top of whatever consequences it may have.
[2d6 = 5]
File (): 7C27365D0743405D5BF516788916AB57-680473.jpg (664.5 KB, 2160x2644, il_fullxfull.1897752437_ppo5.jpg)
Necrobump
>>169276
Posey needs to use a spell versatility gimmick to create a lvl 3 slot, so she'll need to rest before she can try that.
Wounded, Posey heals her damage with Charnel Touch before going on to check on Gloomy.
Posey needs to use a spell versatility gimmick to create a lvl 3 slot, so she'll need to rest before she can try that.
Wounded, Posey heals her damage with Charnel Touch before going on to check on Gloomy.
>>169277
>level 3 slot
what
Posey's injuries are light, and thus not hard to heal.
Unless Gloomy found something to do inside the cottage, he is either asleep, or playing outside.
>level 3 slot
what
Posey's injuries are light, and thus not hard to heal.
Unless Gloomy found something to do inside the cottage, he is either asleep, or playing outside.
>>169279
>what
A gimmick that I'm not even sure if Posey can do. I need to check the books, but I'll probably just have to wait until Posey levels sufficiently.
Gloomy would be in bed, since he's had a long day/week, and he'd be drained. He has frequent nightmares, but he still knows better than to go out at night when his mother isn't present (because where he's from, literal vampires, zombies, ghouls and witches are always waiting to snatch up unattended foals who leave the room without mommy). Posey would be going to check on him and make sure he's adjusting well to the new environment, and see to it that he hasn't been possessed or whatnot.
Speaking of, I should make a statblock for him soon.
By the way, while Posey is still walking about the mansion, she may as well check and see what Low Rain does at this time of night, if she's awake.
>what
A gimmick that I'm not even sure if Posey can do. I need to check the books, but I'll probably just have to wait until Posey levels sufficiently.
Gloomy would be in bed, since he's had a long day/week, and he'd be drained. He has frequent nightmares, but he still knows better than to go out at night when his mother isn't present (because where he's from, literal vampires, zombies, ghouls and witches are always waiting to snatch up unattended foals who leave the room without mommy). Posey would be going to check on him and make sure he's adjusting well to the new environment, and see to it that he hasn't been possessed or whatnot.
Speaking of, I should make a statblock for him soon.
By the way, while Posey is still walking about the mansion, she may as well check and see what Low Rain does at this time of night, if she's awake.
>>169280
>Gloomy will not go outside, for fear he will be eaten
Good foal. He's been educated well.
Looking around the manor, Posey does not see Day Low Rain anywhere. Mason, too, does not seem to be present. Posey locates Lament, who has of course moved by this point, speaking to a unicorn mare in a long room that occupies the southeast corner of the house (right, and away from the entrance). This room is a combination study/library, with many book shelves, windows, a globe, a desk at the end by the corner, and two parlor sofas. Lament is sitting with the mare at a sofa. They seem to be talking. Whether the book that is open on the table next to them is related to the conversation is unknown. The mare is a young unicorn with a flaxen yellow coat, and a light pink, almost peach colored mane tied up in a pair of balls behind her head. She is wearing a golden chain around her neck, and a rather long dress that is white with blue patterns that imitate, but do not precisely represent, the shape of flowers. Lament actually does not have his wine, nor a cigarillo with him in this room.
>Gloomy will not go outside, for fear he will be eaten
Good foal. He's been educated well.
Looking around the manor, Posey does not see Day Low Rain anywhere. Mason, too, does not seem to be present. Posey locates Lament, who has of course moved by this point, speaking to a unicorn mare in a long room that occupies the southeast corner of the house (right, and away from the entrance). This room is a combination study/library, with many book shelves, windows, a globe, a desk at the end by the corner, and two parlor sofas. Lament is sitting with the mare at a sofa. They seem to be talking. Whether the book that is open on the table next to them is related to the conversation is unknown. The mare is a young unicorn with a flaxen yellow coat, and a light pink, almost peach colored mane tied up in a pair of balls behind her head. She is wearing a golden chain around her neck, and a rather long dress that is white with blue patterns that imitate, but do not precisely represent, the shape of flowers. Lament actually does not have his wine, nor a cigarillo with him in this room.
>>169283
How long has it exactly been since Posey stopped speaking with them? Posey thought nopony was visiting tonight.
Well, time to eavesdrop
Sneaking check
[1d20+9 = (9+9) = 18]
And Listen check
[1d20+5 = (17+5) = 22]
How long has it exactly been since Posey stopped speaking with them? Posey thought nopony was visiting tonight.
Well, time to eavesdrop
Sneaking check
[1d20+9 = (9+9) = 18]
And Listen check
[1d20+5 = (17+5) = 22]
>>169284
Posey crouches like a wolf and slightly listens in, neither breath nor heartbeat coming from her as she lurks in the shadows.
Her ears swivel keenly, like those of a bat.
Posey crouches like a wolf and slightly listens in, neither breath nor heartbeat coming from her as she lurks in the shadows.
Her ears swivel keenly, like those of a bat.
>>169284
Well, Posey went to try to brute force the fetish and perhaps went to Gloomy, so there is some time at least.
Posey can't get too close, lest she alert them. The two speak at a relatively low volume, with the mare especially bordering on a whisper. Posey can't hear every single individual word. All the same, she can hear enough to understand what is being said and what the conversation is about.
Lament seems to be attempting a romantic relationship with her, with the broader context concerning open dating between the two or potentially a marriage proposal. This is, however, only the wider context. The content of the conversation centers on the mare's father. The mare's father is evidently the owner of a set of factories in Baltimare, who was important new money some years ago, but had fallen on bad times, with the serious danger of bankruptcy recently. Evidently with contracts with the military and some new shift of power against organized labor, the father is able to make money again and avoid serious financial difficulties... But at a price. Her family is now not invited into some social circles, and there was an incident of a head of cabbage being thrown by a worker at her mother's car. This social isolation has put stress on the family as a whole, and her mother is depressed, which of course concerns the mare greatly. There is a bit of talk about other families, and the wider interrelationships among the Baltimare elite. Other families that were more successful seem to have moved to canterlot.
This loops back into the situation between the two in that the father does not seem to like Lament much, and prefers her daughter take a different, specific suitor. The daughter seems to have some ability to ignore her father's wishes, but really doesn't want to, given how stressed the family already is. Adding to all of this is the general uncertainty of the future of Baltimare. The mare seems to be contemplating asking the family to sell and move away inland, while Lament says that the father simply needs to keep doing what he's been doing. When the family has money again, the father will not be stressed, her mother will recover, and she and Lament could have a life together.
The tone of the conversation is rather solemn, with the mare especially taking a sadder tone, with Lament more reassuring. Lament does attempt a joke and laughter at about two points, however.
Well, Posey went to try to brute force the fetish and perhaps went to Gloomy, so there is some time at least.
Posey can't get too close, lest she alert them. The two speak at a relatively low volume, with the mare especially bordering on a whisper. Posey can't hear every single individual word. All the same, she can hear enough to understand what is being said and what the conversation is about.
Lament seems to be attempting a romantic relationship with her, with the broader context concerning open dating between the two or potentially a marriage proposal. This is, however, only the wider context. The content of the conversation centers on the mare's father. The mare's father is evidently the owner of a set of factories in Baltimare, who was important new money some years ago, but had fallen on bad times, with the serious danger of bankruptcy recently. Evidently with contracts with the military and some new shift of power against organized labor, the father is able to make money again and avoid serious financial difficulties... But at a price. Her family is now not invited into some social circles, and there was an incident of a head of cabbage being thrown by a worker at her mother's car. This social isolation has put stress on the family as a whole, and her mother is depressed, which of course concerns the mare greatly. There is a bit of talk about other families, and the wider interrelationships among the Baltimare elite. Other families that were more successful seem to have moved to canterlot.
This loops back into the situation between the two in that the father does not seem to like Lament much, and prefers her daughter take a different, specific suitor. The daughter seems to have some ability to ignore her father's wishes, but really doesn't want to, given how stressed the family already is. Adding to all of this is the general uncertainty of the future of Baltimare. The mare seems to be contemplating asking the family to sell and move away inland, while Lament says that the father simply needs to keep doing what he's been doing. When the family has money again, the father will not be stressed, her mother will recover, and she and Lament could have a life together.
The tone of the conversation is rather solemn, with the mare especially taking a sadder tone, with Lament more reassuring. Lament does attempt a joke and laughter at about two points, however.
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