Throwing my two cents in.>tldr: it's calling (((them))) out. More accurately it's another one of their peers playing a pissing match. Sent their messenger to the US. And was returned damaged. All part of the game they play. The price of the goyim is owed to the jew that 'owns' them for damaging it.
The gate / arch way, and the arch way within arches is important (framing for technical beauty, and more importantly recursively). Despite how regular and normal that is. It's a way of entering or exiting something. Once the camera enters this decaying dark world there is no going back. Jumping ahead there is a street with all the cars there, with their doors open. No sign of the place the camera entered from.
A spiders web is... really on the nose. That's extremely in your face for what they like to do.
Figure in the dark background sitting. As a symbol of the spider, or as one being trapped in the web. Probably both.
She holds white china, and it disappears. It's probably implied it's set down.
Walking barefoot across the rich carpet. Living the high life.
The picking up the phone is the call from dark forces. Unclear and not speaking in a human tongue. She fails to understand hanging up on them. It's here she realizes something is off with this place. At least as the inciting incident.
Once she leaves she can't return.
The legged dog licking the plate clean, feels important. The dog goes off and leads her down the stairs. Maybe a reference to Cerberus and the land of the dead.
Flies on plates, decay perhaps a reference to the lord of the flies.
The other two videos have the stage, which is obviously seperate from the production. As shadowy hands and people watch screens and the performance.
With the guitar it's obviously fake playing in such a way to emphasize that.
One thought that crossed my mind is that the way the red dress is shot looks like someone caught in a web.
The other one which resembles rock stars didn't struggle as much, and had more 'freedom' to move. But is stuck doing the samething over and over.
In the prerelease version, reddress is a painting, rockstar is on TVs and some are broken. The pattern is showing itself.
When she finally reenters and picks up the phone the cycle is complete an orboros as the story eats it's own tail. The door she enters is the one we entered.
The room is the trap, and the carpet the web. Except this time she is wearing shoes.
The rockstar verson pelvic thrust, then the snake jumping toward the camera is multi purposed. Sexual connotations. The womb (the cup) and the stick like snake (wand, it releases power). With the two it forms a stable triangle filling up and ending this piece of magic.
The video distortion of the gambling time is a reference to something, but it's not coming to me. Enlarging of the eyes and mouth.